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208 books match the query 'Autobiography' and 11 start with f
Facts as I Remember Them
The Autobiography of Rufe LeForsEdited by John Allen Peterson
University of Texas Press, 1986
The rivers of the Texas Panhandle, the Canadian, and the forks of the Red break through the Cap Rock at the eastern edge of the Staked Plains. It’s rough, bleak country, with few trees and a great expanse of sky. Storms that form on the Great Plains and in the Rocky Mountains sweep through with nothing much to slow them down. And the small dusty towns that serve this vast ranchland cling to the waterways as they have for over a hundred years, since their early settlement. Their names aren’t well known now, but they were once focal points in a rugged country where buffalo hunters, trail drivers, outlaws, and ordinary folks alike passed through.
Rufe LeFors was one such "ordinary" man. With his father and older brothers, he was among the first to settle this country, drawn to West Texas by tales of open land and good grass. His life story, set down near the end of his long and adventurous life, is the best sort of insider's history, the chronicle of a life lived fully amid the exciting events and rough landscape of the frontier's final years.
Rufe LeFors recorded his story over the course of a decade, finishing up in 1941 in his eighty-first year. His memoirs span the period from the War between the States to the early twentieth century, when the Panhandle was still scarcely settled, a true frontier. In his time LeFors was trail driver, pony express rider, and rancher. He traveled for a year with Arrington's Texas Rangers, and he wore the badge of deputy sheriff in the wild west town of Old Mobeetie. He rode a fast horse after claims in the Cherokee Strip, spent time as a horse trader, and finally settled in Lawton, Oklahoma, where, after some twenty years as a deputy, he was elected to the office of sheriff.
LeFors knew how to tell a story. Whether it is an account of an outlaw's capture or the rescue of a white girl from prairie fire by a Comanche brave, he weaves into his narrative all the color, drama, and character of the event. His version of the death of Billy the Kid adds another perspective to that much celebrated episode in western history. His encounters with Temple Houston, the governor's flamboyant son, rancher Charles Goodnight, and Ranger Captain Arrington add to our fund of knowledge about those legendary frontier figures. LeFors wanted to get the facts—as he remembered them—straight. With his sharp eye for texture and detail and keen ear for language and timing, he created a narrative that wonderfully captures the flavor of his life and exciting times.
Faithful Transgressions In The American West
Six Twentieth-Century Mormon Women's Autobiographical ActsLaura L. Bush
Utah State University Press, 2004
The central issue Bush finds in these works is how their authors have dealt with the authority of Mormon Church leaders. As she puts it in her preface, "I use the phrase 'faithful transgression' to describe moments in the texts when each writer, explicitly or implicitly, commits herself in writing to trust her own ideas and authority over official religious authority while also conceiving of and depicting herself to be a 'faithful' member of the Church." Bush recognizes her book as her own act of faithful transgression. Writing it involved wrestling, she states, "with my own deeply ingrained religious beliefs and my equally compelling education in feminist theories that mean to liberate and empower women."
Faithful Transgressions examines a remarkable group of authors and their highly readable and entertaining books. In producing the first significant book-length study of Mormon women's autobiographical writing, Bush rides a wave of memoir publishing and academic interest in autobiography and other life narratives. As she elucidates these works in relation to the religious tradition that played a major role in shaping them, she not only positions them in relation to feminist theory and current work on women's life writings but ties them to the long literary tradition of spiritual autobiography.
Fictions of Consciousness
Mill, Newman, and the Reading of Victorian ProseJonathan Loesberg
Rutgers University Press, 1986
Find Your Story, Write Your Memoir
Lynn C. Miller and Lisa Lenard-Cook
University of Wisconsin Press, 2013
Bronze winner, Foreword Book of the Year, Writing Guides
First Person Jewish
Alisa S. Lebow
University of Minnesota Press, 2008
Documentaries have increasingly used the first person, with a number of prominent filmmakers finding critical and commercial success with this intimate approach. Jewish filmmakers have particularly thrived in this genre, using it to explore disparate definitions of the self in relation to the larger groups of family and community.
