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A rare Vietnam memoir from the crossroads of combat and military justice.

Much has been written about America’s war in Vietnam, and an enduring and troubling subtext is the composition of the body of soldiers that made up the U.S. troop deployment: from the initially well-trained and disciplined group of largely elite units that served in the mid-sixties to what has been termed an “armed mob” by the end of that decade and into the early 1970s. Drug use, insubordination, racial antagonism that often became violent, theft and black market dealing, and even “fragging” (murder of officers and senior noncoms by disgruntled troops) marred the record of the U.S. military presence. Don Griffis served in the twin roles of legal officer charged at various times with the task of both defending and prosecuting servicemen, while at the same time leading combat patrols in “search and destroy” missions against the Viet Cong and North Vietnamese enemy. Eagle Days is a remarkable account of Griffis’ personal record of experiencing what the military should do best—meet, engage, and defeat the enemy—and what it becomes when esprit de corps, discipline, and a sense of purpose decay.

In Experiments in Skin Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin.