748 books match the query 'Influence' and 28 start with e
Tara S. Welch
The Ohio State University Press, 2005

B. J. Leggett
Duke University Press, 1992
Edited by Margot Finn and Kate Smith
University College London, 2018
Hobsbawm, Eric
Rutgers University Press, 1990
Hobsbawm, Eric
Rutgers University Press, 2019
Michael Magee
University of Alabama Press, 2004
A radical rereading of Emerson that posits African- American culture, literature, and jazz as the very continuation and embodiment of pragmatic thought and democratic tradition
Emancipating Pragmatism is a radical rereading of Emerson that posits African- American culture, literature, and jazz as the embodiment of pragmatic thought and democratic tradition. It traces Emerson's philosophical legacy through the 19th and 20th centuries to discover how Emersonian thought continues to inform issues of race, aesthetics, and poetic discourse.
Emerson’s pragmatism derives from his abolitionism, Michael Magee argues, and any pragmatic thought that aspires toward democracy cannot ignore and must reckon with its racial roots. Magee looks at the ties between pragmatism and African-American culture as they manifest themselves in key texts and movements, such as William Carlos Williams’s poetry; Ralph Ellison’s discourse in Invisible Man and Juneteenth and his essays on jazz; the poetic works of Robert Creeley, Amiri Baraka, and Frank O'Hara; as well as the “new jazz” being forged at clubs like The Five Spot in New York.
Ultimately, Magee calls into question traditional maps of pragmatist lineage and ties pragmatism to the avant-garde American tradition.
Ofer Idels
Rutgers University Press, 2026
Erika Valdivieso
University of Chicago Press, 2026
A study of how Latin poetry shaped colonial aspirations in sixteenth- to eighteenth-century South and Central America.
Accompanying Iberian colonizers to the Americas, Virgil’s Aeneid inspired generations of colonial elites to write their own epic poems in Latin—priming imaginations for Spanish and Portuguese rule in the Americas. In Empire’s Companion, Erika Valdivieso recovers this lost strain of poetry for classicists and early Americanists alike. Each chapter introduces readers to a new poem that adapts Virgil for a different geographic context. These epics, Valdivieso argues, show elites working to reshape the New World in their own image, drawing on Virgil to think about the conquest of Indigenous peoples, to form new ideas about the globe, and to consider the shifting power dynamics between America and Europe. A powerful corrective to prevailing ideas about the reception of Virgil in the Americas, Empire’s Companion reveals the imperial potential of the Aeneid in the hands of governing elites.
W. Stuart. Towns
University of Alabama Press, 2013
Explores the crucial role of rhetoric and oratory in creating and propagating a “Lost Cause” public memory of the American South
Enduring Legacy explores the vital place of ceremonial oratory in the oral tradition in the South and analyses how rituals such as Confederate Memorial Day, Confederate veteran reunions, and dedication of Confederate monuments have contributed to creating and sustaining a Lost Cause paradigm for Southern identity. Towns studies in detail secessionist and Civil War speeches and how they laid the groundwork for future generations, including Southern responses to the civil rights movement, and beyond.
The Lost Cause orators that came after the Civil War, Towns argues, helped to shape a lasting mythology of the brave Confederate martyr, and the Southern positions for why the Confederacy lost and who was to blame. Innumerable words were spent—in commemorative speeches, newspaper editorials, and statehouse oratory—condemning the evils of Reconstruction, redemption, reconciliation, and the new and future South. Towns concludes with an analysis of how Lost Cause myths still influence Southern and national perceptions of the region today, as evidenced in debates over the continued deployment of the Confederate flag and the popularity of Civil War reenactments.
Ken Alder
University of Chicago Press, 2010
Engineering the Revolution documents the forging of a new relationship between technology and politics in Revolutionary France, and the inauguration of a distinctively modern form of the “technological life.” Here, Ken Alder rewrites the history of the eighteenth century as the total history of one particular artifact—the gun—by offering a novel and historical account of how material artifacts emerge as the outcome of political struggle. By expanding the “political” to include conflict over material objects, this volume rethinks the nature of engineering rationality, the origins of mass production, the rise of meritocracy, and our interpretation of the Enlightenment and the French Revolution.
