95 books match the query 'Social media' and 5 start with e

cover of Electoral Campaigns, Media, and the New World of Digital Politics

Electoral Campaigns, Media, and the New World of Digital Politics

David Taras and Richard Davis, Editors

University of Michigan Press, 2022

Today, political leaders and candidates for office must campaign in a multimedia world through traditional forums—newspapers, radio, and television—as well as new digital media, particularly social media. Electoral Campaigns, Media, and the New World of Digital Politics chronicles how Twitter, Facebook, Reddit, email, and memes are used successfully and unsuccessfully to influence elections. Each of these platforms have different affordances and reach various audiences in different ways. Campaigns often have to wage different campaigns on each of these mediums. In some instances, they are crucial in altering coverage in the mainstream media. In others, digital media remains underutilized and undeveloped. As has always been the case in politics, outcomes that depend on economic and social conditions often dictate people’s readiness for certain messages. However, the method and content of those messages has changed with great consequences for the health and future of democracy. 

This book answers several questions: How do candidates/parties reach audiences that are preoccupied, inattentive, amorphous, and bombarded with so many other messages? How do they cope with the speed of media reporting in a continuous news cycle that demands instantaneous responses? How has media fragmentation altered the campaign styles and content of campaign communication, and general campaign discourse? Finally and most critically, what does this mean for how democracies function?

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cover of Encrypted Propaganda: The Democratic Promise and Despotic Peril of Chat Apps

Encrypted Propaganda

The Democratic Promise and Despotic Peril of Chat Apps

Inga Kristina Trauthig and Samuel Woolley

University of Chicago Press, 0

Essential reading on a hard-to-study but dominant communication tool, encrypted messaging apps—WhatsApp, Signal, and their kin—showing their promise and dangers.

Pundits have long pointed to social media’s power to catalyze or end political movements—and to strengthen or weaken democracies. But this power is shifting from social media platforms (such as Facebook and YouTube) to lesser-studied encrypted messaging apps (such as WhatsApp and Signal). This urgent book explains how these technologies work and how they differ from their predecessors, outlining their strengths and vulnerabilities at a crucial stage in their evolution.

While many Facebook users have at least heard of propaganda and the algorithms used to filter and highlight content on that platform, they are more likely to trust messaging apps as sources of authentic and secure information. Paired with a growing distrust of traditional media, more people are joining large groups on these apps and using them as news sources, even when those groups include relative strangers. This makes these apps particularly vulnerable to political propaganda—and even government espionage.

Security studies scholar Inga Kristina Trauthig and propaganda scholar Samuel Woolley consider both the role of these apps in spreading disinformation and as tools for maintaining free speech and civic discourse in the face of censorship. The same closed nature that makes these apps seem trustworthy has made them particularly difficult to research. And so this qualitative study draws on some 180 interviews with propagandists, activists, influence campaigners, and other users in fourteen countries. The book’s findings and the authors’ recommendations are crucial for understanding the future of online communication and safeguarding democratic speech.

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cover of Engaging Social Media in China: Platforms, Publics, and Production

Engaging Social Media in China

Platforms, Publics, and Production

Guobin Yang

Michigan State University Press, 2021

Introducing the concept of state-sponsored platformization, this volume shows the complexity behind the central role the party-state plays in shaping social media platforms. The party-state increasingly penetrates commercial social media while aspiring to turn its own media agencies into platforms. Yet state-sponsored platformization does not necessarily produce the Chinese Communist Party’s desired outcomes. Citizens continue to appropriate social media for creative public engagement at the same time that more people are managing their online settings to reduce or refuse connection, inducing new forms of crafted resistance to hyper-social media connectivity. The wide-ranging essays presented here explore the mobile radio service Ximalaya.FM, Alibaba’s evolution into a multi-platform ecosystem, livestreaming platforms in the United States and China, the role of Twitter in Trump’s North Korea diplomacy, user-generated content in the news media, the emergence of new social agents mediating between state and society, social media art projects, Chinese and US scientists’ use of social media, and reluctance to engage with WeChat. Ultimately, readers will find that the ten chapters in this volume contribute significant new research and insights to the fast-growing scholarship on social media in China at a time when online communication is increasingly constrained by international struggles over political control and privacy issues.
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cover of Entitled Opinions: Doxa after Digitality

Entitled Opinions

Doxa after Digitality

Caddie Alford

University of Alabama Press, 2024

A rigorous redefinition of opinion—doxa—as an emergent, relational force shaped by digital infrastructures and rhetorical entanglements.

Many urgent contemporary issues—from demagoguery to white ethno-nationalism—compel us to consider opinions seriously. Yet while clichés like “he tells it like it is” and newer imperatives such as #BlackLivesMatter seem straightforward, haptics, emoji, and “like” buttons belie unexamined collective assumptions about how opinions in the digital realm function.

Caddie Alford illuminates this function by deploying the ancient Greek term for opinions: doxa. Doxa translates to “opinion,” but the term can also signal seemingness and expectations. Doxa’s capacious meanings reveal opinions to be more than static or monolithic: With doxa, opinions become emergent, dynamic, relational, and pluralistic.

Masterfully combining rhetorical frameworks as well as scholarship on opinions and digital media entanglements, Alford puts opinions into conversation with such case studies as algorithms, infrastructure, digital illiteracy, virality, and activism. She shows how “doxa” reveals gradations of opinions, from more reputable to less reputable. She demonstrates that these gradations are multifaceted and susceptible to interventions.

Entitled Opinions sheds much of the baggage associated with opinions while opening up more fertile pathways of inquiry. In a world that says, “don’t read the comments,” this book reads the comments, taking seriously content that could be easily dismissed otherwise and alchemizing judgments into implications.

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cover of Expressive Networks: Poetry and Platform Cultures

Expressive Networks

Poetry and Platform Cultures

Edited by Matthew Kilbane

Amherst College Press, 2025

Expressive Networks convenes an urgent conversation on digital media and the social life of contemporary poetry. Tracing how poems circulate through online spaces and how capitalized platforms have come to pattern the reading and writing of poetry, contributors emphasize both the expressivist cast of digital literary culture and the deep-running ambivalence that characterizes aesthetic and critical responses to platformed cultural production. The volume features chapters on Pan- African spoken word programs, Singaporean Facebook groups, decolonial hemispheric networks, and Japanese media-critical poetries as well as platforms such as Twitter/X, Instagram, and Amazon.

Though contributors write from a variety of methodological positions and address themselves to a range of archives, they share the primary conviction that the impact of Web 2.0 on literary practice is far-reaching, far from self-evident, and far more variegated and unpredictable than easy summations of social media’s influence suggest. Expressive Networks asks after poetry’s present and future by examining what poems themselves express about the social make-up of networked platforms.

Edited by Matthew Kilbane with contributions from Cameron Awkward-Rich, Micah Bateman, Andrew Campana, Sumita Chakraborty, Scott Challener, C.R. Grimmer, Tess McNulty, Michael Nardone, Seth Perlow, Anna Preus, Susanna Sacks, Carly Schnitzler, Melanie Walsh, and Samuel Caleb Wee.

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