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264 books match the query 'Asian Studies' and 7 start with e

cover of Emergent Genders: Living Otherwise in Tokyo's Pink Economies

Emergent Genders

Living Otherwise in Tokyo's Pink Economies

Michelle H. S. Ho

Duke University Press, 2025

In Emergent Genders, Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in josō and dansō cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders—new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo’s gay and lesbian neighborhood of Shinjuku Ni-chōme. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism.
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cover of Encounters with Korean Folk Religion: The Goddesses of Eight Peaks Mountain

Encounters with Korean Folk Religion

The Goddesses of Eight Peaks Mountain

Clark W. Sorensen

Rutgers University Press, 2027

Encounters with Korean Folk Religion is an account of forty-five years of engagement with the cult of goddesses on Eight Peaks Mountain in Korea’s western Kangwŏn Province, the shaman who tended to the goddesses there from 1977 to 2015, and the folk religion of the surrounding village of Eight Peaks. Since the 1980s, South Korea has urbanized and the village of Eight Peaks has been transformed from a remote agricultural village into a rafting and ski resort. While communal worship ceremonies have been dying out in most of Korea, they have only grown on Eight Peaks Mountain, which has been a site of worship since at least the 15th century. What was a small-scale local ceremony in 1977 has grown into a large-scale regional celebration attracting shamans and tourists from far and wide. The manuscript delves in a historically and anthropologically innovative way into the social, religious, and historical reasons for this efflorescence.

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cover of Engaging Social Media in China: Platforms, Publics, and Production

Engaging Social Media in China

Platforms, Publics, and Production

Guobin Yang

Michigan State University Press, 2021

Introducing the concept of state-sponsored platformization, this volume shows the complexity behind the central role the party-state plays in shaping social media platforms. The party-state increasingly penetrates commercial social media while aspiring to turn its own media agencies into platforms. Yet state-sponsored platformization does not necessarily produce the Chinese Communist Party’s desired outcomes. Citizens continue to appropriate social media for creative public engagement at the same time that more people are managing their online settings to reduce or refuse connection, inducing new forms of crafted resistance to hyper-social media connectivity. The wide-ranging essays presented here explore the mobile radio service Ximalaya.FM, Alibaba’s evolution into a multi-platform ecosystem, livestreaming platforms in the United States and China, the role of Twitter in Trump’s North Korea diplomacy, user-generated content in the news media, the emergence of new social agents mediating between state and society, social media art projects, Chinese and US scientists’ use of social media, and reluctance to engage with WeChat. Ultimately, readers will find that the ten chapters in this volume contribute significant new research and insights to the fast-growing scholarship on social media in China at a time when online communication is increasingly constrained by international struggles over political control and privacy issues.
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cover of Engineering Stability: Rebuilding the State in Twenty-First Century Chinese Universities

Engineering Stability

Rebuilding the State in Twenty-First Century Chinese Universities

Yan Xiaojun

University of Michigan Press, 2024

While the processes of founding a new state or constructing a new political order after a transition have been well-studied, there has been much less attention to how regimes that survive major political crises purposefully reinvent a postcrisis state to respond to updated concepts, new circumstances, changed social demands, and a realigned elite consensus. In Engineering Stability, Yan Xiaojun examines the Chinese Communist Party’s efforts to reassert control and restore order on university campuses in the post-Tiananmen era. Since prominent national universities serve the nation-state as training grounds for the country’s future political, economic, and cultural elites, public life on university campuses has immediate political relevance. 

Drawing on rich materials gathered from in-depth field research in China during the Xi Jinping era, Engineering Stability invites scholars of comparative politics, state theory, contentious politics, and political development to rethink and reimagine how what Yan calls “a compromised autocratic state” is rebuilt within and from itself after overcoming a traumatic moment of vulnerability. The book further details the four types of infrastructure — institutional, significative, regulatory, and incentivizing — that state rebuilders need to overhaul, and looks into the campaign of state rebuilding in post-Tiananmen Chinese universities and its implications for our understanding of politics in general.
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cover of Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh

Ethical Encounters

Transnational Feminism, Human Rights, and War Cinema in Bangladesh

Elora Halim Chowdhury

Temple University Press, 2022

Ethical Encounters is an exploration of the intersection of feminism, human rights, and memory to illuminate how visual practices of recollecting violent legacies in Bangladeshi cinema can conjure a global cinematic imagination for the advancement of humanity. 

