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"This book is about the historical influence of late nineteenth-century medical beliefs and values on the perceived benefits of physical activity for women across their life span. The practice of medicine and the knowledge which underpins it have never been simple and logical progressions from one truth to another. Rather, scientific knowledge, medical practice and social perception have interacted to affect views concerning what kinds of amounts of physical activity, including sport and healthful exercise, might be most appropriate for girls and women at different points in their life course.
 
"A review of thinking is needed in the field of sociohistorical analysis concerning attitudes toward the female body and attempts to regulate female physical activity. Such analyses may generate new insights into the questions of both social control and the unevenness of progress in women's real or perceived opportunities for participating freely and fully in sports and exercise of their choice."
 

Earth has been witness to mammoths and dinosaurs, global ice ages, continents colliding or splitting apart, and comets and asteroids crashing catastrophically to the surface, as well as the birth of humans who are curious to understand it. But how was all this discovered? How was the evidence for it collected and interpreted? And what kinds of people have sought to reconstruct this past that no human witnessed or recorded? In this sweeping and accessible book, Martin J. S. Rudwick, the premier historian of the Earth sciences, tells the gripping human story of the gradual realization that the Earth’s history has not only been unimaginably long but also astonishingly eventful.

Rudwick begins in the seventeenth century with Archbishop James Ussher, who famously dated the creation of the cosmos to 4004 BC. His narrative later turns to the crucial period of the late eighteenth and early nineteenth centuries, when inquisitive intellectuals, who came to call themselves “geologists,” began to interpret rocks and fossils, mountains and volcanoes, as natural archives of Earth’s history. He then shows how this geological evidence was used—and is still being used—to reconstruct a history of the Earth that is as varied and unpredictable as human history itself. Along the way, Rudwick rejects the popular view of this story as a conflict between science and religion and shows how the modern scientific account of the Earth’s deep history retains strong roots in Judaeo-Christian ideas. 

Extensively illustrated, Earth’s Deep History is an engaging and impressive capstone to Rudwick’s distinguished career.  Though the story of the Earth is inconceivable in length, Rudwick moves with grace from the earliest imaginings of our planet’s deep past to today’s scientific discoveries, proving that this is a tale at once timeless and timely.
 

In the century between 1757 and 1857, The East India Company brought both sizeable affluence and fresh perspective back home to Britain from the Indian subcontinent. During this period, the Company shifted its activities and increasingly employed civil servants, army officers, surveyors, and doctors, many of whom returned to Britain with newly acquired wealth, tastes, and identities. This new volume moves beyond conventional academic narratives by drawing on wider research, exploring how the empire in Asia shaped British country houses, thus contributing to the ongoing conversation on imperial culture and its British legacies. 

The object of this volume is to provide scholars undertaking research in the history of British economic thought with a systematic listing of the available sources of manuscript material. It is the first work of its kind, and is based on extensive search inquiry into the scattered public and private sources of personal papers and correspondence of British economists. Over one hundred and fifty listings are printed here. They include numerous lesser figures as well as the most distinguished contributors to the varied literature of economics in the period since 1700. The Guide should, therefore, be of interest not only to specialist historians of economics but also to those concerned with the wider role of economic ideas in political debate and the formation of public opinion.

Succeeded Churchill as Prime Minister, but worsened relations with USA during the Suez Crisis

"A major accomplishment in the study of Burke." —Choice

More than 200 years after his death, Edmund Burke remains among the most influential conservative writers in the Anglophone world. Burke’s relevance has only grown as the nature of what it means to be a conservative has become hotly contested.

And yet Burke is often discussed more than he is read. Worse, his rhetoric is often pressed into the service of other ideologies. In Edmund Burke and the Discourse of Virtue, Stephen Browne of Pennsylvania State University subjects Burke’s work to the close textual analysis it has never received.

The result of Browne's study is to present Burke and his work in a light that was clearly essential to Burke himself, one that illuminates the link between rhetoric and action that is key to understanding Burke, his career, his work, and his influence on contemporary conservatism.

Readers interested in the development of conversative philosophy, politics, and writing from its earliest roots will value this rare and illuminating work.

