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     "Plant's study is sorely
        needed at this point in the evolving critical assessment of Hurston. It
        is a paradigm for the study of individual African American women writers."
        -- Alice Deck, University of Illinois at Urbana-Champaign
      In a ground-breaking study
        of Zora Neale Hurston, Deborah Plant takes issue with current notions
        of Hurston as a feminist and earlier impressions of her as an intellectual
        lightweight who disregarded serious issues of race in American culture.
        Instead, Plant calls Hurston a "writer of resistance" who challenged
        the politics of domination both in her life and in her work. One of the
        great geniuses of the Harlem Renaissance, Hurston stands out as a strong
        voice for African-American women. Her anthropological inquiries as well
        as her evocative prose provide today's readers with a rich history of
        African American folk culture, a folk culture through which Hurston expressed
        her personal and political strategy of resistance and self-empowerment.
      Through readings of Hurston's
        fiction and autobiographical writings, Plant offers one of the first book-length
        discussions of Hurston's personal philosophy of individualism and self-preservation.
        From a discussion of Hurston's preacher father and influential mother,
        whose guiding philosophy is reflected in the title of this book, to the
        influence of Spinoza and Nietzsche, Plant puts into perspective the driving
        forces behind Hurston's powerful prose.
      This fresh look at one of
        the most important writers of the twentieth century is sure to shape future
        study of Hurston and her work.
 

This broad overview by an established poet and cultural critic reveals the rich tapestry of African American poetry as it has emerged over the past century.

From early 20th-century writings to present-day poetry slams, African American poetry exhibits an impressive range of style and substance. Lorenzo Thomas has written an important new history of the genre that offers a critical reassessment of its development in the 20th century within the contexts of modernism and the troubled racial history of the United States.

Basing his study on literary history, cultural criticism, and close readings, Thomas revives and appraises the writings of a number of this century's most important African American poets, including Margaret Walker, Amiri Baraka, Askia M. Toure, Harryette Mullen, and Kalamu ya Salaam. Thomas analyzes the work of Fenton Johnson within the context of emerging race consciousness in Chicago, contributes to critical appraisals of William Stanley Braithwaite and Melvin B. Tolson, and examines the Black Arts Movement of the 1960s and 1970s. Throughout the book, Thomas demonstrates the continuity within the Afrocentric tradition while acknowledging the wide range of stylistic approaches and ideological stances that the tradition embraces.

By reassessing the African American poetry tradition, Thomas effectively reassesses the history of all 20th-century American literature by exploring avenues of debate that have not yet received sufficient attention. Written with intelligence and humor, his book is itself an extraordinary measure that reflects years of scholarship and opens up African American poetry to a wider audience.