122 books match the query 'English poetry' and 6 start with e

cover of Ecopoetry: Critical Introduction

Ecopoetry

Critical Introduction

Scott Bryson

University of Utah Press, 2002

The burgeoning field of ecocriticism is beginning to address the work of such ecopoets as Gary Snyder, Mary Oliver, W. S. Merwin, and Wendell Berry, among others, whose poems increasingly deal with ecological and environmental issues. Ecopoetry: A Critical Introduction assembles previously unpublished contributions from many of the most important scholars in the field as they discuss the historical and crosscultural roots of ecopoetry, while expanding the boundaries to include such themes as genocide and extinction, the lesbian body, and post colonialism. This volume gathers these necessary voices in the emerging conversation regarding poetry’s place in the environmental debate.

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cover of Electric Meters: Victorian Physiological Poetics

Electric Meters

Victorian Physiological Poetics

Jason Rudy

Ohio University Press, 2009

Victorian poetry shocks with the physicality of its formal effects, linking the rhythms of the human body to the natural pulsation of the universe. In Electric Meters: Victorian Physiological Poetics Jason R. Rudy connects formal poetic innovations to developments in the electrical and physiological sciences, arguing that the electrical sciences and bodily poetics cannot be separated, and that they came together with special force in the years between the 1830s, which witnessed the invention of the electric telegraph, and the 1870s, when James Clerk Maxwell’s electric field theory transformed the study of electrodynamics.

Combining formal poetic analysis with cultural history, Rudy traces the development of Victorian physiological poetics from the Romantic poetess tradition through to the works of Alfred Tennyson, the “Spasmodic” poets, Elizabeth Barrett Browning, Gerard Manley Hopkins, and Algernon Swinburne, among others. He demonstrates how poetic rhythm came increasingly to be understood throughout the nineteenth century as a physiological mechanism, as poets across class, sex, and national boundaries engaged intensely and in a variety of ways with the human body’s subtle response to rhythmic patterns. Whether that opportunity for transcendence was interpersonal or spiritual in nature, nineteenth–century poets looked to electricity as a model for overcoming boundaries, for communicating across the gaps between sound and sense, between emotion and thought, and—perhaps—between individuals in the modern world.

Electric Meters will appeal to those interested in poetry of any period and particularly those interested in nineteenth–century culture and history.
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cover of Elizabethan Poetry in Manuscript: An Edition of British Library Harley MS 7392(2)

Elizabethan Poetry in Manuscript

An Edition of British Library Harley MS 7392(2)

Edited by Jessica Edmondes

Iter Press, 2022

This volume presents the first printed edition of a late sixteenth-century poetic miscellany and provides invaluable insight into understanding the literature of the period. Its owner and principal scribe, Humfrey Coningsby, drew on texts circulating in manuscript , predominantly by contemporary writers of the time—including Philip Sidney, Edward Dyer, Arthur Gorges, Walter Ralegh, Elizabeth I, the Earl of Oxford, Nicholas Breton, George Peele, and Thomas Watson. Coningsby also added at least two of his own compositions, along with anonymous poems not found in any other manuscripts or printed books.

This edition preserves the appearance, spelling, and punctuation of the original manuscript while expanding antiquated contractions to provide an easily readable text. Textual notes appear on the page, and in-depth contextual notes and word glosses are provided in the commentary section. The analyses add to our knowledge of early modern manuscript culture and literary manuscript transmission, and a substantial introduction provides context for the compilation of the anthology.
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cover of Eloquence and Mere Life: Essays on the Art of Poetry

Eloquence and Mere Life

Essays on the Art of Poetry

Alan Williamson

University of Michigan Press, 1994

Assesses past and future generations of poets and examines the standards by which they should be measured
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cover of English Mercuries: Soldier Poets in the Age of Shakespeare

English Mercuries

Soldier Poets in the Age of Shakespeare

Adam N. McKeown

Vanderbilt University Press, 2009

English Mercuries examines war and literature through the writings of veterans who came home from their deployments to pursue literary careers. From their often neglected writings emerges a new picture of the Elizabethan world at war. For centuries Elizabethan England has been characterized by booming patriotism and martial energy, and the literature of this period, epitomized in works like Shakespeare's Henry V, has been seen as celebrating a proud and defiant kingdom unified around its wars with Spain. Beneath this patriotic veneer, however, was a country withering under the costs of seemingly endless military commitments and ripped apart by doubts about the purpose of war and mistrust of state officials who advanced their own political interests through war at the expense of the people who had to fight and pay for it.

These misgivings are a powerful undercurrent in much of the literature of the period, even the most ostensibly patriotic works, but it is in the writings on war by soldier poets where they are most clearly pronounced. Fashioning themselves as servants of both Mars and Mercury (the god of war and the god of writing), Elizabethan soldier poets focused their war stories on the gritty realities of military campaigning, the price individuals paid for serving the state, and the difficulties of returning to civilian life. The book reconsiders some familiar writers like John Donne and Ben Jonson in the context of their military experiences and provides comprehensive studies of some important but underappreciated soldier poets like Thomas Churchyard, George Gascoigne, and John Harington.

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cover of Enraptured Space: Gender, Class, and Ecology in the Work of Paula Meehan

Enraptured Space

Gender, Class, and Ecology in the Work of Paula Meehan

Kathryn J. Kirkpatrick

West Virginia University Press, 2025

In the first book-length study of Paula Meehan, one of Ireland’s leading contemporary poets emerges as an original voice whose perspectives on gender, class, and ecology are transforming the Irish literary landscape and beyond. Drawing on her own lived experience as a practicing poet, Kathryn J. Kirkpatrick explores how scholarship is grounded in an imaginative exchange between the words on the page and the material conditions of the scholar who works to inhabit them. With chapters of literary analysis swimming in a conversation between two poets, this book breaches the boundaries between criticism and memoir, suggesting ways that every scholar is transformed by the subjects they study.

In Paula Meehan, Kirkpatrick has found a powerful poet to both study and love, and her reading of Meehan’s poetry and prose through the lenses of gender studies, the environmental humanities, and social class offers a passionate endorsement of Meehan’s radical interventions in the canon of Irish poetry. This work explores eight volumes of Meehan’s poetry, including Dharmakaya, Painting Rain, and Geomantic.
 
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