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Between 1760 and 1800, British aristocrats became preoccupied with the acquisition of ancient Greek and Roman artifacts. From marble busts to intricately painted vases, these antiquities were amassed in vast collections held in country houses and libraries throughout Britain. In Fabricating the Antique, Viccy Coltman examines these objects and their owners, as well as dealers, restorers, designers, and manufacturers. She provides a close look at the classical revival that resulted in this obsession with collecting antiques.

Looking at the theoretical foundations of neoclassicism, Coltman contends this reinvention of ancient material culture was more than a fabrication of style. Based in the strong emphasis on classical education during this time, neoclassicism, Coltman claims, could be more accurately described as a style of thought translated into material possessions. Fabricating the Antique is a new take on both well-known collections of ancient art and newly cataloged artifacts. This book also covers how these objects—once removed from their original context—were received, preserved, and displayed. Art historians, classicists, and archaeologists alike will benefit from this important examination of British eighteenth-century history.

In Families in War and Peace Sarah C. Chambers places gender analysis and family politics at the center of Chile's struggle for independence and its subsequent state building. Linking the experiences of both prominent and more humble families to Chile's political and legal history, Chambers argues that matters such as marriage, custody, bloodlines, and inheritance were crucial to Chile's transition from colony to nation. She shows how men and women extended their familial roles to mobilize kin networks for political ends, both during and after the Chilean revolution. From the conflict's end in 1823 until the 1850s, the state adopted the rhetoric of paternal responsibility along with patriarchal authority, which became central to the state building process. Chilean authorities, Chambers argues, garnered legitimacy by enacting or enforcing paternalist laws on property restitution, military pensions, and family maintenance allowances, all of which provided for diverse groups of Chileans. By acting as the fathers of the nation, they aimed to reconcile the "greater Chilean family" and form a stable government and society.

"Family Fortunes is a major groundbreaking study that will become a classic in its field. I was fascinated by the information it provided and the argument it established about the role of gender in the construction of middle-class values, family life, and property relations.

"The book explores how the middle class constructed its own institutions, material culture and values during the industrial revolution, looking at two settings—urban manufacturing Birmingham and rural Essex—both centers of active capitalist development. The use of sources is dazzling: family business records, architectural designs, diaries, wills and trusts, newspapers, prescriptive literature, sermons, manuscript census tracts, the papers of philanthropic societies, popular fiction, and poetry.

"Family Fortunes occupies a place beside Mary Ryan's The Cradle of the Middle Class and Suzanne Lebsock's Free Women of Petersburg. It provides scholars with a definitive study of the middle class in England, and facilitates a comparative perspective on the history of middle-class women, property, and the family."—Judith Walkowitz, Johns Hopkins University

At the turn of the nineteenth century, when the word “capital” first found its way into the vocabulary of mid-Hudson Valley residents, the term irrevocably marked the profound change that had transformed the region from an inward-looking, rural community into a participant in an emerging market economy. In Farm, Shop, Landing Martin Bruegel turns his attention to the daily lives of merchants, artisans, and farmers who lived and worked along the Hudson River in the decades following the American Revolution to explain how the seeds of capitalism were spread on rural U.S. soil.
Combining theoretical rigor with extensive archival research, Bruegel’s account diverges from other historiographies of nineteenth-century economic development. It challenges the assumption that the coexistence of long-distance trade, private property, and entrepreneurial activity lead to one inescapable outcome: a market economy either wholeheartedly embraced or entirely rejected by its members. When Bruegel tells the story of farmer William Coventry struggling in the face of bad harvests, widow Mary Livingston battling her tenants, blacksmith Samuel Fowks perfecting the cast-iron plough, and Hannah Bushnell sending her butter to market, Bruegel shows that the social conventions of a particular community, and the real struggles and hopes of individuals, actively mold the evolving economic order. Ultimately, then, Farm, Shop, Landing suggests that the process of modernization must be understood as the result of the simultaneous and often contentious interplay of social and economic spheres.