In 1837, when Queen Victoria came to the throne, no institution of higher education in Britain was open to women. By the end of the century, a quiet revolution had occurred: women had penetrated even the venerable walls of Oxford and Cambridge and could earn degrees at the many new universities founded during Victoria's reign. During the same period, novelists increasingly put intellectually ambitious heroines students, teachers, and frustrated scholars—at the center of their books. Educating Women analyzes the conflict between the higher education movement's emphasis on intellectual and professional achievement and the Victorian novel's continuing dedication to a narrative in which women's success is measured by the achievement of emotional rather than intellectual goals and by the forging of social rather than institutional ties.

Focusing on works by Charlotte Brontë, George Eliot, Anna Leonowens, and Thomas Hardy, Laura Morgan Green demonstrates that those texts are shaped by the need to mediate the conflict between the professionalism and publicity increasingly associated with education, on the one hand, and the Victorian celebration of women as emblems of domesticity, on the other. Educating Women shows that the nineteenth-century “heroines” of both history and fiction were in fact as indebted to domestic ideology as they were eager to transform it.

Eighteenth-Century Contexts offers a lively array of essays that consider literary, intellectual, political, theological, and cultural aspects of the years 1650–1800, in the British Isles and Europe. At the center of the book is Jonathan Swift; several essays delve into his poetry, his similarities to Bernard Mandeville, his response to Anthony Collins’s Discourse of Free-Thinking, and the relationship between his Gulliver’s Travels and Thomas More’s Utopia. Other essays discuss Alexander Pope, eighteenth-century music and poetry, William Congreve, James Boswell, Samuel Richardson, and women’s novels of the eighteenth century.

Victorian poetry shocks with the physicality of its formal effects, linking the rhythms of the human body to the natural pulsation of the universe. In Electric Meters: Victorian Physiological Poetics Jason R. Rudy connects formal poetic innovations to developments in the electrical and physiological sciences, arguing that the electrical sciences and bodily poetics cannot be separated, and that they came together with special force in the years between the 1830s, which witnessed the invention of the electric telegraph, and the 1870s, when James Clerk Maxwell’s electric field theory transformed the study of electrodynamics.

Combining formal poetic analysis with cultural history, Rudy traces the development of Victorian physiological poetics from the Romantic poetess tradition through to the works of Alfred Tennyson, the “Spasmodic” poets, Elizabeth Barrett Browning, Gerard Manley Hopkins, and Algernon Swinburne, among others. He demonstrates how poetic rhythm came increasingly to be understood throughout the nineteenth century as a physiological mechanism, as poets across class, sex, and national boundaries engaged intensely and in a variety of ways with the human body’s subtle response to rhythmic patterns. Whether that opportunity for transcendence was interpersonal or spiritual in nature, nineteenth–century poets looked to electricity as a model for overcoming boundaries, for communicating across the gaps between sound and sense, between emotion and thought, and—perhaps—between individuals in the modern world.

Electric Meters will appeal to those interested in poetry of any period and particularly those interested in nineteenth–century culture and history.

Elizabeth Barrett Browning (1806-61) was the first major woman poet in the English literary tradition. Her significance has been obscured in this century by her erasure from most literary histories and her exclusion from academic anthologies. Dorothy Mermin's critical and biographical study argues for Barrett Browning's originative role in both the Victorian poetic tradition and the development of women's literature.

Barrett Browning's place at the wellhead of a new female tradition remains the single most important fact about her in terms of literary history, and it was central to her self-consciousness as a poet. Mermin's study shows that Barrett Browning's anomalous situation was constantly present to her imagination and that questions of gender shaped almost everything she wrote. Mermin argues that Barrett Browning's poetry covertly inspects and dismantles the barriers set in her path by gender and that in her major works—Sonnets from the Portuguese, Aurora Leigh, her best political poems, "A Musical Instrument"—difficulty is turned into triumph, incorporating the author's femininity, her situation as a woman poet, and her increasingly substantial fame.

