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Tracing the impact of transcendental philosophy on Union soldiers and their loved ones during the American Civil War

Scholars of the American Civil War have long wondered about the seemingly earnest and sincere sentimental commitment that most Northern soldiers had to their nation and the North’s cause. Unlike many others in other wars, Union soldiers appeared to embrace the war with an unusual conviction and sacrificed their lives with a rare nobility. Their grieving relatives were also buoyed up by their steadfast beliefs in the righteousness of the cause. What was so different about this war, and this period of American history, and what encouraged such an outlook?

In Every Revolution Was First a Thought, Aren Lerner Craig argues that in the Civil War era the American Transcendentalist movement provided a coherent worldview that fostered powerful idealism around issues of character, gender, race, and nationhood, even in the worst of times. Through an exploration of diaries, newspaper editorials, popular songs, and more, Craig demonstrates how Transcendentalist thought moved from elite intellectual circles to the public, providing people a firm belief in the power of individual agency to shape the world and a view of spirituality in which each person was divine, and thus beyond death and destruction. Transcendentalist tenets proved strong enough to withstand the devastation of war and inspired high levels of faith and optimism in soldiers and civilians alike throughout the conflict.

Craig traces the origins of Transcendentalism across the Atlantic, to ideas from Scottish Realism and German Idealism, and connects these philosophies to writings and speeches of major figures like Ralph Waldo Emerson, Henry David Thoreau, and Margaret Fuller. This intellectual history offers a new interpretation of Transcendental thought and its role in the Civil War.

“What I done and what I been accused of covers everything, you put ’em both together.” Wyatt Moore of Caddo Lake exaggerates, but perhaps not very much. During his long life at Caddo Lake, Moore was at various times a boat operator, commercial fisherman, boat builder, farmer, fishing and hunting camp operator, guide, commercial hunter, trapper, raftsman, moonshiner, oil field worker, water well driller, and mechanical jack-of-all-trades. Still, he always found time for his lifelong study of the natural and human history of Caddo Lake. Here, in words as fresh and forceful as the day they were uttered, is his tale.

Moore, who was given the gift of a unique story to tell and great power to tell it, was the historical interpreter of his strange homeland of Caddo Lake. Twenty-three miles long, some forty thousand acres at high water, stretching across two Texas counties and one Louisiana parish, Caddo Lake’s fresh waters merge into a labyrinthine swamp punctuated by inlets, holes, and geological oddities like Goat Island, Whistleberry Slough, Whangdoodle Pass, and the Devil’s Elbow. Here among these lost reminders of steamboats and old bateau men is Moore’s world.

Born in 1901 at Karnack, Texas, Moore grew up in a time when kids wore button shoes and in a place where pigs and chickens roamed the backyard. He drank his first whiskey at age eight, gigged fish, trapped, and hunted for pearls as a boy, and grew up to an easy assurance on the lake that comes only to those long accustomed to its ways. A walking library of the history of Caddo Lake, Moore delved into almost every nook and corner of it, and wherever he went, whatever he did, he sought to learn more about his subect. Sought out by writers and journalists—among them James Michener and Bill Moyers—because of his laconic wit and remarkable command of the region’s story, Moore became known as a resource as precious as the lake itself. Moore’s story is eloquently introduced by Thad Sitton in an opening essay that chronicles the history of Caddo Lake. Striking photographs of Moore at home and at work on the lake beautifully amplify his life story, and an exuberant word-and-picture essay of Moore expertly building the traditional boat of the region, a bateau, reinforces the vivid image we have of this remarkable man.

Every Wrong Direction recreates and dissects the bitter education of Dan Burt, an American émigré who never found a home in America. It begins in the row homes of Jewish immigrants and working-class Italians on the mean streets of 1950s South Philadelphia. Every Wrong Direction follows the author from the rough, working-class childhood that groomed him to be a butcher or charter boat captain, through America, Britain and Saudi Arabia as student, lawyer, spy, culture warrior, and expatriate, ending with a photo of his college rooms at St John’s College, Cambridge. Between this beginning and end, through a Philadelphia commuter college, to Cambridge, then Yale Law School, across the working to upper classes, three countries, and seven cities over 43 years, it maps his pursuit of, realization, disillusionment with and abandonment of America and the American Dream.

Praise for Dan Burt's previous memoir, You Think It Strange:

“Burt’s early life was indeed a triumph of wit and will. He managed to escape a world filled with violence and a culture that valued street smarts over book smarts, all the while knowing that just about everyone around him thought little of his prospects. That he made it out at all is extraordinary. That he became a successful lawyer and writer is virtually unimaginable.” —Commonweal

“Dan Burt is a fine poet, and this memoir has all the sensitivity and vigilance you might expect from a writer with such a background. But his prose also has a robustness and documentary power that continually startles and engages. As it combines these things, You Think It Strange catches the strangeness of the world and makes it familiar.”
—Sir Andrew Motion, Poet Laureate of the United Kingdom, 1999-2009
 

A witty take on what’s wrong--and right--with cynicism today, now in paperback!