Goethe is the most famous German author, and the poetic drama Faust, Part I (1808) is his best-known work, one that stands in the company of other leading canonical works of European literature such as Dante’s Inferno and Shakespeare’s Hamlet. This is the first new translation into English since David Constantine’s 2005 version. Why another translation when there are several currently in print? To invoke Goethe’s own authority when speaking of his favorite author, Shakespeare, Goethe asserts that so much has already been said about the poet-dramatist “that it would seem there’s nothing left to say,” but adds, “yet it is the peculiar attribute of the spirit that it constantly motivates the spirit.” Goethe’s great dramatic poem continues to speak to us in new ways as we and our world continually change, and thus a new or updated translation is always necessary to bring to light Faust’s almost inexhaustible, mysterious, and enchanting poetic and cultural power. Eugene Stelzig’s new translation renders the text of the play in clear and crisp English for a contemporary undergraduate audience while at the same time maintaining its leading poetic features, including the use of rhyme. 

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Between 1600 and 1800, the promise of fresh food attracted more than seven hundred English, French, and Dutch vessels to Madagascar. Throughout this period, European ships spent months at sea in the Atlantic and Indian Oceans, but until now scholars have not fully examined how crews were fed during these long voyages. Without sustenance from Madagascar, European traders would have struggled to transport silver to Asia and spices back to Europe. Colonies in Mozambique, Mauritius, and at the Cape relied upon frequent imports from Madagascar to feed settlers and slaves.

In Feeding Globalization, Jane Hooper draws on challenging and previously untapped sources to analyze Madagascar’s role in provisioning European trading networks within and ultimately beyond the Indian Ocean. The sale of food from the island not only shaped trade routes and colonial efforts but also encouraged political centralization and the slave trade in Madagascar. Malagasy people played an essential role in supporting European global commerce, with far-reaching effects on their communities.

Feeding Globalization reshapes our understanding of Indian Ocean and global history by insisting historians should pay attention to the role that food played in supporting other exchanges.

Traditional literary theory holds that women writers of the Restoration and eighteenth century produced works of limited range and value: simple tales of domestic conflict, seduction, and romance. Bringing a broad range of methodologies (historical, textual, post-structuralist, psychological) to bear on the works of Eliza Haywood, Charlotte Smith, Sarah Fielding, Fanny Burney, Jane Austen, and others. Fetter'd or Free? encourages a re-evaluation of these elder sisters of the Brontes and Eliot. In addition to examining the relationship between the minor female writers and the acknowledged greats of the age, these twenty-three essays focus on such issues as politics and ideology in the novel; the social, cultural, and economic context of the female writer; female character types and iconography; fictional and rhetorical strategies; and the development of such recurrent themes as imprisonment and subversion. What emerges is a much clearer view than we have had of the predicament of the female writer in the eighteenth century, the constraints on her freedom and artistic integrity, and the means by which she recognized, expressed, and responded to the conditions of this turbulent age. The collection includes essays by Paula Backscheider, Patricia M. Spacks, Jerry C. Beasley, Margaret Anne Doody, Robert A. Day, and others. None of the essays has been previously published. In scope and variety, Fetter'd of Free? is unlike anything currently available. It will be of interest to both the specialist and the ambitious general reader and will initiate fresh dialogues among scholars of both eighteenth century literature and women's studies.

From the late seventeenth century to the beginning of the twentieth, no figure was more central to debates in England about the relations between the sexes than that of the modest woman. Drawing on a wide range of narratives from the period, Ruth Bernard Yeazell analyzes the multiple and conflicting wishes that were covered by talk of "modesty" and explores some of the most striking uses of a modest heroine.

Combining evidence from conduct books and ladies' magazines with the arguments of influential theorists like Hume, Rousseau, and Wollstonecraft, this book begins by asking why writers were devoted to the anxious remaking of women's "nature" and to codifying rules for their porper behavior. Fictions of Modesty shows how the culture at once tried to regulate young women's desires and effectively opened up new possibilities of subjectivity and individual choice.

Yeazell goes on to demonstrate that modest delaying actions inform a central tradition of English narrative. On the Continent, the English believed, the jeune fille went from the artificial innocence of the convent to an arranged marriage and adultery; the natural modesty of the Englishwoman, however, enabled her to choose her own mate and to marry both prudently and with affection. Rather than taking its narrative impetus from adultery, then, English fiction concentrated on courtship and the consciousness of the young woman choosing. After paired studies of Richardson's Pamela and Cleland's Memoirs of a Woman of Pleasure (even Fanny Hill, Yeazell argues, is a modest English heroine at heart), Yeazell investigates what women novelists made of the virtues of modesty in works by Burney, Austen, Charlotte Bronte, and Gaskell.

