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Through analysis of Ed Ruscha’s visionary Streets of Los Angeles Archive, this volume provides new understandings of his artistic practice, the history of L.A., and the innovative role of technology in the archive.

In 1966, Ed Ruscha drove a car rigged with a motorized camera to capture Los Angeles’ most iconic street: Sunset Boulevard. He created a time capsule of its famed facades, beginning a sixty-year-long commitment to documenting the changing urban landscape of postwar Los Angeles. The Streets of Los Angeles project that comprises these photographs is likely the most comprehensive artistic record of any city, with over 900,000 images of major thoroughfares. Ruscha’s photographs constitute an unparalleled visual chronicle of both iconic and everyday sites in L.A., including popular music venues, neighborhood restaurants, and billboards promoting Hollywood’s latest blockbusters.
 
In this volume, scholars from disciplines such as urban planning, cultural geography, architecture, art history, and musicology explore the Streets of Los Angeles Archive as a rich repository for analyzing Ruscha’s practice and the city’s visual culture. Using his photographs and new data visualizations, the authors consider what it means to interpret an archive mostly accessible through digital technologies, and they demonstrate how histories of art have been indelibly reshaped since the advent of the information age in the 1960s.
 
This publication was created using Quire™, a multiformat publishing tool from Getty. The free online edition of this open-access publication is available at www.getty.edu/publications/ruscha/ and includes video, data visualizations, and zoomable illustrations. Free PDF and EPUB downloads of the book are also available.

In a life full of chaos and travel, Elizabeth Bishop managed to preserve and even partially catalog, a large collection—more than 3,500 pages of drafts of poems and prose, notebooks, memorabilia, artwork, hundreds of letters to major poets and writers, and thousands of books—now housed at Vassar College. Informed by archival theory and practice, as well as a deep appreciation of Bishop’s poetics, the collection charts new territory for teaching and reading American poetry at the intersection of the institutional archive, literary study, the liberal arts college, and the digital humanities. The fifteen essays in this collection use this archive as a subject, and, for the first time, argue for the critical importance of working with and describing original documents in order to understand the relationship between this most archival of poets and her own archive. This collection features a unique set of interdisciplinary scholars, archivists, translators, and poets, who approach the archive collaboratively and from multiple perspectives. The contributions explore remarkable new acquisitions, such as Bishop’s letters to her psychoanalyst, one of the most detailed psychosexual memoirs of any twentieth century poet and the exuberant correspondence with her final partner, Alice Methfessel, an important series of queer love letters of the 20th century. Lever Press’s digital environment allows the contributors to present some of the visual experience of the archive, such as Bishop’s extraordinary “multi-medial” and “multimodal” notebooks, in order to reveal aspects of the poet’s complex composition process.

How a pioneering manuscript librarian and intellectual uncovered buried records that reshaped America’s past 

As the London-based agent of the US Library of Congress, Ruth Anna Fisher (1886–1975) profoundly shaped the field of US history. Working at the British Museum and Public Record Office between the world wars, she was responsible for a vast program of identifying and copying up to a million documents related to American history, with prescient attention to the transatlantic slave trade. This monumental achievement has provided countless scholars access to source materials that might have remained hidden in repositories throughout Britian without Fisher’s brilliant discernment and tireless labor. 

In Envoy to the Archives, William L. Fox offers the first full-length biography of this remarkable American intellectual. Born to a prominent African American family in northern Ohio, Fisher was keenly aware of racial issues throughout her life. She was associated with key thinkers in the Harlem Renaissance and the twentieth century transatlantic world, including W. E. B. Du Bois, Harold Laski, and J. Franklin Jameson. A trailblazer in historical research, Fisher was among a small group of Black women who first joined the ranks of professional library work, and her efforts in London coincided with the creation and consolidation of the US National Archives in the 1930s. She also mastered technologies that were new at the time, including photostat reproduction and microfilm—precursors to the many historical digitization projects of our own era. 

This engrossing biography adds to the growing body of work centered on Black women archivists, librarians, and curators. Fox draws on a wide range of archival sources, including the personal papers of prominent Black thinkers (Fisher’s were destroyed in the bombing of London in 1940), and various institutional records at the Library of Congress and the Carnegie Institution of Washington. Fox also knew Fisher personally, adding warmth and insight into this captivating portrait. 

In EXHIBITS IN ARCHIVES AND SPECIAL COLLECTIONS LIBRARIES, longtime special collections exhibits curator Jessica Lacher-Feldman advises archivists at all levels on developing enlightening and entertaining exhibits. She describes each step of the exhibit process, providing straightforward tips on: Developing innovative exhibit ideas Formulating exhibit policies and procedures for your institution Crafting well-written and visually interesting exhibit labels Branding and designing exhibits Promoting exhibits through conventional media, social media, and give-away items Also included are case studies that detail exhibits at a variety of institutions, sample documents and forms, a literature review, and a guide to exhibit supplies. Exhibit development doesn't have to be complicated or overwhelming. With this comprehensive resource, you'll learn how to develop exhibits that help you to better connect with your audience and advocate for your repository. "Proceed and be bold" with exhibit development, and gratifying, inspiring results will transpire.