230 books match the query 'Government relations' and 4 start with e

cover of Editorializing "The Indian Problem": The New York Times on Native Americans, 1860-1900

Editorializing "The Indian Problem"

The New York Times on Native Americans, 1860-1900

Robert Hays. Foreword by: Paul Simon

Southern Illinois University Press, 2007

Drawing on four decades of New York Times editorials, Robert Hays demonstrates the magnitude of the conflict between Native American and white European cultures as settlers and adventurers spread rapidly across the continent in the post–Civil War period.
From 1860 through 1900, the Times published nearly a thousand editorials on what was commonly called “the Indian problem.” Selecting some of the best of these editorials, Hays gives readers what current accounts cannot: contemporary writers’ perspectives on the public images of Native Americans and their place in a nation bent on expansion. Some editorials express the unbridled bitterness and raw ambition of a nation immersed in an agenda of conquest, while others resonate with the struggle to find a common ground. Still others evince an attitude of respect, which set the tone for reconciling national ambition with natural rights.
American history demonstrates time and again the price of Manifest Destiny.
Many of the issues confronting nineteenth-century Native Americans remain alive today: unemployment, infant mortality, suicide, crime, alcoholism, and poverty. In presenting the authentic and urgent voices of a national newspaper’s daily record, Hays illuminates the roots of our current challenges.
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cover of Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Québec

Encounters on Contested Lands

Indigenous Performances of Sovereignty and Nationhood in Québec

Julie Burelle

Northwestern University Press, 2019

Winner, 2019 John W. Frick Book Award
Winner, 2020 Ann Saddlemyer Award
Finalist, ATHE Outstanding Book Award for 2020
Mention Spéciale, Société québécoise d'études théâtrale


In Encounters on Contested Lands, Julie Burelle employs a performance studies lens to examine how instances of Indigenous self-representation in Québec challenge the national and identity discourses of the French Québécois de souche—the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized and rightfully belonging to the territory of Québec. 

Analyzing a wide variety of performances, Burelle brings together the theater of Alexis Martin and the film L'Empreinte, which repositions the French Québécois de souche as métis, with protest marches led by Innu activists; the Indigenous company Ondinnok's theater of repatriation; the films of Yves Sioui Durand, Alanis Obomsawin, and the Wapikoni Mobile project; and the visual work of Nadia Myre. These performances, Burelle argues, challenge received definitions of sovereignty and articulate new ones while proposing to the province and, more specifically, to the French Québécois de souche, that there are alternative ways to imagine Québec's future and remember its past. 

The performances insist on Québec's contested nature and reframe it as animated by competing sovereignties. Together they reveal how the "colonial present tense" and "tense colonial present" operate in conjunction as they work to imagine an alternative future predicated on decolonization. Encounters on Contested Lands engages with theater and performance studies while making unique and needed contributions to Québec and Canadian studies, as well as to Indigenous and settler-colonial studies.
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cover of Enduring Nations: Native Americans in the Midwest

Enduring Nations

Native Americans in the Midwest

Edited by R. David Edmunds

University of Illinois Press, 2007

Enduring Nations documents how tribal peoples have adapted to cultural change while shaping midwestern history. Examining the transformation of Native American communities, which often occurred in response to shifting government policy, the contributors explore the role of women, controversial tribal enterprises and economies, social welfare practices, and native peoples' frequent displacement to locations such as reservations and urban centers. Central to both past and contemporary discussions of Native American cultural change is whether Native American identity should be determined by genetics, shared cultural values, or a combination of the two.

Contributors are Bradley J. Birzer, Brenda J. Child, Thomas Burnell Colbert, Gregory Evans Dowd, R. David Edmunds, Brian Hosmer, Rebecca Kugel, James B. LaGrand, Melissa L. Meyer, Lucy Eldersveld Murphy, Alan G. Shackelford, Susan Sleeper-Smith, and Stephen Warren.

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cover of Everything You Know about Indians Is Wrong

Everything You Know about Indians Is Wrong

Paul Chaat Smith

University of Minnesota Press, 2009

Forceful and eloquent essays on the American Indian in culture and history

In this sweeping work of memoir and commentary, leading cultural critic Paul Chaat Smith illustrates with dry wit and brutal honesty the contradictions of life in “the Indian business.”

Raised in suburban Maryland and Oklahoma, Smith dove head first into the political radicalism of the 1970s, working with the American Indian Movement until it dissolved into dysfunction and infighting. Afterward he lived in New York, the city of choice for political exiles, and eventually arrived in Washington, D.C., at the newly minted National Museum of the American Indian (“a bad idea whose time has come”) as a curator. In his journey from fighting activist to federal employee, Smith tells us he has discovered at least two things: there is no one true representation of the American Indian experience, and even the best intentions sometimes result in catastrophe.

Everything You Know about Indians Is Wrong is a highly entertaining and, at times, searing critique of the deeply disputed role of American Indians in the United States. In “A Place Called Irony,” Smith whizzes through his early life, showing us the ironic pop culture signposts that marked this Native American’s coming of age in suburbia: “We would order Chinese food and slap a favorite video into the machine—the Grammy Awards or a Reagan press conference—and argue about Cyndi Lauper or who should coach the Knicks.” In “Lost in Translation,” Smith explores why American Indians are so often misunderstood and misrepresented in today’s media: “We’re lousy television.” In “Every Picture Tells a Story,” Smith remembers his Comanche grandfather as he muses on the images of American Indians as “a half-remembered presence, both comforting and dangerous, lurking just below the surface.”

Smith walks this tightrope between comforting and dangerous, offering unrepentant skepticism and, ultimately, empathy. “This book is called Everything You Know about Indians Is Wrong, but it’s a book title, folks, not to be taken literally. Of course I don’t mean everything, just most things. And ‘you’ really means we, as in all of us.”

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