149 books match the query 'Modernity' and 5 start with e

cover of Empty Moments: Cinema, Modernity, and Drift

Empty Moments

Cinema, Modernity, and Drift

Leo Charney

Duke University Press, 1998

In Empty Moments, Leo Charney describes the defining quality of modernity as “drift”—the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture’s preoccupation with the reproduction of the present.
Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust’s conception of time/memory with Cubism’s attempt to interpret time through perspective and Surrealism’s exploration of subliminal representations of the present. Other topics include Husserl’s insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin’s laws of thermodynamics. Ultimately, Charney’s work hints at parallels among such examples, the advent and popularity of cinema, and early film theory.
A book with a structural modernity of its own, Empty Moments will appeal to those interested in cinema and its history, as well as to other historians, philosophers, literary, and cultural scholars of modernity.


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cover of Encompassing Others: The Magic of Modernity in Melanesia

Encompassing Others

The Magic of Modernity in Melanesia

Edward LiPuma

University of Michigan Press, 2001

An engaging, beautifully written account by an ethnographer who lived in the mountains of Papua New Guinea, Encompassing Others is at once a history of the encounter of two cultures and an attempt to challenge theoretically the main concepts that have informed the study of modernity. Going beyond accounts that grasp modernity solely in terms of domination, imperialism, and local resistance, it explores how capitalism, Christianity, and mass commercial culture enchant the senses, create a carnival of new goods, and open up new possibilities for thought and action.
Focusing on the Maring people of Highland New Guinea and on the Westerners who interacted with them, Edward LiPuma presents issues from the perspectives of both sides. We hear the voice of the Anglican priest from San Francisco as well as the most powerful Maring shamans. Further, the book seeks to develop a theory of generations that helps explain how change accelerates and societies take on new directions across generations.
Theoretical, descriptive, but almost entirely free of jargon, this book is intended for all those who are interested in how the West's encompassment of other peoples influences how these others conceive of their past, imagine their future, and experience the present. It will have wide appeal for anthropologists and others concerned with colonialism, globalization, and the formation of the nation-state.
Edward LiPuma is Professor and Chair, Department of Anthropology, University of Miami.
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cover of Equestrian Cultures: Horses, Human Society, and the Discourse of Modernity

Equestrian Cultures

Horses, Human Society, and the Discourse of Modernity

Edited by Kristen Guest and Monica Mattfeld

University of Chicago Press, 2019

As much as dogs, cats, or any domestic animal, horses exemplify the vast range of human-animal interactions. Horses have long been deployed to help with a variety of human activities—from racing and riding to police work, farming, warfare, and therapy—and have figured heavily in the history of natural sciences, social sciences, and the humanities. Most accounts of the equine-human relationship, however, fail to address the last few centuries of Western history, focusing instead on pre-1700 interactions. Equestrian Cultures fills in the gap, telling the story of how prominently horses continue to figure in our lives, up to the present day.
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Kristen Guest and Monica Mattfeld place the modern period front and center in this collection, illuminating the largely untold story of how the horse has responded to the accelerated pace of modernity. The book’s contributors explore equine cultures across the globe, drawing from numerous interdisciplinary sources to show how horses have unexpectedly influenced such distinctively modern fields as photography, anthropology, and feminist theory. Equestrian Cultures boldly steps forward to redefine our view of the most recent developments in our long history of equine partnership and sets the course for future examinations of this still-strong bond.
 
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cover of Ethnological Imagination: A Cross-Cultural Critique Of Modernity

Ethnological Imagination

A Cross-Cultural Critique Of Modernity

Fuyuki Kurasawa

University of Minnesota Press, 2004

A significant intervention in contemporary debates about cross-cultural understanding

Fuyuki Kurasawa unearths what he terms “the ethnological imagination,” a substantial countercurrent of thought that interprets and contests Western modernity’s existing social order through comparison and contrast to a non-Western other. Accordingly, Kurasawa traces and critiques, through this prism of cultural alterity, the writings of some of the key architects of this way of thinking: Jean-Jacques Rousseau, Karl Marx, Max Weber, Émile Durkheim, Claude Lévi-Strauss, and Michel Foucault.

In the work of these thinkers, Kurasawa finds little justification for two of the most prevalent claims about social theory: the wholesale “postmodern” dismissal of the social-theoretical enterprise because of its supposedly intractable ethnocentrism and imperialism, or, on the other hand, the traditionalist and historicist revival of a canon stripped of its intercultural foundations. Rather, Kurasawa’s book defends a cultural perspective that eschews both the false universalism of “end of history” scenarios and the radical particularism embodied in the vision of “the clash of civilizations.” It contends that the ethnological imagination can invigorate critical social theory by informing its response to an increasingly multicultural world—a response that calls for a reconsideration of the identity and boundaries of the West as well of modernity itself.
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cover of Eugenics in the Garden: Transatlantic Architecture and the Crafting of Modernity

Eugenics in the Garden

Transatlantic Architecture and the Crafting of Modernity

By Fabiola López-Durán

University of Texas Press, 2018

Winner, Robert Motherwell Book Award, Outstanding Book on Modernism in the Arts, The Dedalus Foundation, 2019

As Latin American elites strove to modernize their cities at the turn of the twentieth century, they eagerly adopted the eugenic theory that improvements to the physical environment would lead to improvements in the human race. Based on Jean-Baptiste Lamarck’s theory of the “inheritance of acquired characteristics,” this strain of eugenics empowered a utopian project that made race, gender, class, and the built environment the critical instruments of modernity and progress.

Through a transnational and interdisciplinary lens, Eugenics in the Garden reveals how eugenics, fueled by a fear of social degeneration in France, spread from the realms of medical science to architecture and urban planning, becoming a critical instrument in the crafting of modernity in the new Latin world. Journeying back and forth between France, Brazil, and Argentina, Fabiola López-Durán uncovers the complicity of physicians and architects on both sides of the Atlantic, who participated in a global strategy of social engineering, legitimized by the authority of science. In doing so, she reveals the ideological trajectory of one of the most celebrated architects of the twentieth century, Le Corbusier, who deployed architecture in what he saw as the perfecting and whitening of man. The first in-depth interrogation of eugenics’ influence on the construction of the modern built environment, Eugenics in the Garden convincingly demonstrates that race was the main tool in the geopolitics of space, and that racism was, and remains, an ideology of progress.

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