A speculative postscript briefly addresses the discourse of late nineteenth-century science in order to show how Darwin's theory of sexual selection and Havelock Ellis's psychology of sex replicate fictions of female modesty. While those who sought to codify modest behavior in previous centuries often appealed to Nature for support, our modern understanding of the natural, Yeazell suggests, owes something to the work of the novelists.

Sharply reasoned and witty, Fictions of Modesty will appeal to all those interested in women's studies, the English novel, and the continuing history of relations between the sexes.

Lenora Warren tells a new story about the troubled history of abolition and slave violence by examining representations of shipboard mutiny and insurrection in late eighteenth- and early nineteenth-century Anglo-American and American literature. Fire on the Water centers on five black sailors, whose experiences of slavery and insurrection either inspired or found resonance within fiction: Olaudah Equiano, Denmark Vesey, Joseph Cinqué, Madison Washington, and Washington Goode. These stories of sailors, both real and fictional, reveal how the history of mutiny and insurrection is both shaped by, and resistant to, the prevailing abolitionist rhetoric surrounding the efficacy of armed rebellion as a response to slavery. Pairing well-known texts with lesser-known figures (Billy Budd and Washington Goode) and well-known figures with lesser-known texts (Denmark Vesey and the work of John Howison), this book reveals the richness of literary engagement with the politics of slave violence.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

A classic of historical anthropology, First-Time traces the shape of historical thought among peoples who had previously been denied any history at all. The top half of each page presents a direct transcript of oral histories told by living Saramakas about their eighteenth-century ancestors, "Maroons" who had escaped slavery and settled in the rain forests of Suriname. Below these transcripts, Richard Price provides commentaries placing the Saramaka accounts into broader social, intellectual, and historical contexts.

First-Time's unique style of presentation preserves the integrity of both its oral and documentary sources, uniting them in a profound meditation on the roles of history and memory. This second edition includes a new preface by the author, discussing First-Time's impact and recounting the continuing struggles of the Saramaka people.

Andre Penicaut, a carpenter, sailed with Iberville to the French province of Louisiana in 1699 and did not return to France until 1721. The book he began in the province and finished upon his return to France is an eyewitness account of the first years of the French colony, which stretched along the Gulf Coast from Florida to Texas and in the Mississippi Valley from the Balize to the Illinois country. As a ship carpenter, Penicaut was chosen as a member of several important expeditions: he accompanied Le Sueur up the Mississippi River in 1700 to present-day Minnesota, and he went with Juchereau de St. Denis on the first journey from Mobile to the Red River and overland to the Rio Grande, to open trade with the Spaniards in Mexico. Penicaut helped to build the first post in Louisiana, at Old Biloxi, and the second post on the Mobile River.

Penicaut was at his best when describing the lives and social customs of the Indians of the region. He saw them in realistic terms, showing no prejudice toward their native habits. Neither were his French colleagues cast in heroic or villainous molds—though their accomplishments must strike modern readers as truly epic.

When first published, Fleur de Lys and Calumet was a major stimulus to scholarship in the field. This new edition will be welcomed by a new generation of scholars and readers interested in the colonial history of the Deep South and the Mississippi Valley.

The city of Florence has long been admired as the home of the brilliant artistic and literary achievement of the early Renaissance. But most histories of Florence go no further than the first decades of the sixteenth century. They thus give the impression that Florentine culture suddenly died with the generation of Leonardo, Machiavelli, and Andrea del Sarto.

Eric Cochrane shows that the Florentines maintained their creativity long after they had lost their position as the cultural leaders of Europe. When their political philosophy and historiography ran dry, they turned to the practical problems of civil administration. When their artists finally yielded to outside influence, they turned to music and the natural sciences. Even during the darkest days of the great economic depression of the late seventeenth and early eighteenth centuries, they succeeded in preserving—almost alone in Europe—the blessings of external peace and domestic tranquility.