Mermin skillfully interweaves biography and close readings of the poems to show precisely how Barrett Browning's life as a woman writer is a part of the essential meaning of her art. Both her personal and her literary achievements are exceptionally well documented, especially for her formative years. Mermin makes extensive use of the poet's early essays, a diary covering most of her twenty-sixth year, and the enormous number of letters that have survived. Ranging from her earliest ambitions through her long periods of discouragement and illness to her happy married life with Robert Browning, this comprehensive study of Elizabeth Barrett Browning is essential reading for students of the Victorian period, English literature, and women's studies.

Published to substantial critical acclaim, Elizabeth I: Collected Works brought together for the first time in one volume the speeches, poems, prayers, and selected letters of Queen Elizabeth I (1533-1603), all in modernized spelling and punctuation. With this new volume, Janel Mueller and Leah S. Marcus give specialists fuller access to key originals of the queen's texts presented in Collected Works.

The originals selected for inclusion here are compositions that survive in Elizabeth's own handwriting, in English and in foreign languages, as well as her foreign language compositions preserved by other hands or in printed editions. Presented in transcriptions that reproduce the spelling and punctuation of their sixteenth-century sources, these texts convey many of the expressive and significant features of Elizabeth's writing. Through the transcriptions of texts in her own hand, readers can track the queen's language and compositional style-her choices of vocabulary and phrasing; her habits of capitalization, spelling, and punctuation; her often heavy revisions and redraftings; and her insertions of postscripts and second thoughts. The texts in foreign languages, meanwhile, will allow readers to prepare their own English translations from these original sources.

A unique resource for scholars of English literature and the Renaissance, this companion to the Collected Works offers much fuller and more detailed access to Elizabeth and her writings than can be obtained from the modern English versions alone.

This long-awaited and masterfully edited volume contains nearly all of the writings of Queen Elizabeth I: the clumsy letters of childhood, the early speeches of a fledgling queen, and the prayers and poetry of the monarch's later years. The first collection of its kind, Elizabeth I reveals brilliance on two counts: that of the Queen, a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well.

"This collection shines a light onto the character and experience of one of the most interesting of monarchs. . . . We are likely never to get a closer or clearer look at her. An intriguing and intense portrait of a woman who figures so importantly in the birth of our modern world."—Publishers Weekly

"An admirable scholarly edition of the queen's literary output. . . . This anthology will excite scholars of Elizabethan history, but there is something here for all of us who revel in the English language."—John Cooper, Washington Times

"Substantial, scholarly, but accessible. . . . An invaluable work of reference."—Patrick Collinson, London Review of Books

"In a single extraordinary volume . . . Marcus and her coeditors have collected the Virgin Queen's letters, speeches, poems and prayers. . . . An impressive, heavily footnoted volume."—Library Journal

"This excellent anthology of [Elizabeth's] speeches, poems, prayers and letters demonstrates her virtuosity and afford the reader a penetrating insight into her 'wiles and understandings.'"—Anne Somerset, New Statesman

"Here then is the only trustworthy collection of the various genres of Elizabeth's writings. . . . A fine edition which will be indispensable to all those interested in Elizabeth I and her reign."—Susan Doran, History

"In the torrent of words about her, the queen's own words have been hard to find. . . . [This] volume is a major scholarly achievement that makes Elizabeth's mind much more accessible than before. . . . A veritable feast of material in different genres."—David Norbrook, The New Republic

Elusion Aforethought provides significant new material on the work of crime and detection fiction writer Anthony Berkeley Cox, a popular and prolific English journalist, satirist, and novelist in the period between World Wars I and II. Cox has been called one of the most important and influential of Golden Age detective fiction writers by such authorities as Haycraft, Symons, and Keating, yet he occupies a surprisingly ambivalent position in the history of the crime genre.

Featuring essays written by the influential historian Antoinette Burton since the mid-1990s, Empire in Question traces the development of a particular, contentious strand of modern British history, the “new imperial history,” through the eyes of a scholar who helped to shape the field. In her teaching and writing, Burton has insisted that the vectors of imperial power run in multiple directions, argued that race must be incorporated into history writing, and emphasized that gender and sexuality are critical dimensions of imperial history. Empire in Question includes Burton’s groundbreaking critiques of British historiography, as well as essays in which she brings theory to bear on topics from Jane Eyre to nostalgia for colonial India. Burton’s autobiographical introduction describes how her early encounters with feminist and postcolonial critique led to her convictions that we must ask who counts as a subject of imperial history, and that we should maintain a healthy skepticism regarding the claims to objectivity that shape much modern history writing. In the coda, she candidly reflects on shortcomings in her own thinking and in the new imperial history, and she argues that British history must be repositioned in relation to world history. Much of Burton’s writing emerged from her teaching; Empire in Question is meant to engage students and teachers in debates about how to think about British imperialism in light of contemporary events.