We are now living in the midst of the most cynical era in American history. Disaffection from government institutions is at an all-time high. Ordinary citizens perceive political leaders to be more manipulative and jaded than ever. Skepticism pervades our cultural and social attitudes and interactions, and is prominently featured in the films we see, the books we read, and the media we experience. In this biting and controversial analysis, William Chaloupka scrutinizes the cynicism that is our common condition, examining both its uses in the politics of backlash and resentment and its surprisingly positive aspects.

Revered by the public, respected by scholars, and imitated by politicians, Abraham Lincoln remains influential more than two hundred years after his birth. His memory has inspired books, monuments, and museums and also sparked controversies, rivalries, and forgeries. That so many people have been interested in Lincoln for so long makes him an ideal subject for exploring why history matters to ordinary Americans as well as to academic specialists.

In Everybody's History, Keith A. Erekson focuses on the Southwestern Indiana Historical Society—an organization composed of lawyers, historians, collectors, genealogists, teachers, college presidents, and newspaper editors—who joined together during the 1920s and 1930s to recover a part of Lincoln's life his biographers had long ignored: the years from age seven to twenty-one when he lived on the Indiana frontier. Participants in the “Lincoln Inquiry,” as it was commonly known, researched old records, interviewed aging witnesses, hosted pageants, built a historical village, and presented their findings in public and in print. Along the way they defended their methods and findings against competitors in the fields of public history and civic commemoration, and rescued some of Indiana's own history by correcting a forgotten chapter of Lincoln's.

Everybody's History traces the development of popular interest in Lincoln to uncover the story of an extensive network of nonprofessional historians who contested old authorities and advanced new interpretations. In so doing, the book invites all who are interested in the past to see history as both vital to public life and meaningful to everybody.

How the everyday habits and attitudes of ordinary liberals and conservatives shape the health of American democracy.

In Everyday Democracy, Jeffrey M. Berry, James M. Glaser, and Deborah J. Schildkraut study Americans’ views of several manifestations of “everyday democracy,” which they define as the attitudes, behaviors, and processes that people experience in daily life and their routine considerations of politics and community. Examples include engaging in dialogue with political opponents and giving politicians license to compromise. Ordinary political moments like these constitute much of politics, and they can lay the foundation that shapes if, when, and how crisis moments unfold.

Paying particular attention to the role of ideology in shaping how Americans emulate daily democratic ideals, this book considers such questions as: How do liberals and conservatives support different aspects of democratic practice, and are there ideological asymmetries between the two groups? If and when asymmetries emerge, what factors might explain them? The authors consider what their findings mean for the health of American democracy broadly.

Showing that the most important figures of the 1960s were not always the most famous ones

Just weeks back from Vietnam, guitarist Larry Lee stood on stage at Woodstock alongside Jimi Hendrix, but he isn’t given more than a glance in the festival’s documentary. In Selma, Alabama, in March 1965, an eight-year-old girl named Sheyann Webb wrote her own obituary before joining the march across the Edmund Pettus Bridge. She survived Bloody Sunday, swept off the bridge in the arms of Hosea Williams as state troopers on horseback swung bullwhips and clubs. These are just a couple of the regular people at the heart of Craig Werner’s sweeping, mosaic history of the 1960s; it is their stories, not those of the icons, that give the era its deeper meaning.

In Everyday People and the Stories of Freedom in the Sixties, Werner assembles a rich and kaleidoscopic portrait of a decade in which Americans across the entire political spectrum claimed freedom as their cause. Moving beyond familiar myths and simplified narratives, he reveals a period defined by three interlocking realities: everything was open to change, everything seemed to happen at once, and everyone believed their vision of freedom was the one worth fighting for.

Bringing together stories too often told in isolation—the Civil Rights Movement, Vietnam, the global Cold War, the women’s movement, and the intertwined worlds of sex, drugs, and rock 'n' roll—Werner integrates the experiences of African Americans, women, Native Americans, Latinx communities, LGBTQ people, and immigrants into a single, propulsive narrative. Music, film, art, and fashion are not treated as colorful backdrops but as central forces in the making of political and social change. This book illuminates the economic, political, technological, and cultural forces that shaped the 1960s and continue to influence the present. It is a history of a decade told not from the top down, but from the ground up, by the people who lived it.

Supplemental materials for readers, students, and instructors are available on the publisher’s website, including full citations, playlists, images, and thematic sections on the Global Sixties, science and technology, religion, literature, music, film, visual art, and major figures and events.

