Results by title
314 books match the query 'Plants' and 8 start with e
Edible and Useful Plants of the Southwest
Texas, New Mexico, and ArizonaBy Delena Tull
University of Texas Press, 2013
All around us there are wild plants useful for food, medicine, and clothing, but most of us don’t know how to identify or use them. Delena Tull amply supplies that knowledge in this book, which she has now expanded to more thoroughly address plants found in New Mexico and Arizona, as well as Texas.
Extensively illustrated with black-and-white drawings and color photos, this book includes the following special features:
- Recipes for foods made from edible wild plants
- Wild teas and spices
- Wild plant dyes, with instructions for preparing the plants and dying wool, cotton, and other materials
- Instructions for preparing fibers for use in making baskets, textiles, and paper
- Information on wild plants used for making rubber, wax, oil, and soap
- Information on medicinal uses of plants
- Details on hay fever plants and plants that cause rashes
- Instructions for distinguishing edible from poisonous berries
- Detailed information on poisonous plants, including poison ivy, oak, and sumac, as well as herbal treatments for their rashes
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Elephant Trees, Copales, and Cuajiotes
A Natural History of BurseraJudith Becerra and David Yetman; Foreword by Exequiel Ezcurra
University of Arizona Press, 2024
Predominantly native to the U.S. Southwest, Mexico, and the Caribbean, the various species of Bursera have been prized throughout history for their distinctive aromas, medicinal properties, workable wood, and attractive appearance. Despite its extensive past and current use as incense in religious ceremonies, and its resourceful antiseptic ability to treat a range of maladies, no comprehensive book exists on this vital yet overlooked plant. Highlighting bursera’s importance and impact within the desert Southwest and Mexico, this volume will be the first book to describe the ecology, evolution, ethnobotany, and peculiar chemistry of the many species of Bursera.
In the United States, Bursera is represented by the short, contorted, and aromatic elephant tree of the hot Sonoran Desert and the stately and colorful gumbo limbo of southern Florida, while in the torrid lowlands of southern Mexico, the engines of evolution have produced forests dominated by dozens of species of Bursera, each with a peculiar ecological slot. This evolutionary tableau presents a complicated sex life that puzzles scientists. Recent research also reveals a gripping narrative of an epic struggle between trees and the insects that would subsist on their leaves: the insects seeking to exploit a food resource, the trees reacting with ever-changing, dramatic counter strategies. In addition to the fascinating and intricate workings of the genus’s ecological adaptations, burseras play a formative role in the lives of indigenous populations. Native peoples relish the plants’ aromatic resin, workable wood, and often colorful bark as a source for endless human applications.
Written in an engaging style, enhanced with two hundred color photographs, and complete with a compendium of species descriptions, this book will be an essential reference on a significant North American plant.
In the United States, Bursera is represented by the short, contorted, and aromatic elephant tree of the hot Sonoran Desert and the stately and colorful gumbo limbo of southern Florida, while in the torrid lowlands of southern Mexico, the engines of evolution have produced forests dominated by dozens of species of Bursera, each with a peculiar ecological slot. This evolutionary tableau presents a complicated sex life that puzzles scientists. Recent research also reveals a gripping narrative of an epic struggle between trees and the insects that would subsist on their leaves: the insects seeking to exploit a food resource, the trees reacting with ever-changing, dramatic counter strategies. In addition to the fascinating and intricate workings of the genus’s ecological adaptations, burseras play a formative role in the lives of indigenous populations. Native peoples relish the plants’ aromatic resin, workable wood, and often colorful bark as a source for endless human applications.
Written in an engaging style, enhanced with two hundred color photographs, and complete with a compendium of species descriptions, this book will be an essential reference on a significant North American plant.
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Enduring Seeds
Native American Agriculture and Wild Plant ConservationGary Paul Nabhan; Forewords by Wendell Berry and Miguel Altieri
University of Arizona Press, 2002
As biological diversity continues to shrink at an alarming rate, the loss of plant species poses a threat seemingly less visible than the loss of animals but in many ways more critical. In this book, one of America's leading ethnobotanists warns about our loss of natural vegetation and plant diversity while providing insights into traditional Native agricultural practices in the Americas.
Gary Paul Nabhan here reveals the rich diversity of plants found in tropical forests and their contribution to modern crops, then tells how this diversity is being lost to agriculture and lumbering. He then relates "local parables" of Native American agriculture—from wild rice in the Great Lakes region to wild gourds in Florida—that convey the urgency of this situation and demonstrate the need for saving the seeds of endangered plants. Nabhan stresses the need for maintaining a wide gene pool, not only for the survival of these species but also for the preservation of genetic strains that can help scientists breed more resilient varieties of other plants.
Enduring Seeds is a book that no one concerned with our environment can afford to ignore. It clearly shows us that, as agribusiness increasingly limits the food on our table, a richer harvest can be had by preserving ancient ways.
This edition features a new foreword by Miguel Altieri, one of today's leading spokesmen for sustainable agriculture and the preservation of indigenous farming methods.