Following the publication of Adam Smith’s The Wealth of Nations, nineteenth-century liberal economic thinkers insisted that a globally hegemonic Britain would profit only by abandoning the formal empire. British West Indians across the divides of race and class understood that, far from signaling an invitation to nationalist independence, this liberal economic discourse inaugurated a policy of imperial “neglect”—a way of ignoring the ties that obligated Britain to sustain the worlds of the empire’s distant fellow subjects. In Empire of Neglect Christopher Taylor examines this neglect’s cultural and literary ramifications, tracing how nineteenth-century British West Indians reoriented their affective, cultural, and political worlds toward the Americas as a response to the liberalization of the British Empire. Analyzing a wide array of sources, from plantation correspondence, political economy treatises, and novels to newspapers, socialist programs, and memoirs, Taylor shows how the Americas came to serve as a real and figurative site at which abandoned West Indians sought to imagine and invent postliberal forms of political subjecthood.

How is knowledge about religion and religions produced, and how is that knowledge authenticated and circulated? David Chidester seeks to answer these questions in Empire of Religion, documenting and analyzing the emergence of a science of comparative religion in Great Britain during the second half of the nineteenth century and its complex relations to the colonial situation in southern Africa. In the process, Chidester provides a counterhistory of the academic study of religion, an alternative to standard accounts that have failed to link the field of comparative religion with either the power relations or the historical contingencies of the imperial project.
 
In developing a material history of the study of religion, Chidester documents the importance of African religion, the persistence of the divide between savagery and civilization, and the salience of mediations—imperial, colonial, and indigenous—in which knowledge about religions was produced. He then identifies the recurrence of these mediations in a number of case studies, including Friedrich Max Müller’s dependence on colonial experts, H. Rider Haggard and John Buchan’s fictional accounts of African religion, and W. E. B. Du Bois’s studies of African religion. By reclaiming these theorists for this history, Chidester shows that race, rather than theology, was formative in the emerging study of religion in Europe and North America. Sure to be controversial, Empire of Religion is a major contribution to the field of comparative religious studies.

Although tea had been known and consumed in China and Japan for centuries, it was only in the seventeenth century that Londoners first began drinking it. Over the next two hundred years, its stimulating properties seduced all of British society, as tea found its way into cottages and castles alike. One of the first truly global commodities and now the world’s most popular drink, tea has also, today, come to epitomize British culture and identity.

This impressively detailed book offers a rich cultural history of tea, from its ancient origins in China to its spread around the world. The authors recount tea’s arrival in London and follow its increasing salability and import via the East India Company throughout the eighteenth century, inaugurating the first regular exchange—both commercial and cultural—between China and Britain. They look at European scientists’ struggles to understand tea’s history and medicinal properties, and they recount the ways its delicate flavor and exotic preparation have enchanted poets and artists. Exploring everything from its everyday use in social settings to the political and economic controversies it has stirred—such as the Boston Tea Party and the First Opium War—they offer a multilayered look at what was ultimately an imperial industry, a collusion—and often clash—between the world’s greatest powers over control of a simple beverage that has become an enduring pastime.

We are in a moment of profound overlapping crises. The landscape of politics and entitlement is being rapidly and unpredictably remade. As movements against colonial legacies and state violence coincide with the rise of new authoritarian regimes, it is the analytical lens of racism, and the politics of race, that offers the sharpest focus. In Empire's Endgame, eight leading scholars make a powerful collective intervention in debates around racial capitalism and political crisis in the British context. While the 'Hostile Environment' policy and Brexit Referendum have thrown the centrality of race into sharp relief, discussions of racism have too often focused on individual attitudes and behaviors. Foregrounding instead the wider political and economic context, the authors of Empire's Endgame trace the ways in which the legacies of empire have been reshaped by global capitalism, the digital environment and the instability of the nation-state. Engaging with contemporary movements such as Black Lives Matter and Rhodes Must Fall, Empire's Endgame offers both an original perspective on race, media, the state and criminalization, and a vision of a political infrastructure that might include rather than expel in the face of crisis.