Edited by Michel Vovelle
University of Chicago Press, 1997
John P. Homiak, Giulia Bonacci, and Jahlani A. Niaah
Duke University Press, 2026
Grant Farred
Duke University Press, 2019
Robert D. Hamner
University of Missouri Press, 1997
In Epic of the Dispossessed, Robert D. Hamner offers an insightful, well-researched analysis of Omeros, the masterful epic poem by 1992 Nobel Laureate Derek Walcott. Rich and various, Omeros is an innovative extension of the epic tradition. Despite Walcott's insistence that he violates the formulaþhe notes his autobiographical presence in the poem and the absence of classical heroic figures and epic battlesþthe poem incorporates fragments of all the definitive characteristics of the genre. Hamner establishes that through its self-reflexive textuality, Omeros complements the time-honored tradition of the epic by giving voice to the marginalized peoples of the New World.
Hamner briefly explains his perception of the epic tradition and its viability in contemporary literature. He examines Walcott's writing career and traces his development of devices, themes, techniques, and a narrative style essential to epic poetry. Although Walcott could not have fully anticipated Omeros, a retrospective view of his writing reveals the consistent accumulation of the skills and broad scope required for such an undertaking. Hamner attempts also to show that Walcott has incorporated into his personal style not only the more obvious aspects of his formal education but also uniquely West Indian cultural material and forms of expression.
Hamner describes Omeros as an epic of the dispossessed because each of its protagonists is a castaway in one sense or another. Regardless of whether their ancestry is traced to the classical Mediterranean, Europe, Africa, or confined to the Americas, they are transplanted individuals whose separate quests all center on the fundamental human need to strike roots in a place where one belongs.
Walcott's vivid, lyrical verse is visually compelling and aurally appealing. He is, however, a richly complex, allusive writer dealing with a wide range of profound human problems. Given the exciting climate of postcolonial and postmodern criticism, Walcott offers students and scholars unparalleled opportunities for challenging, creatively interpretive insights. Epic of the Dispossessed will be a valuable companion to the work that may prove to be Walcott's crowning achievement. The fresh and original Omeros stands on its own merits; nevertheless, it deserves to be examined in light of both Western tradition and its Caribbean context.
Aniko Bodroghkozy
University of Illinois Press, 2013
David S. Luft
University of Chicago Press, 2003
Davarian L. Baldwin
University of Minnesota Press, 2013
In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the “New Negro.” This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished—how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world.
In this volume, the Harlem Renaissance “escapes from New York” into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century.
Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska–Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri–Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.
Charles Ramírez Berg and John Bruns
University of Texas Press, 2026
A guide to the fundamentals of understanding film history, filmmaking, and film appreciation.
Film is not just a medium; it is also a language—and a global one at that. Essential Film History describes how this language emerged and how it has matured over the course of more than 125 years. Beginning with the experiments of the late nineteenth century, and tracking the development of cinematic storytelling, commercial distribution, and audience reception into the era of digital recording, Charles Ramírez Berg and John Bruns offer a comprehensive course in both the history and artistry of film.
Essential Film History breaks cinematic language into three core components: image, sound, and narrative. Between the 1890s and 1940s, this audiovisual language both consolidated and spread, becoming comprehensible worldwide. Since then, filmmakers have adapted and extended the language of cinema to suit an ever-growing range of aesthetic and narrative projects, from documentaries and full-length animation to avant-garde and made-for-TV movies. Covering major figures, studios, and events as well as key technological and sociopolitical developments, Essential Film History is an indispensable guide to the evolution of cinematic style.
Gary A. Remer
University of Chicago Press, 2017
Hamid Dabashi
Pluto Press, 2019
By John Rodden
University of Texas Press, 2006
George Orwell has been embraced, adopted, and co-opted by everyone from the far left to the neoconservatives. Each succeeding generation of Anglo-American intellectuals has felt compelled to engage the life, work, and cultural afterlife of Orwell, who is considered by many to have been the foremost political writer of the twentieth century. Every Intellectual's Big Brother explores the ways in which numerous disparate groups, Orwell's intellectual "siblings," have adapted their views of Orwell to fit their own agendas and how in doing so they have changed our perceptions of Orwell himself. By examining the politics of literary reception as a dimension of cultural history, John Rodden gives us a better understanding of Orwell's unique and enduring role in Anglo-American intellectual life.