In First Person Jewish, Alisa S. Lebow examines more than a dozen films from Jewish artists to reveal how the postmodern impulse to turn the lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes of the Jew. Focusing her efforts on Jewish filmmakers working on the margins, Lebow analyzes the work of Jonathan Caouette, Chantal Akerman, and Alan Berliner, among others, also including a discussion of her own first person film Treyf (1998), made with Cynthia Madansky. The filmmakers in this study, Lebow argues, are confronting a desire to both define and reimagine contemporary Jewishness.
Using a multidisciplinary approach to first person films, Lebow shows how this form of self-expression is challenging both autobiography and documentary and, in the process, changing the art of cinema and recording the cultural shifts of our time.
Alisa S. Lebow is a filmmaker and lecturer in film and TV studies at Brunel University.
Forward for the People
The Autobiography of America's Longest Serving LegislatorFred A. Risser and Doug Moe
Wisconsin Historical Society Press, 2025
When Fred Risser retired from the Wisconsin Senate in 2021, his sixty-four years in state government made him the longest serving legislator in US history. Now, in this candid and illuminating autobiography, Risser shares his singular perspective on events that transformed the state and the nation over the course of his remarkable career. From his role in the “Joe Must Go” drive to recall US Senator Joseph McCarthy in the 1950s to his position as the senior senator among the “Fab Fourteen” Wisconsin Democrats who opposed Governor Scott Walker’s Act 10 legislation against collective bargaining in 2011, Risser was a leader in state politics for decades, always maintaining an unwavering belief that political action can change people’s lives for the better.
Forward for the People provides a unique peek behind the political curtain from the viewpoint of someone who saw it all. Risser worked with thirteen governors and authored more than 240 bills that became law, championing public health and safety, environmental protection, women’s and reproductive rights, organized labor, civil rights, and social justice, among many other causes. Risser also recounts interactions with prominent national politicians, including Robert La Follette Jr., Hubert Humphrey, Jimmy Carter, and Bill Clinton. More than forty photographs from Risser’s personal collection and the Wisconsin Senate paint a vivid picture of his six-decade journey through Wisconsin politics.
Forward for the People details Risser’s experiences out of state, from a stint in the Panama Canal Zone as a navy hospital corpsman to his undergraduate debate-team days at Minnesota’s Carleton College to his years studying law at the University of Oregon and his travels to all seven continents. The book also depicts the quirky habits that made Risser a memorable and beloved politician: biking his age in miles every birthday and never taking the elevator in his sixty-four years at the Wisconsin State Capitol. Enhanced with details sourced from correspondence, personal notes, newspaper accounts, and recollections from friends and former colleagues, Risser and coauthor Doug Moe have crafted an engaging account of an extraordinary life in public service.
Forward for the People
The Autobiography of America's Longest Serving LegislatorFred A. Risser and Doug Moe
Wisconsin Historical Society Press, 2026
When Fred Risser retired from the Wisconsin Senate in 2021, his sixty-four years in state government made him the longest serving legislator in US history. Now, in this candid and illuminating autobiography, Risser shares his singular perspective on events that transformed the state and the nation over the course of his remarkable career. From his role in the “Joe Must Go” drive to recall US Senator Joseph McCarthy in the 1950s to his position as the senior senator among the “Fab Fourteen” Wisconsin Democrats who opposed Governor Scott Walker’s Act 10 legislation against collective bargaining in 2011, Risser was a leader in state politics for decades, always maintaining an unwavering belief that political action can change people’s lives for the better.
Forward for the People provides a unique peek behind the political curtain from the viewpoint of someone who saw it all. Risser worked with thirteen governors and authored more than 240 bills that became law, championing public health and safety, environmental protection, women’s and reproductive rights, organized labor, civil rights, and social justice, among many other causes. Risser also recounts interactions with prominent national politicians, including Robert La Follette Jr., Hubert Humphrey, Jimmy Carter, and Bill Clinton.