Smallpox, measles, and typhus. The scourges of lethal disease—as threatening in colonial Mesoamerica as in other parts of the world—called for widespread efforts and enlightened attitudes to battle the centuries-old killers of children and adults. Even before edicts from Spain crossed the Atlantic, colonial elites oftentimes embraced medical experimentation and reform in the name of the public good, believing it was their moral responsibility to apply medical innovations to cure and prevent disease. Their efforts included the first inoculations and vaccinations against smallpox, new strategies to protect families and communities from typhus and measles, and medical interventions into pregnancy and childbirth.

For All of Humanity examines the first public health campaigns in Guatemala, southern Mexico, and Central America in the eighteenth and early nineteenth centuries. Martha Few pays close attention to Indigenous Mesoamerican medical cultures, which not only influenced the shape and scope of those regional campaigns but also affected the broader New World medical cultures. The author reconstructs a rich and complex picture of the ways colonial doctors, surgeons, Indigenous healers, midwives, priests, government officials, and ordinary people engaged in efforts to prevent and control epidemic disease.

Few’s analysis weaves medical history and ethnohistory with social, cultural, and intellectual history. She uses prescriptive texts, medical correspondence, and legal documents to provide rich ethnographic descriptions of Mesoamerican medical cultures, their practitioners, and regional pharmacopeia that came into contact with colonial medicine, at times violently, during public health campaigns.

Winner of the 2017 Theatre Library Association's George Freedley Memorial Book Award
By the 1740s, colonists living in North America began to encounter scores of itinerant performers from England and Europe. These show people—acrobats, wire dancers, tumblers, trick riders, painters, dancing-masters, waxworks proprietors, healers, and singing and language teachers—brought novelty and culture to remote areas. Advertising in newspapers, they attracted audiences with the hook of appearing "for a short time only."

In this richly illustrated and deeply researched book, Peter Benes examines the rise of early American popular culture through the lives and work of itinerants who circulated in British North America and the United States from the late seventeenth through the early nineteenth century. Although they were frequently reviled as quacks and absconders by many provincials, these transients enjoyed a unique camaraderie and found audiences among high- and lowbrow alike. Drawing on contemporary diaries, letters, reminiscences, and hitherto inaccessible newspaper ads, broadsides, and images, Benes suggests why some elements of Europe's carnival and folklore traditions failed to gain acceptance in American society while others flourished brilliantly.

Between 1769 and 1834, an influx of Spanish, Russian, and then American colonists streamed into Alta California seeking new opportunities. Their arrival brought the imposition of foreign beliefs, practices, and constraints on Indigenous peoples.

Forging Communities in Colonial Alta California reorients understandings of this dynamic period, which challenged both Native and non-Native people to reimagine communities not only in different places and spaces but also in novel forms and practices. The contributors draw on archaeological and historical archival sources to analyze the generative processes and nature of communities of belonging in the face of rapid demographic change and perceived or enforced difference.

Contributors provide important historical background on the effects that colonialism, missions, and lives lived beyond mission walls had on Indigenous settlement, marriage patterns, trade, and interactions. They also show the agency with which Indigenous peoples make their own decisions as they construct and reconstruct their communities. With nine different case studies and an insightful epilogue, this book offers analyses that can be applied broadly across the Americas, deepening our understanding of colonialism and community.

Contributors:
Julienne Bernard
James F. Brooks
John Dietler
Stella D’Oro
John G. Douglass
John Ellison
Glenn Farris
Heather Gibson
Kathleen L. Hull
Linda Hylkema
John R. Johnson
Kent G. Lightfoot
Lee M. Panich
Sarah Peelo
Seetha N. Reddy
David W. Robinson
Tsim D. Schneider
Christina Spellman
Benjamin Vargas

Explores how the Creek War of 1813–1814 not only affected Creek Indians but also acted as a catalyst for deep cultural and political transformation within the society of the United States’ Cherokee allies

The Creek War of 1813–1814 is studied primarily as an event that impacted its two main antagonists, the defending Creeks in what is now the State of Alabama and the expanding young American republic. Scant attention has been paid to how the United States’ Cherokee allies contributed to the war and how the war transformed their society. In Forging a Cherokee-American Alliance in the Creek War, Susan M. Abram explains in engrossing detail the pivotal changes within Cherokee society triggered by the war that ultimately ended with the Cherokees’ forced removal by the United States in 1838.
 