By examining contemporary, women-centered Muktijuddho cinema—features and documentaries that focus on the Bangladesh Liberation War of 1971—Elora Chowdhury shows how these films imagine, disrupt, and reinscribe a gendered nationalist landscape of trauma, freedom, and agency. Chowdhury analyzes Bangladeshi feminist films including Meherjaan, and Itihaash Konna (Daughters of History), as well as socially-engaged films by activist-filmmakers including Jonmo Shathi (Born Together), and Shadhinota (A Certain Liberation), to show how war films of Bangladesh can generate possibilities for gender justice. 

Chowdhury argues that justice-driven films are critical to understanding and negotiating the layered meanings and consequences of catastrophic human suffering yet at the same time they hint at subjectivities and identities that are not reducible to the politics of suffering. Rather, they are key to creating an alternative and disruptive archive of feminist knowledge—a sensitive witnessing, responsible spectatorship, and just responsibility across time, and space. 

Drawing on Black and transnational feminist critiques, Chowdhury explores questions around women’s place, social roles, and modes of participation in war as well as the visual language through which they become legible as victims/subjects of violence and agents of the nation. Ethical Encounters illuminates the possibilities of film as a site to articulate an ethics that acknowledges a founding violence of the birth of a nation, recuperates it even if in fragments, and imagines differently the irreconcilable relationship between humanity, liberty, and justice.




 

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cover of Ethnic Minority Cinema in China’s Nation-State Building

Ethnic Minority Cinema in China’s Nation-State Building

Kwai-Cheung Lo

University of Michigan Press, 2025

Ethnic Minority Cinema in China’s Nation-State Building investigates the relationship between cinematic productions about non-Han ethnic minorities and China’s nation-state building project from the early Republican era of the 1920s to the current authoritarian regime in the twenty-first century. Kwai-Cheung Lo argues that the glossy, but superficial, cinematic depictions of non-Han ethnic minorities manufactured and manipulated by state authorities have deeply penetrated the Chinese public’s conception of what an ideal multiethnic nation should be like as well as what it means to be Chinese under political unification. 

Lo understands these representations of ethnic minorities as part of a larger ecosystem and the cultures, values, and life practices of non-Han ethnic minorities as closely entwined with environmental issues and politics. This intertwining, Lo argues, suggests a crisis in “objectification and identification” of both people and the environment, that plays out in cinema featuring ethnic minorities. Lo traces these depictions of Chinese ethnic minority groups in films created by both Han-majority and non-Han filmmakers, examining how these representations became a site in which state authorities, Han and non-Han communities, and foreign agencies compete and interact under the larger context of building and imagining the Chinese nation-state.
 
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cover of Everyday Erotics: Older Chinese Women and Same-Sex Desire

Everyday Erotics

Older Chinese Women and Same-Sex Desire

Denise Tse-Shang Tang

Duke University Press, 2026

In Everyday Erotics, Denise Tse-Shang Tang explores the lives of older women with same-sex desire in Hong Kong, Singapore, and Taiwan. Tang interviews women born in the 1930’s through the 1960’s, looking at how their lives differ across culture, class, and place, and how they lived and understood their own desires and social worlds. Through these tales of love, intimacy, family obligations, and personal respectability, she presents narrative accounts and analyses that complicate cultural notions of romance and desire at the intersections of gender roles, social class, and history. An ethnography grounded in inter-Asian cultural flows and connected histories, Everyday Erotics builds an archive of queer women’s lives and a genealogy of their experiences.
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