Results by title

Emmeline B. Wells was the most noted Utah Mormon woman of her time. Lauded nationally for her energetic support of the women’s rights movement of the nineteenth century, she was a self-made woman who channeled her lifelong sense of destiny into ambitious altruism. Her public acclaim and activism belied the introspective, self-appraising, and emotional persona she expressed in the pages of her forty-seven extant diaries. Yet she wrote, “I have risen triumphant,” after reconciling herself to the heartaches of plural marriage, and she pursued a self-directed life in earnest.
     This new biography tells the story of the private Emmeline. The unusual circumstances of her marriages, the complicated lives of her five daughters, losses and disappointments interspersed with bright moments and achievements, all engendered the idea that her life was a romance, with all the mysterious, tragic, and sentimental elements of that genre. Her responses to that perception made it so. This volume, drawing heavily on Emmeline Wells’s own words, tells the complicated story of a woman of ambition, strength, tenderness, and faith. 

Winner of the Mormon History Association's Best Biography Award.

After the 1872 publication of Exposé,Fanny Stenhouse became a celebrity in the cultural wars between Mormons and much of America. An English convert, she had grown disillusioned with the Mormon Church and polygamy, which her husband practiced before associating with a circle of dissident Utah intellectuals and merchants. Stenhouse’s critique of plural marriage, Brigham Young, and Mormonism was also a sympathetic look at Utah’s people and honest recounting of her life. She later created a new edition, titled "Tell It All," which ensured her notoriety in Utah and popularity elsewhere but turned her thoughtful memoir into a more polemical, true exposé of Polygamy. Since 1874, it has stayed in print, in multiple, varying editions. The original book, meanwhile, is less known, though more readable. Tracing the literary history of Stenhouse’s important piece of Americana, Linda DeSimone rescues an important autobiographical and historical record from the baggage notoriety brought to it.