This far-reaching examination of women writers identified with Great Britain builds on its predecessor's strengths, with 50 percent new material and completely updated entries. Over six hundred writers are discussed in terms of their biographies--with precise details where these could be ascertained and in come cases correcting biographies in other reference works--as well as in terms of thematic issues and critical reception. Each entry includes a definitive bibliography of the writer and a thorough secondary bibliography (including book-length studies, reference works, major essays, and reviews) to lead readers to other sources. Available in paperback for the first time, this book is an ideal desk reference for scholar and student alike.

Paul Schlueter and June Schlueter have individually and jointly written and edited a number of critical and reference works, including The English Novel: Twentieth Century Criticism (Vol. 2: Twentieth Century Novelists) and Modern American Literature (Supplement 2). Paul Schlueter's books include The Novels of Doris Lessing and Shirley Ann Grau. June Schlueter, Provost, and Dana Professor of English at Lafayette College, has edited Feminist Readings of Modern American Drama and Modern American Drama: The Female Canon. 

In Energy without Conscience David McDermott Hughes investigates why climate change has yet to be seen as a moral issue. He examines the forces that render the use of fossil fuels ordinary and therefore exempt from ethical evaluation. Hughes centers his analysis on Trinidad and Tobago, which is the world's oldest petro-state, having drilled the first continuously producing oil well in 1866. Marrying historical research with interviews with Trinidadian petroleum scientists, policymakers, technicians, and managers, he draws parallels between Trinidad's eighteenth- and nineteenth-century slave labor energy economy and its contemporary oil industry. Hughes shows how both forms of energy rely upon a complicity that absolves producers and consumers from acknowledging the immoral nature of each. He passionately argues that like slavery, producing oil is a moral choice and that oil is at its most dangerous when it is accepted as an ordinary part of everyday life. Only by rejecting arguments that oil is economically, politically, and technologically necessary, and by acknowledging our complicity in an immoral system, can we stem the damage being done to the planet.

As our world becomes more globalized, documentary film and television tell more cosmopolitan stories of the world’s social, political, and cultural situation. Ib Bondebjerg examines how global challenges are reflected and represented in documentaries from the United States, the United Kingdom, and Scandinavia after 2001. The documentaries deal with the war on terror, the globalization of politics, migration, the multicultural challenge, and climate change.

Engaging with Reality is framed by theories of globalization and delves into the development of a new global media culture. It also deals with theories of documentary genres and their social and cultural functions. It discusses cosmopolitanism and the role and forms of documentary in a new digital and global media culture. It will be essential reading for those looking to better understand documentary and the new transnational approach to modern media culture.

A potent mixt of salvation and adventure, the Crusades were one of the most prominent features of medieval Europe, reflecting and directing religious and secular movements in Western society for half a millennium. Christopher Tyerman offers the first book-length study of the role of England in the Crusades. Focusing on the courtroom and council chamber rather than the battlefield, he demonstrates the impact of the Crusades on the political and economic functions of English society.

Drawing on a wide range of archival, chronicle, and literary evidence, Tyerman brings to life the royal personalities, foreign policy, political intrigue, taxation and fundraising, and the crusading ethos that gripped England for hundreds of years.

"An ambitious task to undertake. . . . Tyerman has done the job not only thoroughly but brilliantly. . . . A highly impressive study, deserving rich praise and wide readership."—Norman Housley, Times Literary Supplement

"Christopher Tyerman has written a wonderful book. . . . [He] manages to confront thorny issues in scholarship and to contribute new perspectives on them."—William Chester Jordan, American Historical Review

"Tyerman provides valuable insights into preaching, recruitment, and the funding and organisation of crusading expeditions. . . . Fascinating new perspectives on English history."—Edward Powell, Sunday Times

"Impressive. . . . Tyerman's research has yielded valuable evidence, and his admirably lucid argument sheds new light on a complex and bloody period in English history."—Virginia Quarterly Review

Many of the writers from 1819, argues James Chandler, were acutely aware not only of their writing's place in history, but also of its place as history—a realization of a literary "spirit of the age" that resonates strongly with the current "return to history" in literary studies. Chandler explores the ties between Romantic and contemporary historicism and offers a series of cases of his own built around key texts from 1819.