In Part One, Rodden opens the book with a section titled "Their Orwell, Left and Right," which focuses on Orwell's reception by several important literary circles of the latter half of the twentieth century. Beginning with Orwell's own contemporaries, Rodden addresses the ways various intellectual groups of the 1950s responded to Orwell. Rodden then moves on in Part Two to what he calls the "Orwell Confraternity Today," those contemporary intellectuals who have, in various ways, identified themselves with or reacted against Orwell. The author concludes by examining how Orwell's status as an object of admiration and detraction has complicated the way in which he has been perceived by readers since his death.
Russell Sbriglia, editor
Duke University Press, 2017
Sebastiaan Faber
Vanderbilt University Press, 2023
Russell Ford
Northwestern University Press, 2023
A clarifying examination of Gilles Deleuze’s first book shows how he would later transform the problem of immanence into the problem of difference
Despite the wide reception Gilles Deleuze has received across the humanities, research on his early work has remained scant. Experience and Empiricism remedies that gap with a detailed study of Deleuze’s first book, Empiricism and Subjectivity, which is devoted to the philosophical project of David Hume. Russell Ford argues that this work is poorly understood when read simply as a stand-alone study on Hume. Its significance only becomes apparent within the context of a larger problematic that dominated, and continues to inform, modern European philosophy: the conceptual constitution of a purely immanent account of existence. While the importance of this debate is recognized in contemporary scholarship, its genealogy—including Deleuze’s place within it—has been underappreciated. This book shows how Deleuze directly engages in an ongoing debate between his teachers Jean Wahl and Jean Hyppolite over experience and empiricism, an intervention that restages the famous encounter between rationalism and empiricism that yielded Kant’s critical philosophy. What, Deleuze effectively asks, might have happened had Hume been the one roused from his empirical dogmatic slumber by the rationalist challenge of Kant?
Margaret Randall
Duke University Press, 2017
Edited by Matthew Kilbane
Amherst College Press, 2025
Though contributors write from a variety of methodological positions and address themselves to a range of archives, they share the primary conviction that the impact of Web 2.0 on literary practice is far-reaching, far from self-evident, and far more variegated and unpredictable than easy summations of social media’s influence suggest. Expressive Networks asks after poetry’s present and future by examining what poems themselves express about the social make-up of networked platforms.
Edited by Matthew Kilbane with contributions from Cameron Awkward-Rich, Micah Bateman, Andrew Campana, Sumita Chakraborty, Scott Challener, C.R. Grimmer, Tess McNulty, Michael Nardone, Seth Perlow, Anna Preus, Susanna Sacks, Carly Schnitzler, Melanie Walsh, and Samuel Caleb Wee.
Souad R. Dajani
Temple University Press, 1994
Since Israel's occupation of the West Bank and Gaza Strip in 1967, the quest for just and lasting peace has been a fountainhead of debate, negotiation, and violent friction. Souad Dajani traces the Palestinians' struggle and argues for a strategy of nonviolent civilian resistance based on deterrence and defense. This strategy would defeat Israel's political will to maintain their occupation and prepare Palestinians for a time beyond the interim period of self-rule agreed upon by Israel and the PLO in September 19932.
Dajani's formulation of nonviolent civilian resistance is examined against a backdrop of early developments in Mandate Palestine, the impact of Zionist ideology, and the realities of life for Palestinians under occupation. Her assessment of the role of the PLO, objectives of the Palestinian National Movement, developments since the Gulf War, and other factors crucial to an effective strategy raises critical questions surrounding the operation of nonviolent techniques for the Palestinian community, Israeli politics, and international actors, most prominently the United States.
Edited by George Bornstein
University of Chicago Press, 1985