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Practically all of modern physics deals with fields—functions of space (or spacetime) that give the value of a certain quantity, such as the temperature, in terms of its location within a prescribed volume. Electrodynamics is a comprehensive study of the field produced by (and interacting with) charged particles, which in practice means almost all matter.

Fulvio Melia's Electrodynamics offers a concise, compact, yet complete treatment of this important branch of physics. Unlike most of the standard texts, Electrodynamics neither assumes familiarity with basic concepts nor ends before reaching advanced theoretical principles. Instead this book takes a continuous approach, leading the reader from fundamental physical principles through to a relativistic Lagrangian formalism that overlaps with the field theoretic techniques used in other branches of advanced physics. Avoiding unnecessary technical details and calculations, Electrodynamics will serve both as a useful supplemental text for graduate and advanced undergraduate students and as a helpful overview for physicists who specialize in other fields.

This book follows the interplay between allegory and physics in Europe from the inception of the laws of thermodynamics in the 1850s to the cultural acceptance of the theory of relativity in the 1920s. Bruce Clarke delves into the cultural poetics of this emergence, as well as using allegory theory to link the literature of that era to the consolidation of modern physics in England. In his examination of these correlating topics the author displays not only an impressive grasp on the scientific climate of that era, but also comprehensive knowledge of late nineteenth- and early twentieth-century literature.
The book begins with an overview of the interconnections between allegory in literature and allegory in science, then analyzes the interaction between energy and entropy and their personification in the literature of the times. Energy Forms draws on the writing of well-known literary and scientific authors including H. G. Wells, Camille Flammarion, Charles Howard Hinton and D. H. Lawrence, among others. The focus then shifts to the broad cultural tension between thermodynamic malaise and electromagnetic aspiration. Energy Forms uncovers the works of important but overlooked authors in the fields of science and literature and will appeal especially to those who are intrigued by interdisciplinary studies.
Bruce Clarke is Professor of English,Texas Tech University. He is the author of Dora Marsden and Early Modernism: Gender, Individualism, Science; Allegories of Writing: The Subject of Metamorphosis; and editor of The Body and the Text: Comparative Essays in Literature and Medicine.

Student, collaborator and lifelong friend of Enrico Fermi, Emilio Segrè presents a rich, well-rounded portrait of the scientist, his methods, intellectual history, and achievements. Explaining in nontechnical terms the scientific problems Fermi faced or solved, Enrico Fermi, Physicist contains illuminating material concerning Fermi's youth in Italy and the development of his scientific style.

Emilio Segre was awarded the Nobel Prize for Physics in 1959.