"1819? At first sight, it might not seem a 'hot date'; but as James Chandler argues in his powerful book, it would be a mistake to overlook a year of such exceptional political conflagration and literary pyrotechnics in British history. Chandler's study is a wide-ranging, enormously ambitious, densely packed, closely argued work."—John Brewer, New Republic

"The book's largest argument, and the source of its considerable revelations, is that late twentieth-century practices of cultural history-writing have their roots in the peculiar Romantic historicism born in post-Waterloo Britain."—Jon Klancher, Times Literary Supplement

"A monumental work of scholarship."—Terry Eagleton, The Independent

England’s political-economic scene is a battleground of competing ideologies, all under the umbrella of neoliberalism. From conservatism to socialism, what forces have historically shaped these political cultures and people’s attachment to them?
            Examining five political ideologies at play in England—conservatism, liberalism, economic liberalism, social democracy, and socialism—Mike Wayne unearths the historical rationale for their relationship to cultural identities, including rural England, gentlemanly capitalism, industrialism, and Empire. By revealing how national identity, class, and political economy intersect, Wayne is able to elucidate England’s enduring attachment to the neoliberal economic system.
            Grounding his cultural and material perspective in Gramscian and Marxist theory, Wayne illuminates the cultural dimensions of English political life in the last century.
 

With England’s Great Transformation, Marc W. Steinberg throws a wrench into our understanding of the English Industrial Revolution, largely revising the thesis at heart of Karl Polanyi’s landmark The Great Transformation. The conventional wisdom has been that in the nineteenth century, England quickly moved toward a modern labor market where workers were free to shift from employer to employer in response to market signals. Expanding on recent historical research, Steinberg finds to the contrary that labor contracts, centered on insidious master-servant laws, allowed employers and legal institutions to work in tandem to keep employees in line.

Building his argument on three case studies—the Hanley pottery industry, Hull fisheries, and Redditch needlemakers—Steinberg employs both local and national analyses to emphasize the ways in which these master-servant laws allowed employers to use the criminal prosecutions of workers to maintain control of their labor force. Steinberg provides a fresh perspective on the dynamics of labor control and class power, integrating the complex pathways of Marxism, historical institutionalism, and feminism, and giving readers a subtle yet revelatory new understanding of workplace control and power during England’s Industrial Revolution.

ISAS Dublin 2013. England, Ireland and the Insular World: Textual and Material Connections in the Early Middle Ages is a collection of twelve essays related to the theme of the 2013 conference of the International Society of Anglo-Saxonists, ‘Insular Cultures’. Contributors cover a broad range of topics, from early medieval agriculture in Ireland and England, to sculpture, manuscript illumination and script, homilies, hagiography, aristocratic gift-giving, relics, calendars, Beowulf, and Anglo-Saxon perceptions of the Celtic peoples, considering connections, parallels and differences between Anglo-Saxon England and its insular neighbors. The volume will be of interest to all those working on Early Medieval history, literature, archaeology, liturgy, art, and manuscripts.

Inserting China into the history of nineteenth-century colonialism, English Lessons explores the ways that Euroamerican imperial powers humiliated the Qing monarchy and disciplined the Qing polity in the wake of multipower invasions of China in 1860 and 1900. Focusing on the processes by which Great Britain enacted a pedagogical project that was itself a form of colonization, James L. Hevia demonstrates how British actors instructed the Manchu-Chinese elite on “proper” behavior in a world dominated by multiple imperial powers. Their aim was to “bring China low” and make it a willing participant in British strategic goals in Asia. These lessons not only transformed the Qing dynasty but ultimately contributed to its destruction.

