Results by title

For many, the word “emo” calls to mind angsty teenagers, shaggy black haircuts, and skinny jeans. A popular music phenomenon in the early 2000s, emo is short for “emotional hardcore,” and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo, with significant implications both for millennial constructs of gender and for contemporary fan studies.

First laying out the debate over what emo is, Fathallah walks superfans and newcomers through the culture surrounding thegenre’s major bands, including the emo holy trinity: My Chemical Romance, Fall Out Boy, and Panic! At the Disco. Next she examines fans’ main mode of participation in the emo subculture—online communities such as LiveJournal, Tumblr, MySpace, and band websites. Taking a hard look at the gender politics that dominated those spaces, she unearths a subculture that simultaneously defines itself by its sensitivity and resistance to traditional forms of masculinity, yet ruthlessly enforces homophobic and sexist standards. Fathallah demonstrates fandom’s key role in defining emo as a concept and genre after 2001, with probing insight into its implications for gender constructions through popular music.

Revealing cinema’s place in the coevolution of media technology and the human

Cinema did not die with the digital, it gave rise to it. According to Jeffrey West Kirkwood, the notion that digital technologies replaced analog obscures how the earliest cinema laid the technological and philosophical groundwork for the digital world. In Endless Intervals, he introduces a theory of semiotechnics that explains how discrete intervals of machines came to represent something like a mind—and why they were feared for their challenge to the uniqueness of human intelligence.

Examining histories of early cinematic machines, Kirkwood locates the foundations for a scientific vision of the psyche as well as the information age. He theorizes an epochal shift in the understanding of mechanical stops, breaks, and pauses that demonstrates how cinema engineered an entirely new model of the psyche—a model that was at once mechanical and semiotic, discrete and continuous, physiological and psychological, analog and digital.

Recovering largely forgotten and untranslated texts, Endless Intervals makes the case that cinema, rather than being a technology assaulting the psyche, is in fact the technology that produced the modern psyche. Kirkwood considers the ways machines can create meaning, offering a fascinating theory of how the discontinuous intervals of soulless mechanisms ultimately produced a rich continuous experience of inner life.

Less celebrated than the 1893 Chicago World’s Fair, the 1933–1934 Century of Progress Exposition brought visitors face-to-face with gleaming American consumerism in the midst of the Great Depression. Lindsay Fullerton draws on a wealth of personal photographs, scrapbooks, oral histories, and writings to illuminate the wildly different experiences of fairgoers against the backdrop of a city steeped in poverty and segregation.

The Exposition took place amidst massive changes sparked by expansion of mass media, Franklin Roosevelt’s election, the repeal of Prohibition, and the Great Migration. A diverse cross-section of Chicagoans informs Fullerton’s history of the event in the context of the fast-changing America of the interwar era. These personal accounts tell stories of how attendees interpreted their own experiences while being surrounded by whiz-bang products and full-throated evangelism on the benefits of progress.

A colorful people’s history, Ephemeral City takes readers inside the other Chicago World’s Fair and how visitors interacted with a pivotal moment in American history.

The first detailed analysis of Native metalworking in the Protohistoric/Contact Period

From the time of their earliest encounters with European explorers and missionaries, Native peoples of eastern North America acquired metal trinkets and utilitarian items and traded them to other aboriginal communities. As Native consumption of European products increased, their material culture repertoires shifted from ones made up exclusively of items produced from their own craft industries to ones substantially reconstituted by active appropriation, manipulation, and use of foreign goods. These material transformations took place during the same time that escalating historical, political, economic, and demographic influences (such as epidemics, new types of living arrangements, intergroup hostilities, new political alliances, missionization and conversion, changes in subsistence modes, etc.) disrupted Native systems.

Ehrhardt's research addresses the early technological responses of one particular group, the Late Protohistoric Illinois Indians, to the availability of European-introduced metal objects. To do so, she applied a complementary suite of archaeometric methods to a sample of 806 copper-based metal artifacts excavated from securely dated domestic contexts at the Illiniwek Village Historic Site in Clark County, Missouri.

Ehrhardt's scientific findings are integrated with observations from historical, archaeological, and archival research to place metal use by this group in a broad social context and to critique the acculturation perspective at other Contact Period sites. In revealing actual Native practice, from material selection and procurement to ultimate discard, the author challenges technocentric explanations for Native material and cultural change at contact.

Recently, many economists have advocated the adoption of an evolutionary perspective to better understand the permanent flux of the economy. So far, most of the work in this budding field has been confined to industrial organization research in the Schumpeterian tradition. In Explaining Process and Change, Ulrich Witt presents for the first time the potential uses of the evolutionary approach in a broad range of other fields. Witt, a leading expert in evolutionary economics, assembles essays by a number of economists whose findings might otherwise remain unavailable to North American economists. Their work offers insights into the application of evolutionary thinking to consumer theory, price theory, growth theory, industrial policy, game theory, and computer science. All of the essays focus on change and transition and the forces that create variability in the economy, as opposed to equilibrium states and the quest for optimality. Economists interested in the emerging evolutionary paradigm in economics will find Explaining Process and Change an invaluable and insightful guide to this new field. The many interdisciplinary relationships pointed out in each chapter make the book appealing to other social scientists as well.