Social class is a neglected, misunderstood, yet overwhelmingly powerful factor in the United States. In Everyone Has Class Allison L. Hurst and Sean McCloud draw on both personal stories and insights from recent studies to recount the many ways class influences American life. The authors explore the material conditions we live in, the social relationships we develop, and the unconscious and conscious psychological and physical habits we form based on our social class location. Each chapter reveals the profound presence and complex influence of social class—beyond that of money, education, and occupation—providing readers with an understanding of what social class is and how it operates in our everyday lives.

Starting with “what is class?” in chapter one, personal narratives alongside interviews with key researchers and scholars allow entrée for everyone to the meaning of the term class, the impact of class, and the broader applications and perspectives within the study of class. Can one overcome class? Does recognizing its effects allow us to navigate our own social standing? Through twelve stand-alone chapters, Hurst and McCloud show how class shapes and influences both individual and social lives in consequential ways.

For decades, millions of music fans have gathered every summer in parks and fields to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe evolve into glamorous pop culture events, and how are they changing our relationship to music, leisure, and public culture? In Everyone Loves Live Music, Fabian Holt looks beyond the marketing hype to show how festivals and other institutions of musical performance have evolved in recent decades, as sites that were once meaningful sources of community and culture are increasingly subsumed by corporate giants.
 
Examining a diverse range of cases across Europe and the United States, Holt upends commonly-held ideas of live music and introduces a pioneering theory of performance institutions. He explores the fascinating history of the club and the festival in San Francisco and New York, as well as a number of European cities. This book also explores the social forces shaping live music as small, independent venues become corporatized and as festivals transform to promote mainstream Anglophone culture and its consumerist trappings. The book further provides insight into the broader relationship between culture and community in the twenty-first century. An engaging read for fans, industry professionals, and scholars alike, Everyone Loves Live Music reveals how our contemporary enthusiasm for live music is more fraught than we would like to think.

2006 — Runner-up, Arab American National Museum Book Awards

The "evil" Arab has become a stock character in American popular films, playing the villain opposite American "good guys" who fight for "the American way." It's not surprising that this stereotype has entered American popular culture, given the real-world conflicts between the United States and Middle Eastern countries, particularly since the oil embargo of the 1970s and continuing through the Iranian hostage crisis, the first and second Gulf Wars, and the ongoing struggle against al-Qaeda. But when one compares the "evil" Arab of popular culture to real Arab people, the stereotype falls apart. In this thought-provoking book, Tim Jon Semmerling further dismantles the "evil" Arab stereotype by showing how American cultural fears, which stem from challenges to our national ideologies and myths, have driven us to create the "evil" Arab Other.

Semmerling bases his argument on close readings of six films (The Exorcist, Rollover, Black Sunday, Three Kings, Rules of Engagement, and South Park: Bigger, Longer & Uncut), as well as CNN's 9/11 documentary America Remembers. Looking at their narrative structures and visual tropes, he analyzes how the films portray Arabs as threatening to subvert American "truths" and mythic tales—and how the insecurity this engenders causes Americans to project evil character and intentions on Arab peoples, landscapes, and cultures. Semmerling also demonstrates how the "evil" Arab narrative has even crept into the documentary coverage of 9/11. Overall, Semmerling's probing analysis of America's Orientalist fears exposes how the "evil" Arab of American popular film is actually an illusion that reveals more about Americans than Arabs.

An incisive framework for understanding how predictive AI has reshaped our relationship with time.

Ex Ante argues that AI systems draw us into a new experience of time, a continuous stream of machine-generated futures that reshapes our relationship to ourselves, to capitalism, and to infrastructure. Unlike other predictive tools that help us prepare for what might come, these projections—produced by algorithms and sourced by massive flows of data—calibrate our actions moment by moment, second by second. 

In this book, John Cheney-Lippold offers a framework he calls the ex ante, Latin for “before the event,” as a way to consider how the future has become capitalism’s latest resource for exploitation. Through case studies spanning TikTok beauty filters that have fueled a surge in plastic surgery consultations, chess engines that redefine how the game is played, online sports betting platforms that commodify probability itself, hospital sepsis algorithms that transform the labor of nursing, and coordinated vehicle networks that collectively anticipate their surroundings to function, Ex Ante offers an exploration and powerful critique of our algorithmic present and the powers behind it.

"Excellence for all" might, at first glance, appear to be nothing more than a rhetorical flourish. Who, after all, would oppose the idea of a great education for every student? Yet it is hardly a throwaway phrase. Rather, it represents a surprising fusion of educational policy approaches that had been in tense opposition throughout the twentieth centurythose on the right favoring social efficiency, and those on the left supporting social justice.

This book seeks to understand why the "excellence for all" vision took hold at the time it did, unpacks the particular beliefs and assumptions embedded in it, and details the often informal coalition building that produced this period of consensus. Examining the nation's largest urban school districts (Los Angeles, Chicago, and New York), the author details three major reform efforts in chapters titled "The Right Space: The Small Schools Movement"; "The Right Teachers: Teach for America"; and "The Right Curriculum: Expanding Advanced Placement."