112 books match the query 'Body' and 5 start with e

cover of Ecological Borderlands: Body, Nature, and Spirit in Chicana Feminism

Ecological Borderlands

Body, Nature, and Spirit in Chicana Feminism

Christina Holmes

University of Illinois Press, 2016

Environmental practices among Mexican American woman have spurred a reconsideration of ecofeminism among Chicana feminists. Christina Holmes examines ecological themes across the arts, Chicana activism, and direct action groups to reveal how Chicanas can craft alternative models for ecofeminist processes.
 
Holmes revisits key debates to analyze issues surrounding embodiment, women's connections to nature, and spirituality's role in ecofeminist philosophy and practice. By doing so, she challenges Chicanas to escape the narrow frameworks of the past in favor of an inclusive model of environmental feminism that alleviates Western biases. Holmes uses readings of theory, elaborations of ecological narratives in Chicana cultural productions, histories of human and environmental rights struggles in the Southwest, and a description of an activist exemplar to underscore the importance of living with decolonializing feminist commitment in body, nature, and spirit.
 
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cover of Ecology of the Body: Styles of Behavior in Human Life

Ecology of the Body

Styles of Behavior in Human Life

Joseph Lyons

Duke University Press, 1987

Ecology of the Body presents an argument for describing our behavior in accordance with the ways we experience our bodies. Increasingly, psychologists are recognizing that human beings show great diversity in the ways they perform the vast repertoire of human behaviors—such as perceiving, reasoning, remembering, forgetting—that we may well possess not simply different levels of "intelligence" but also different forms of it in varying combinations, just as we show differing degrees of emotion, goal-directed activity, and creativity. Lyons puts forward a hypothesis in which he argues for the utility of understanding these differences as stylistic variations that are inseparable from our physical experience of ourselves.
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cover of Educating Mind, Body and Spirit: The legacy of Quintin Hogg and The Polytechnic, 1864-1992

Educating Mind, Body and Spirit

The legacy of Quintin Hogg and The Polytechnic, 1864-1992

Helen Glew, Anthony Gorst, Michael Heller and Neil Matthews

University of Westminster Press, 2013

The story of the Polytechnic and of the legacy of Quintin Hogg is the third publication exploring the University of Westminster's long and diverse history. A fitting tribute to the life and legacy of Hogg, his holistic approach to education and the institute he created. This book is richly illustrated with images from the University's Archive.

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cover of Embodiments: From the Body to the Body Politic

Embodiments

From the Body to the Body Politic

James R. Mensch

Northwestern University Press, 2009

How does the body politic reflect the nature of human embodiment? To pursue this question in a new and productive way, James Mensch employs a methodology consistent with the fact of our embodiment; he uses Merleau-Ponty’s concept of "intertwining"—the presence of one’s self in the world and of the world in one’s self—to understand the ideas that define political life.

Mensch begins his inquiry by developing a philosophical anthropology based on this concept. He then applies the results of his investigation to the relations of power, authority, freedom, and sovereignty in public life. This involves confronting a line of interpretation, stretching from Hobbes to Agamben, which sees violence as both initiating and preserving the social contract. To contest this interpretation, Mensch argues against its presupposition, which is to equate freedom with sovereignty over others. He does so by understanding political freedom in terms of embodiment—in particular, in terms of the finitude and interdependence that our embodiment entails. Freedom, conceived in these terms, is understood as the gift of others. As a function of our dependence on others, it cannot exist apart from them. To show how public space and civil society presuppose this interdependence is the singular accomplishment of Embodiments. It accomplishes a phenomenological grounding for a new type of political philosophy.
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cover of Embodying Black Experience: Stillness, Critical Memory, and the Black Body

Embodying Black Experience

Stillness, Critical Memory, and the Black Body

Harvey Young

University of Michigan Press, 2010

"Young's linkage between critical race theory, historical inquiry, and performance studies is a necessary intersection. Innovative, creative, and provocative."
---Davarian Baldwin, Paul E. Raether Distinguished Professor of American Studies, Trinity College

In 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. In Embodying Black Experience, Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and Saartjie Baartman (the "Hottentot Venus") in 1810 to twenty-first century experiences of racial profiling and incarceration---Young chronicles a set of black experiences, or what he calls, "phenomenal blackness," that developed not only from the experience of abuse but also from a variety of performances of resistance that were devised to respond to the highly predictable and anticipated arrival of racial violence within a person's lifetime.

Embodying Black Experience pinpoints selected artistic and athletic performances---photography, boxing, theater/performance art, and museum display---as portals through which to gain access to the lived experiences of a variety of individuals. The photographs of Joseph Zealy, Richard Roberts, and Walker Evans; the boxing performances of Jack Johnson, Joe Louis, and Muhammad Ali; the plays of Suzan-Lori Parks, Robbie McCauley, and Dael Orlandersmith; and the tragic performances of Bootjack McDaniels and James Cameron offer insight into the lives of black folk across two centuries and the ways that black artists, performers, and athletes challenged the racist (and racializing) assumptions of the societies in which they lived.

Blending humanistic and social science perspectives, Embodying Black Experience explains the ways in which societal ideas of "the black body," an imagined myth of blackness, get projected across the bodies of actual black folk and, in turn, render them targets of abuse. However, the emphasis on the performances of select artists and athletes also spotlights moments of resistance and, indeed, strength within these most harrowing settings.

Harvey Young is Associate Professor of Theatre, Performance Studies, and Radio/Television/Film at Northwestern University.

A volume in the series Theater: Theory/Text/Performance

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