Gary Paul Nabhan here reveals the rich diversity of plants found in tropical forests and their contribution to modern crops, then tells how this diversity is being lost to agriculture and lumbering. He then relates "local parables" of Native American agriculture—from wild rice in the Great Lakes region to wild gourds in Florida—that convey the urgency of this situation and demonstrate the need for saving the seeds of endangered plants. Nabhan stresses the need for maintaining a wide gene pool, not only for the survival of these species but also for the preservation of genetic strains that can help scientists breed more resilient varieties of other plants.
Enduring Seeds is a book that no one concerned with our environment can afford to ignore. It clearly shows us that, as agribusiness increasingly limits the food on our table, a richer harvest can be had by preserving ancient ways.
This edition features a new foreword by Miguel Altieri, one of today's leading spokesmen for sustainable agriculture and the preservation of indigenous farming methods.
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Essay on the Geography of Plants
Alexander von Humboldt and Aimé Bonpland
University of Chicago Press, 2010
The legacy of Alexander von Humboldt (1769–1859) looms large over the natural sciences. His 1799–1804 research expedition to Central and South America with botanist Aimé Bonpland set the course for the great scientific surveys of the nineteenth century, and inspired such essayists and artists as Emerson, Goethe, Thoreau, Poe, and Church.
The chronicles of the expedition were published in Paris after Humboldt’s return, and first among them was the 1807 “Essay on the Geography of Plants.” Among the most cited writings in natural history, after the works of Darwin and Wallace, this work appears here for the first time in a complete English-language translation. Covering far more than its title implies, it represents the first articulation of an integrative “science of the earth, ” encompassing most of today’s environmental sciences. Ecologist Stephen T. Jackson introduces the treatise and explains its enduring significance two centuries after its publication.
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Ethnobotany of the Coos, Lower Umpqua, and Siuslaw Indians
Patricia Whereat-Phillips
Oregon State University Press, 2016
Myrtlewood is most often thought of as beautiful wood for woodworking, but to Native people on the southern Oregon coast it was an important source of food. The roasted nuts taste like bitter chocolate, coffee, and burnt popcorn. The roots of Skunk Cabbage provided another traditional food source, while also serving as a medicine for colds. In tribal mythology, the leaves of Skunk Cabbage were thought to be tents where the Little People sheltered.
Very little has been published until now on the ethnobotany of western Oregon indigenous peoples. Ethnobotany of the Coos, Lower Umpqua, and Siuslaw Indians documents the use of plants by these closely-related coastal tribes, covering a geographical area that extends roughly from Cape Perpetua on the central coast, south to the Coquille River, and from the Coast Range west to the Pacific shore. With a focus on native plants and their traditional uses, it also includes mention of farming crops, as well as the highly invasive Himalayan blackberry, which some Oregon coast Indians called the "white man's berry."
The cultures of the Coos Bay, Lower Umpqua and Siuslaw are distinct from the Athabaskan speaking people to the south, and the Alsea to the north. Today, many tribal members are reviving ancient arts of basket weaving and woodworking, and many now participate in annual intertribal canoe events. Ethnobotany of the Coos, Lower Umpqua, and Siuslaw Indians contributes to this cultural renaissance by filling an important gap in the historical record. It is an invaluable resource for anyone who wishes to learn about the indigenous cultures of the central and southern Oregon coast, as well as those who are interested in Pacific Northwest plants and their cultural uses.
Very little has been published until now on the ethnobotany of western Oregon indigenous peoples. Ethnobotany of the Coos, Lower Umpqua, and Siuslaw Indians documents the use of plants by these closely-related coastal tribes, covering a geographical area that extends roughly from Cape Perpetua on the central coast, south to the Coquille River, and from the Coast Range west to the Pacific shore. With a focus on native plants and their traditional uses, it also includes mention of farming crops, as well as the highly invasive Himalayan blackberry, which some Oregon coast Indians called the "white man's berry."
The cultures of the Coos Bay, Lower Umpqua and Siuslaw are distinct from the Athabaskan speaking people to the south, and the Alsea to the north. Today, many tribal members are reviving ancient arts of basket weaving and woodworking, and many now participate in annual intertribal canoe events. Ethnobotany of the Coos, Lower Umpqua, and Siuslaw Indians contributes to this cultural renaissance by filling an important gap in the historical record. It is an invaluable resource for anyone who wishes to learn about the indigenous cultures of the central and southern Oregon coast, as well as those who are interested in Pacific Northwest plants and their cultural uses.
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Every Root an Anchor
Wisconsin's Famous and Historic TreesR. Bruce Allison
Wisconsin Historical Society Press, 2005
In Every Root an Anchor, writer and arborist R. Bruce Allison celebrates Wisconsin's most significant, unusual, and historic trees. More than one hundred tales introduce us to trees across the state, some remarkable for their size or age, others for their intriguing histories. From magnificent elms to beloved pines to Frank Lloyd Wright's oaks, these trees are woven into our history, contributing to our sense of place. They are anchors for time-honored customs, manifestations of our ideals, and reminders of our lives' most significant events.