The Creek War (also known as the Red Stick War) is generally seen as a local manifestation of the global War of 1812 and a bright footnote of military glory in the dazzling rise of Andrew Jackson. Jackson’s victory, which seems destined only in historic hindsight, was greatly aided by Cherokee fighters. Yet history has both marginalized Cherokee contributions to that conflict and overlooked the fascinating ways Cherokee society changed as it strove to accommodate, rationalize, and benefit from an alliance with the expanding American republic. Through the prism of the Creek War and evolving definitions of masculinity and community within Cherokee society, Abram delineates as has never been done before the critical transitional decades prior to the Trail of Tears.
 
Deeply insightful, Abram illuminates the ad hoc process of cultural, political, and sometimes spiritual transitions that took place among the Cherokees. Before the onset of hostilities, the Cherokees already faced numerous threats and divisive internal frictions. Abram concisely records the Cherokee strategies for meeting these challenges, describing how, for example, they accepted a centralized National Council and replaced the tradition of conflict-resolution through blood law with a network of “lighthorse regulators.” And while many aspects of masculine war culture remained, it too was filtered and reinterpreted through contact with the legalistic and structured American military.
 
Rigorously documented and persuasively argued, Abram’s award-winning Forging a Cherokee-American Alliance in the Creek War fills a critical gap in the history of the early American republic, the War of 1812, the Cherokee people, and the South.

Now in paperback, Forming Humanity reveals bildung, or ethical formation, as the key to post-Kantian thought.

Kant’s proclamation of humankind’s emergence from “self-incurred immaturity” left his contemporaries with a puzzle: What models should we use to sculpt ourselves if we no longer look to divine grace or received authorities?  Deftly uncovering the roots of this question in Rhineland mysticism, Pietist introspection, and the rise of the bildungsroman, Jennifer A. Herdt reveals bildung, or ethical formation, as the key to post-Kantian thought. This was no simple process of secularization, in which human beings took responsibility for something they had earlier left in the hands of God.  Rather, theorists of bildung, from Herder through Goethe to Hegel, championed human agency in self-determination while working out the social and political implications of our creation in the image of God.  While bildung was invoked to justify racism and colonialism by stigmatizing those deemed resistant to self-cultivation, it also nourished ideals of dialogical encounter and mutual recognition.  Herdt reveals how the project of forming humanity lives on in our ongoing efforts to grapple with this complicated legacy.

In the past two decades, scholars have transformed our understanding of the interactions between India and the West since the consolidation of British power on the subcontinent around 1800. While acknowledging the merits of this scholarship, Sheldon Pollock argues that knowing how colonialism changed South Asian cultures, particularly how Western modes of thought became dominant, requires knowing what was there to be changed. Yet little is known about the history of knowledge and imagination in late precolonial South Asia, about what systematic forms of thought existed, how they worked, or who produced them. This pioneering collection of essays helps to rectify this situation by addressing the ways thinkers in India and Tibet responded to a rapidly changing world in the three centuries prior to 1800. Contributors examine new forms of communication and conceptions of power that developed across the subcontinent; changing modes of literary consciousness, practices, and institutions in north India; unprecedented engagements in comparative religion, autobiography, and ethnography in the Indo-Persian sphere; and new directions in disciplinarity, medicine, and geography in Tibet. Taken together, the essays in Forms of Knowledge in Early Modern Asia inaugurate the exploration of a particularly complex intellectual terrain, while gesturing toward distinctive forms of non-Western modernity.

Contributors. Muzaffar Alam, Imre Bangha, Aditya Behl, Allison Busch, Sumit Guha, Janet Gyatso, Matthew T. Kapstein, Françoise Mallison, Sheldon Pollock, Velcheru Narayana Rao, Kurtis R. Schaeffer, Sunil Sharma, David Shulman, Sanjay Subrahmanyam, Mohamad Tavakoli-Targhi

Situated at the head of the Alabama River system—at the juncture of the Coosa and Tallapoosa rivers—Fort Toulouse in 1717 was planned to keep the local Indians neutral, if not loyal, to the French and contain the British in their southernmost Atlantic colonies. Unlike the usual frontier settlements, Fort Toulouse was both a diplomatic post, since its officers acted as resident ministers, and a military post. Because it was located in a friendly territory adjoining an area under a rival (British) influence, the post participated in psychological warfare rather than in blood-letting. It used trade and aid, and was familiar with spies and double-agents—welcoming and debriefing British defectors; no cannon was discharged in anger at Toulouse.