Forward for the People details Risser’s experiences out of state, from a stint in the Panama Canal Zone as a navy hospital corpsman to his undergraduate debate-team days at Minnesota’s Carleton College to his years studying law at the University of Oregon and his travels to all seven continents. The book also depicts the quirky habits that made Risser a memorable and beloved politician: biking his age in miles every birthday and never taking the elevator in his sixty-four years at the Wisconsin State Capitol. Enhanced with details sourced from correspondence, personal notes, newspaper accounts, and recollections from friends and former colleagues, Risser and coauthor Doug Moe have crafted an engaging account of an extraordinary life in public service.
Fractured Borders
Reading Women's Cancer LiteratureMary K. DeShazer
University of Michigan Press, 2010
Fractured Borders: Reading Women's Cancer Literature surveys a wide range of contemporary writing about breast, uterine, and ovarian cancer, including works by Marilyn Hacker, Margaret Edson, Carole Maso, Audre Lorde, Eve Sedgwick, Mahasweta Devi, Lucille Clifton, Alicia Ostriker, Jayne Anne Phillips, Terry Tempest Williams, and Jeanette Winterson, among many others. DeShazer's readings bring insights from body theory, performance theory, feminist literary criticism, French feminisms, and disability studies to bear on these works, shining new light on a literary subject that is engaging more and more writers.
"An important and useful book that will appeal to people in a variety of fields and walks of life, including scholars, teachers, and anyone interested in this subject."
--Suzanne Poirier, University of Illinois at Chicago
"A book on a timely and important topic, wisely written beyond scholarly boundaries and crossing many theoretical and disciplinary lines."
--Patricia Moran, University of California, Davis
Framing Identities
Autobiography and the Politics of PedagogyWendy S. Hesford
University of Minnesota Press, 1999
A trenchant examination of the political dynamics of autobiography in education.
How do historically marginalized groups expose the partiality and presumptions of educational institutions through autobiographical acts? How are the stories we tell used to justify resistance to change or institutional complacency? These are the questions Wendy S. Hesford asks as she considers the uses of autobiography in educational settings. This book demonstrates how autobiographical acts-oral, written, performative, and visual-play out in vexed and contradictory ways and how in the academy they can become sites of cultural struggle over multicultural education, sexual harassment, institutional racism, hate speech, student activism, and commemorative practices.
Within the context of Oberlin, a small liberal arts college in Ohio, and beginning with a speak-out organized by Asian American students in 1995, this book looks at the uses of autobiographical practices in empowering groups traditionally marginalized in academic settings. Investigating the process of self-representation and the social, spatial, and discursive frames within which academic bodies and identities are constituted, Framing Identities explores the use of autobiographical acts in terms of power, influence, risks involved, and effectiveness. Hesford does not endorse autobiography as an unequivocal source of empowerment, however. Instead, she illustrates how autobiographical practices in the academy can mobilize competing and often irreconcilable interests. Hesford argues that by integrating self-reflection into cultural, rhetorical, and material analyses-and encouraging students to do the same-teachers not only will largely justify attention to the personal in the classroom, they will help their communities move beyond a naive identity politics. Framing Identities provides a model for teacher-researchers across the disciplines (education, English, composition, cultural studies, women’s studies, to name a few) to investigate the contradictory uses and consequences of autobiography at their own institutions, and to carve out new pedagogical spaces from which they and their students can emerge as social, political, and intellectual subjects.
From Behind the Veil
A STUDY OF AFRO-AMERICAN NARRATIVERobert B. Stepto
University of Illinois Press, 1991
Fugitive Texts
Slave Narratives in Antebellum Print CultureMichaël Roy, translated by Susan Pickford
University of Wisconsin Press, 2024
In Fugitive Texts, Michaël Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms.
Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”