For this updated edition, Allison revisits the trees' histories and tells us which of these unique landmarks are still standing. He sets forth an environmental message as well, reminding us to recognize our connectedness to trees and to manage our tree resources wisely. As early Wisconsin conservationist Increase Lapham said, "Tree histories increase our love of home and improve our hearts. They deserve to be told and remembered."
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Extinct Madagascar
Picturing the Island's PastSteven M. Goodman and William L. Jungers
University of Chicago Press, 2014
The landscapes of Madagascar have long delighted zoologists, who have discovered, in and among the island’s baobab trees and thickets, a dizzying array of animals, including something approaching one hundred species of lemur. Madagascar’s mammal fauna, for example, is far more diverse, and more endemic, than early explorers and naturalists ever dreamed of. But in the past 2,500 or so years—a period associated with natural climatic shifts and ecological change, as well as partially coinciding with the arrival of the island’s first human settlers—a considerable proportion of Madagascar’s forests have disappeared; and in the wake of this loss, a number of species unique to Madagascar have vanished forever into extinction.
In Extinct Madagascar, noted scientists Steven M. Goodman and William L. Jungers explore the recent past of these land animal extinctions. Beginning with an introduction to the geologic and ecological history of Madagascar that provides context for the evolution, diversification, and, in some cases, rapid decline of the Malagasy fauna, Goodman and Jungers then seek to recapture these extinct mammals in their environs. Aided in their quest by artist Velizar Simeonovski’s beautiful and haunting digital paintings—images of both individual species and ecosystem assemblages reproduced here in full color—Goodman and Jungers reconstruct the lives of these lost animals and trace their relationships to those still living.
Published in conjunction with an exhibition of Simeonovski’s artwork set to open at the Field Museum, Chicago, in the fall of 2014, Goodman and Jungers’s awe-inspiring book will serve not only as a sobering reminder of the very real threat of extinction, but also as a stunning tribute to Madagascar’s biodiversity and a catalyst for further research and conservation.
In Extinct Madagascar, noted scientists Steven M. Goodman and William L. Jungers explore the recent past of these land animal extinctions. Beginning with an introduction to the geologic and ecological history of Madagascar that provides context for the evolution, diversification, and, in some cases, rapid decline of the Malagasy fauna, Goodman and Jungers then seek to recapture these extinct mammals in their environs. Aided in their quest by artist Velizar Simeonovski’s beautiful and haunting digital paintings—images of both individual species and ecosystem assemblages reproduced here in full color—Goodman and Jungers reconstruct the lives of these lost animals and trace their relationships to those still living.
Published in conjunction with an exhibition of Simeonovski’s artwork set to open at the Field Museum, Chicago, in the fall of 2014, Goodman and Jungers’s awe-inspiring book will serve not only as a sobering reminder of the very real threat of extinction, but also as a stunning tribute to Madagascar’s biodiversity and a catalyst for further research and conservation.
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Extraordinary Orchids
Sandra Knapp
University of Chicago Press, 2021
Perching on tropical trees, partnering with fungi to reproduce, or deceiving birds and amorous insects to promote pollination, orchids fascinate. In the exquisitely illustrated Extraordinary Orchids, award-winning botanist and writer Sandra Knapp tells the stories behind some of the bizarre lifestyles and interactions that scientists have uncovered among many species of the orchid family.
Orchids deserve such a visual celebration: parts of the orchid flower have shapes unlike any other flowering plant, and the sheer number of species means they have a seemingly endless ability to create ever more fantastical forms. In fact, many orchid common names refer to the shape-shifting forms of their flowers—the “man-orchids” or “monkey-orchids” are so called because of their resemblance to the primate form. Orchids lend themselves to depiction, and botanical artworks of them abound. Who could resist painting or drawing such odd shapes?
Illustrated with stunning artwork, much from the archives of the Natural History Museum in London and never before published, Extraordinary Orchids includes depictions from celebrated botanical artists such as Ferdinand and Franz Bauer, Arthur Harry Church, and Sydney Parkinson, revealing the weird and wonderful lives of this most diverse of plant families.
Orchids deserve such a visual celebration: parts of the orchid flower have shapes unlike any other flowering plant, and the sheer number of species means they have a seemingly endless ability to create ever more fantastical forms. In fact, many orchid common names refer to the shape-shifting forms of their flowers—the “man-orchids” or “monkey-orchids” are so called because of their resemblance to the primate form. Orchids lend themselves to depiction, and botanical artworks of them abound. Who could resist painting or drawing such odd shapes?
Illustrated with stunning artwork, much from the archives of the Natural History Museum in London and never before published, Extraordinary Orchids includes depictions from celebrated botanical artists such as Ferdinand and Franz Bauer, Arthur Harry Church, and Sydney Parkinson, revealing the weird and wonderful lives of this most diverse of plant families.
[more]