The most eminent figure to have been connected directly with Fort Toulouse was General Andrew Jackson, who established a military post there during the War of 1812 after his victory over the Indians at Horseshoe Bend. The outpost was named Fort Jackson in his honor and played a key role in the treaty negotiations and eventual settlement of the Indian land by Americans.

In addition to discussing geopolitical and military affairs and diplomatic relations with Indian chiefs, Thomas describes daily life at the post and the variety of interactions between residents and visitors. Waselkov's introduction places the original 1960 book within the context of the existing scholarship of that time and adds an extensive and enlightening review of the most recent archaeological and historical research to Thomas' pioneering work.

Framed Narratives was first published in 1985. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The work of French philosophe Denis Diderot (1713-1784) has inspired conflicting reactions in those who encounter him. Diderot has been admired and despised; he has moved his readers and irritated them - often at the same time. His work continually shifts between mutually exclusive positions - neither of which provides an entirely satisfactory answer to the question at hand, yet neither of which can be disregarded. The nature of these paradoxes has been the fundamental problem in Diderot, a problem that his interpreters have approached by imagining synthetic perspectives or frames within which the paradoxes could be resolved.

In Framed Narratives, Jay Caplan focuses on the problem of framing in and of Diderot. He proposes an interpretive model that draws upon the notion of dialogue developed by Mikhail Bakhtin. For Bakhtin, no utterance can be reduced to a univocal meaning; one's discourse is always marked by other voices. In Diderot, Caplan shows, the narrative device of the tableau engages the reader (or beholder) in a dialogic relationship with the author and the characters. Diderot defines the players of those roles as members of a family, one of whom is always missing, and that sacrificial relationship becomes an integral part of the text. Caplan then uses the concept of the tableau to interpret the rhetoric of gender, genre, and pathos in Diderot's works for and about the theater, his novel The Nun, the philosophical dialogue D'Alembert's Dream,and his correspondence.

What emerges from these readings is not only an interpretation of certain texts, but a description of Diderot's—and, by implication, early bourgeois—poetics. Framed Narratives is, in addition, one of the first attempts to rely upon Bakhtin's concepts in the interpretation of specific texts, in this case the work of an essentially dialogic writer. A socio-historical supplement to Framed Narratives is provided in Jochen Schulte-Sasse's afterword.

Frances Burney and Narrative Prior to Ideology works between Burney’s Journals and Letters and her fiction more thoroughly than any study of her in the past twenty-five years. By doing so, it offers significant reinterpretations of Burney’s four novels: Evelina, Cecilia, Camilla, and The Wanderer. It describes Burney’s eluding the major modern–isms through which critics have tried to read her: Feminism (with its “gendering” of beauty and reversal of gender roles); Capitalism and its Marxist critique (here the details of Burney’s housekeeping become important); Professionalism (as a response to status inconsistency and class conflict); and Ian Watt’s “Formal Realism” (Burney perhaps saved the novel from a sharp decline it suffered in the 1770s, even as she tried to distance herself from the genre).

Burney’s most successful writing appeared before the coining of “ideology.” But her standing “prior to ideology” is not a matter of chronological accident. Rather, she quietly but forcefully resisted shared explanations—domesticity as model for household management, debt as basis for family finance, professional status as a means to social confidence, the novel as the dominant literary genre—that became popular during her long and eventful life.

Frederic Jameson has described Paul de Man, “in private conversation,” claiming, “Marxism . . . has no way of understanding the eighteenth century.” Frances Burney and Narrative Prior to Ideology conjoins Burney’s “eighteenth-centuryness” with her modernity.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

Treating Frances Burney (1752-1840) with the seriousness usually reserved for later novelists of the nineteenth and twentieth centuries, Margaret Anne Doody combines biographical narrative with informed literary criticism as she analyzes not only Burney's published novels, but her plays, fragments of novels, poems, and other works never published. Doody also draws upon a mine of letters and diaries for detailed and sometimes surprising biographical information. Burney's feelings and emotions forcefully emerge in her sophisticated and complex late novels, Camilla and The Wanderer. Her novels all relate to personal experience; as an artist she is attracted to the violent, the grotesque, and the macabre. She is a powerful comic writer, but her comedy is far from reflecting a shallow cheerfulness. Bringing a novelist's perspective to her material, in this 1989 book Doody shows an appreciation of the many dimensions of a predecessor's writings and she tells her story with force and conviction.

