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A powerful memoir of love, survival, and resilience, told through intimate letters

In Echoes of Cabrini-Green, Rudolph Elliot Willis tells the story of his journey from Chicago’s most notorious public housing project to the halls of academia and medicine. Framed as heartfelt letters written after his mother’s death, this deeply personal narrative reflects on a childhood shaped by systemic poverty, racism, and uncertainty, showing how faith, education, and resilience can remake lives.

Willis recalls the daily struggles of growing up Black in a family of ten children in Cabrini-Green—hunger, fear, and the constant threat of violence—alongside glimpses of neighborly solidarity, faith, and perseverance. He watched his father, a decorated veteran, retreat into silence and alcoholism while his mother’s frustration flared into anger. Throughout it all, she remained a moral compass. Her faith in God, unwavering work ethic, and quiet dignity gave her children a vision of something better.

A summer at a Christian camp introduced Willis to serenity and the grounding power of faith. A passion for reading and a gift for learning propelled him to an elite high school, where he wrestled with the dissonance between two worlds. But because of his mother’s enduring belief in education as a shield against the harsh realities of the world, he was ultimately able to thrive.

Willis went on to graduate from Northwestern University and earn a medical degree, eventually becoming an oncologist and scientific researcher. In these letters, he shares with his mother his successes and setbacks, the triumphs and struggles of his siblings, his grief following their deaths, and the haunting demolition of Cabrini-Green—the place that shaped him and so many others. Past, present, and future collapse: the crisp white coats and hallowed halls of medical school give way to the stained cinderblocks and echoing gunshots of Cabrini-Green. Willis looks into the eyes of patients and finds his siblings staring back at him. He realizes Cabrini-Green is not simply a memory—it is part of his identity, the crucible that formed him into who he is.

With lyrical prose and unflinching honesty, Echoes of Cabrini-Green is an invitation to imagine change in communities too often defined only by hardship; a testament to the power of faith, education, and personal resolve to transform lives; and a call to recognize the dignity and potential that endure even in the most neglected places.

"Young's linkage between critical race theory, historical inquiry, and performance studies is a necessary intersection. Innovative, creative, and provocative."
---Davarian Baldwin, Paul E. Raether Distinguished Professor of American Studies, Trinity College

In 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. In Embodying Black Experience, Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and Saartjie Baartman (the "Hottentot Venus") in 1810 to twenty-first century experiences of racial profiling and incarceration---Young chronicles a set of black experiences, or what he calls, "phenomenal blackness," that developed not only from the experience of abuse but also from a variety of performances of resistance that were devised to respond to the highly predictable and anticipated arrival of racial violence within a person's lifetime.

Embodying Black Experience pinpoints selected artistic and athletic performances---photography, boxing, theater/performance art, and museum display---as portals through which to gain access to the lived experiences of a variety of individuals. The photographs of Joseph Zealy, Richard Roberts, and Walker Evans; the boxing performances of Jack Johnson, Joe Louis, and Muhammad Ali; the plays of Suzan-Lori Parks, Robbie McCauley, and Dael Orlandersmith; and the tragic performances of Bootjack McDaniels and James Cameron offer insight into the lives of black folk across two centuries and the ways that black artists, performers, and athletes challenged the racist (and racializing) assumptions of the societies in which they lived.

Blending humanistic and social science perspectives, Embodying Black Experience explains the ways in which societal ideas of "the black body," an imagined myth of blackness, get projected across the bodies of actual black folk and, in turn, render them targets of abuse. However, the emphasis on the performances of select artists and athletes also spotlights moments of resistance and, indeed, strength within these most harrowing settings.

Harvey Young is Associate Professor of Theatre, Performance Studies, and Radio/Television/Film at Northwestern University.

A volume in the series Theater: Theory/Text/Performance

How a pioneering manuscript librarian and intellectual uncovered buried records that reshaped America’s past 

As the London-based agent of the US Library of Congress, Ruth Anna Fisher (1886–1975) profoundly shaped the field of US history. Working at the British Museum and Public Record Office between the world wars, she was responsible for a vast program of identifying and copying up to a million documents related to American history, with prescient attention to the transatlantic slave trade. This monumental achievement has provided countless scholars access to source materials that might have remained hidden in repositories throughout Britian without Fisher’s brilliant discernment and tireless labor. 

In Envoy to the Archives, William L. Fox offers the first full-length biography of this remarkable American intellectual. Born to a prominent African American family in northern Ohio, Fisher was keenly aware of racial issues throughout her life. She was associated with key thinkers in the Harlem Renaissance and the twentieth century transatlantic world, including W. E. B. Du Bois, Harold Laski, and J. Franklin Jameson. A trailblazer in historical research, Fisher was among a small group of Black women who first joined the ranks of professional library work, and her efforts in London coincided with the creation and consolidation of the US National Archives in the 1930s. She also mastered technologies that were new at the time, including photostat reproduction and microfilm—precursors to the many historical digitization projects of our own era. 

This engrossing biography adds to the growing body of work centered on Black women archivists, librarians, and curators. Fox draws on a wide range of archival sources, including the personal papers of prominent Black thinkers (Fisher’s were destroyed in the bombing of London in 1940), and various institutional records at the Library of Congress and the Carnegie Institution of Washington. Fox also knew Fisher personally, adding warmth and insight into this captivating portrait.