Hevia analyzes British Foreign Office documents, diplomatic memoirs, auction house and museum records, nineteenth-century scholarly analyses of Chinese history and culture, campaign records, and photographs. He shows how Britain refigured its imperial project in
China as a cultural endeavor through examinations of the circulation of military loot in Europe, the creation of an art history of “things Chinese,” the construction of a field of knowledge about China, and the Great Game rivalry between Britain, Russia, and the Qing empire in Central Asia. In so doing, he illuminates the impact of these elements on the colonial project and the creation of a national consciousness in China.

Covering works by popular figures like Ralph Vaughan Williams and Gustav Holst as well as less familiar English composers, Eric Saylor's pioneering book examines pastoral music's critical, theoretical, and stylistic foundations alongside its creative manifestations in the contexts of Arcadia, war, landscape, and the Utopian imagination. As Saylor shows, pastoral music adapted and transformed established musical and aesthetic conventions that reflected the experiences of British composers and audiences during the early twentieth century. By approaching pastoral music as a cultural phenomenon dependent on time and place, Saylor forcefully challenges the body of critical opinion that has long dismissed it as antiquated, insular, and reactionary.

English Society brings together the results of recent historiography, together with much original research by the author, to provide a fascinating picture of society and social change in the period. The first section of the book discusses some of the enduring characteristics of society: social stratification and social mobility, kinship, neighborliness, patronage and deference, courtship and family formation, relationships between husbands and wives, parents and children. The second half of the book charts the course of social change: problems of public order, crime and social control, educational and religious developments, and profound changes in popular culture brought about by the growth of popular literacy and the consolidation of the Protestant Reformation. At every point, Keith Wrightson brings his material to life with his arresting use of contemporary diaries and texts.

The first Protestant mission was established in New Zealand in 1814, initiating complex political, cultural, and economic entanglements with Māori. Tony Ballantyne shows how interest in missionary Christianity among influential Māori chiefs had far-reaching consequences for both groups. Deftly reconstructing cross-cultural translations and struggles over such concepts and practices as civilization, work, time and space, and gender, he identifies the physical body as the most contentious site of cultural engagement, with Māori and missionaries struggling over hygiene, tattooing, clothing, and sexual morality. Entanglements of Empire is particularly concerned with how, as a result of their encounters in the classroom, chapel, kitchen, and farmyard, Māori and the English mutually influenced each other’s worldviews. Concluding in 1840 with New Zealand’s formal colonization, this book offers an important contribution to debates over religion and empire.

The landscapes of the Middle East have captured our imaginations throughout history. Images of endless golden dunes, camel caravans, isolated desert oases, and rivers lined with palm trees have often framed written and visual representations of the region. Embedded in these portrayals is the common belief that the environment, in most places, has been deforested and desertified by centuries of misuse. It is precisely such orientalist environmental imaginaries, increasingly undermined by contemporary ecological data, that the eleven authors in this volume question. This is the first volume to critically examine culturally constructed views of the environmental history of the Middle East and suggest that they have often benefitted elites at the expense of the ecologies and the peoples of the region. The contributors expose many of the questionable policies and practices born of these environmental imaginaries and related histories that have been utilized in the region since the colonial period. They further reveal how power, in the form of development programs, notions of nationalism, and hydrological maps, for instance, relates to environmental knowledge production.

Contributors: Samer Alatout, Edmund Burke III, Shaul Cohen, Diana K. Davis, Jennifer L. Derr, Leila M. Harris, Alan Mikhail, Timothy Mitchell, Priya Satia, Jeannie Sowers, and George R. Trumbull IV

    Envisioning Brazil is a comprehensive and sweeping assessment of Brazilian studies in the United States. Focusing on synthesis and interpretation and assessing trends and perspectives, this reference work provides an overview of the writings on Brazil by United States scholars since 1945.
    "The Development of Brazilian Studies in the United States," provides an overview of Brazilian Studies in North American universities. "Perspectives from the Disciplines" surveys the various academic disciplines that cultivate Brazilian studies: Portuguese language studies, Brazilian literature, art, music, history, anthropology, Amazonian ethnology, economics, politics, and sociology. "Counterpoints: Brazilian Studies in Britain and France" places the contributions of U.S. scholars in an international perspective. "Bibliographic and Reference Sources" offers a chronology of key publications, an essay on the impact of the digital age on Brazilian sources, and a selective bibliography.