67 books match the query 'Painting' and 3 start with e

cover of East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe

East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe

Isabelle Tillerot

J. Paul Getty Trust, The, 2024

An insightful look at how East Asian notions of space transformed Western painting.

This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art.

This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.
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cover of El Hadji Sy: Painting, Performance, Politics

El Hadji Sy

Painting, Performance, Politics

Edited by Clémentine Deliss, Yvette Mutumba, and the Weltkulturen Museum

Diaphanes, 2015

El Hadji Sy: Painting, Performance, Politics offers the first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy. Spanning thirty years of his practice as a painter, performance artist, and founder of numerous artists’ collectives and workshops in Dakar (Laboratoire AGIT’ART, Tenq, and Village des Arts), it provides unprecedented insight into the conceptual and aesthetic framework of a major living artist and curator from West Africa.

With newly commissioned essays and interviews by Hans Belting, Clémentine Deliss, Mamadou Diouf, Julia Grosse, Yvette Mutumba, Philippe Pirotte, and Manon Schwich, the book is presented in a bilingual English-German edition and also contains unique archival material, including manifestos, documents, and over four hundred illustrations.
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cover of Every Hour of the Light: The Paintings of Mary Sipp Green

Every Hour of the Light

The Paintings of Mary Sipp Green

Mary Sipp Green

The Artist Book Foundation, 2014

American landscape painter Mary Sipp Green, based in the bucolic Berkshire Hills of Massachusetts, has a superlative ability to engage the viewer in the emotive atmosphere of her landscapes and seascapes. The intensely saturated colors in her works evoke an immediate sense of place and a unique perspective on an intimate tableau. Sipp Green achieves an ethereal, nuanced quality in her paintings that imparts a refined and inimitable serenity. In Every Hour of the Light: The Paintings of mary Sipp Green, many of the subjects she paints—salt marshes, barns, meadows, rivers, and the occasional cityscape—are captured in the exquisite twilight of early evenings or a luminescent sunrise. The effect is dreamy yet grounded and familiar.

Sipp Green states, "While my preferred medium has always been oil on linen, my methods, techniques, and aesthetic aims have all undergone significant transformations since I first began. I learned my craft in the studio, painting still lifes and portraits, as well as landscapes drawn directly from nature. Over time, I became increasingly engaged with more abstract and spiritual aspects of the landscape form and I began to pursue a less representational, more expressive style." When describing her "diffuse quality of color," she explains, "I use many layers of paint, allowing each to dry before the next is applied. Along the way, the surface of the paint is often refigured in unpredictable ways, and there is much that has to be scraped, sanded, destroyed and reapplied before the essence of a place, its mood and atmosphere, finally emerges onto the canvas."

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