70 books match the query 'Language Arts' and 4 start with e

cover of Empathy and the Other: Difference, Connection, and the Teaching of Writing

Empathy and the Other

Difference, Connection, and the Teaching of Writing

Lisa Blankenship

Utah State University Press, 2026

Empathy and the Other: Difference, Connection, and the Teaching of Writing focuses on the theoretical basis for empathy as a pedagogical concern, adding to important conversations happening in writing studies about how to foster empathetic understanding and practices for teachers and students. It offers ways for higher education classrooms to become sites for the cultivation of a critical form of empathy that can help address the most important challenges of our time.

Drawing on the study of empathy in rhetorical theory and related fields, teacher-scholars from a variety of institutions and backgrounds offer pedagogical rationales and approaches for fostering empathetic, inclusive, and antiracist pedagogies centered around five key themes related to empathetic teaching: difference, citizenship, storytelling, assessment, and process. A reflective and critical approach to empathetic teaching—as presented by the authors in this collection—can begin to address forces of social division, particularly in the ways we read and write about others. Teaching grounded in empathetic principles can offer students ways of relating to one another across cultural, religious, class, ethnic, political, and ideological differences.

Empathy and the Other is a companion volume to Enacting Empathy: Stories and Strategies from the Writing Classroom, which features vignettes and praxis pieces focused on classroom experiences and reflections on teaching empathy. The two collections may stand alone or be read together and are of great interest to writing teachers and graduate students invested in social justice in the classroom.

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cover of Enacting Empathy: Stories and Strategies from the Writing Classroom

Enacting Empathy

Stories and Strategies from the Writing Classroom

Lisa Blankenship

Utah State University Press, 2026

Featuring vignettes and praxis pieces focused on classroom experiences and reflections on teaching empathy, Enacting Empathy: Stories and Strategies from the Composition Classroom provides inspiration and consideration of how and why teachers might adopt an emphasis on empathy. Contributors locate empathy in the particulars of writing assignments, classroom discussions, responses to students, interpretations of texts, and connections with communities.

The challenges and means of understanding one another—as we encounter one another in words, images, and texts—are a central focus of the writing classroom. Teaching for and about empathy has become only more important as we have experienced increased social division, greater recognition and attention to identity, and an emphasis on attending to personal experiences and stories as part of larger efforts to support social justice. With its possibilities for critical reflection and revision, writing is a key tool for developing empathy. Empathy likewise can make us more present, accountable, and socially engaged in our writing. This collection explores how empathy might best be put into practice in the composition classroom, featuring teaching resources, assignment designs, and reflections on empathy and teaching writing for diverse institutional contexts.

The first edited collection in at least thirty years to present strategies for teaching empathy in composition classrooms, Enacting Empathy is a companion volume to Empathy and the Other: Difference, Connection, and the Teaching of Writing, which focuses on the theoretical basis for empathy as a pedagogical concern. The two volumes may stand alone or be read together and are of great interest to writing teachers and graduate students invested in social justice in the classroom.

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cover of English across the Curriculum: Voices from around the World

English across the Curriculum

Voices from around the World

Bruce Morrison

University Press of Colorado, 2021

Inspired by papers presented at the second international English Across the Curriculum (EAC) conference, this book provides a platform for those involved in the EAC movement to exchange insights, explore new strategies and directions, and share experiences. It speaks not only to EAC practitioners but also to scholars in a range of related fields, whether they are considering starting an EAC-like initiative or are already involved in an established EAC, Content and Language Integrated Learning (CLIL), or Writing Across the Curriculum (WAC) program. The chapters in the book testify to challenges faced, opportunities presented, and a passion displayed for embedding academic English literacy in courses in a range of disciplines at institutions around the world. They also highlight the persistence and determination of teachers in creating and shaping valuable learning experiences and ongoing support for their students.
 
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cover of Everyday Genres: Writing Assignments across the Disciplines

Everyday Genres

Writing Assignments across the Disciplines

Mary Soliday

Southern Illinois University Press, 2011

In Everyday Genres: Writing Assignments across the Disciplines, Mary Soliday calls on genre theory- which proposes that writing cannot be separated from social situation-to analyze the common assignments given to writing students in the college classroom, and to investigate how new writers and expert readers respond to a variety of types of coursework in different fields. This in-depth study of writing pedagogy looks at many challenges facing both instructors and students in college composition classes, and offers a thorough and refreshing exploration of writing experience, ability, and rhetorical situation. 

Soliday provides an overview of the contemporary theory and research in Writing across the Curriculum programs, focusing specifically on the implementation of the Writing Fellows Program at the City College of New York. Drawing on her direct observations of colleagues and students at the school, she addresses the everyday challenges that novice writers face, such as developing an appropriate "stance" in one's writing, and the intricacies of choosing and developing content. 

The volume then goes on to address some of the most pressing questions being asked by teachers of composition: To what extent can writing be separated from its situation? How can rhetorical expertise be shared across fields? And to what degree is writing ability local rather than general? Soliday argues that, while writing is closely connected to situation, general rhetorical principles can still be capably applied if those situations are known. The key to improving writing instruction, she maintains, is to construct contexts that expose writers to the social actions that genres perform for readers. 

Supplementing the author's case study are six appendixes, complete with concrete examples and helpful teaching tools to establish effective classroom practices and exercises in Writing across the Curriculum programs. Packed with useful information and insight, Everyday Genres is an essential volume for both students and teachers seeking to expand their understanding of the nature of writing.
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