Winner of the Kemper & Leila Williams Prize in Louisiana History for excellence in historical scholarship for the year 2002, awarded by The Historic New Orleans Collection, The Louisiana Historical Association.

In Freedom and the End of Reason, Richard L. Velkley offers an influential interpretation of the central issue of Kant’s philosophy and an evaluation of its position within modern philosophy’s larger history. He persuasively argues that the whole of Kantianism—not merely the Second Critique—focuses on a “critique of practical reason” and is a response to a problem that Kant saw as intrinsic to reason itself: the teleological problem of its goodness. Reconstructing the influence of Rousseau on Kant’s thought, Velkley demonstrates that the relationship between speculative philosophy and practical philosophy in Kant is far more intimate than generally has been perceived. By stressing a Rousseau-inspired notion of reason as a provider of practical ends, he is able to offer an unusually complete account of Kant’s idea of moral culture.

The story of America’s earliest extant play begins with a petty crime—a crime that would have passed largely unnoticed had it not been for one fact: it prompted a beleaguered royal governor of one of Britain’s colonies to lash out at his enemies by writing a biting satire. Androboros, A Bographical [sic] Farce in Three Acts (1715), is universally acknowledged as the first play both written and printed in America. Its significance stems not simply from its publication but from its eventual impact. The play inadvertently laid the foundation for one of the defining rights of the nation that would eventually emerge some seventy-five years later—the First Amendment of the Constitution of the United States, guaranteeing a free press and freedom of expression.

Androboros was not just the first of its kind, it was also ahead of its time in many ways, preceding the harsh political satires and farces of the later eighteenth century by some fifty years. Such plays served a small but essential role in promoting political thought among the colonists. Written by anonymous authors and passed from hand to hand, these short, crude, and often bawdy plays and dialogues were rarely acted due to their inflammatory lampoonery. Nevertheless, they provided an opportunity for disgruntled colonists to vent their grievances and promote their ideas to fellow citizens. The farces of the late eighteenth century drove home the meaning and message of the American Revolution.

Equally significant is that Androboros may have influenced a few of the key political discourses published in the 1730s, and these works in turn may well have shaped the future of the American political landscape for the next several decades and even into the modern era. But as a closet drama intended only to be read by close friends and political supporters, this play has languished as a minor footnote in American intellectual history. Scholarly research published to date has been, for the most part, inadequate and occasionally inaccurate. This study remedies that oversight, providing a full analysis as well as an annotated typescript and facsimiles of the original printing.

Eleonora Fonseca Pimentel was a poet, a political writer, a journalist, and a politician. She was the editor, and virtually the only writer of the Monitore Napoletano (Neapolitan Monitor), the journal in which she recorded the events and debates that took place in the short-lived Neapolitan Jacobin Republic of 1799. She sought to influence both government policy and public opinion. As a political analyst she also put forward with this journal one of the first analyses ever of popular culture and its political implications, and confronted the challenge of trying to implement a revolutionary political project in a situation of abject poverty intertwined with a deeply conservative populist mind-set.

The Other Voice in Early Modern Europe: The Toronto Series, Volume 67

In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.

In Russia during the second half of the eighteenth century, a public conversation emerged that altered perceptions of pregnancy, birth, and early childhood. Children began to be viewed as a national resource, and childbirth heralded new members of the body politic. The exclusively female world of mothers, midwives, and nannies came under the scrutiny of male physicians, state institutions, a host of zealous reformers, and even Empress Catherine the Great.
    Making innovative use of obstetrical manuals, belles lettres, children’s primers, and other primary documents from the era, Anna Kuxhausen draws together many discourses—medical, pedagogical, and political—to show the scope and audacity of new notions about childrearing. Reformers aimed to teach women to care for the bodies of pregnant mothers, infants, and children according to medical standards of the Enlightenment. Kuxhausen reveals both their optimism and their sometimes fatal blind spots in matters of implementation. In examining the implication of women in public, even political, roles as agents of state-building and the civilizing process, From the Womb to the Body Politic offers a nuanced, expanded view of the Enlightenment in Russia and the ways in which Russians imagined their nation while constructing notions of childhood.