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This visually rich volume presents Harry G. Lang’s groundbreaking study of deaf people’s experiences in the Civil War. Based on meticulous archival research, Fighting in the Shadows reveals the stories of deaf soldiers and civilians who lived through this transformative period in American history. Lang describes the participation of deaf soldiers in the war, whose personal tests of fortitude and perseverance have not been previously explored. There were also many deaf people in noncombat roles whose stories have not yet been told—clerks and cooks, nurses and spies, tradespeople supporting the armies, farmers supplying food to soldiers, and landowners who assisted (or resisted) troops during battles. Deaf writers, diarists, and artists documented the war. Lang chronicles the lives of people from all walks of life, from common soldiers who faced the daily horrors of war to the extraordinary tale of the deaf poet who was friends with Abraham Lincoln and who also taught sign language to John Wilkes Booth. Even deaf children contributed actively to the war efforts. 
       Lang pieces together hundreds of stories, accompanied by numerous historical images, to reveal a powerful new perspective on the Civil War. These soldiers and civilians were not “disabled” by their deafness. On the contrary, despite the marginalization and paternalism they experienced in society, they were able to apply their skills and knowledge to support the causes in which they ardently believed.
       Fighting in the Shadows is a story of how deaf civilians and soldiers put aside personal concerns about deafness, in spite of the discrimination they faced daily, in order to pursue a cause larger than themselves. Yet their stories have remained in the shadows, leaving most Americans, hearing and deaf, largely unaware of the deaf people who made significant contributions to the events that changed the course of our nation’s history. This book provides new insights into Deaf history as well as into mainstream interpretations of the Civil War.

The Battle of Five Forks was one of the the last battles of the American Civil War. A week later, Lee surrendered. Two weeks later, Lincoln was dead. In this meditation on that battle, Alexander juxtaposes the story of the battle, which he tells through narrative, letters, and journal entries, with his own impressions, viewing the South through Northern eyes. In addition, he views contemporary American society through the story of the Civil War and specifically through the story of Five Forks. If it is true that we meet our past coming to us out of the future, then, Alexander posits, America is still grappling with issues unresolved by the Civil War. Those issues are not just the obvious ones of race and class, or of North vs. South, but also the more ephemeral issues surrounding the mythos Americans live by.
     Alexander is not a historian, and this is much more a literary work than a battle story. However, the immediacy with which Alexander tells his tale leads the reader to experience Five Forks—the land, the smells, the cries—as if present there in 1865. Thus, he does not just describe a battle; he captures the spirit of all battles, all wars.

Cookbooks offer a unique and valuable way to examine American life. Their lessons, however, are not always obvious. Direct references to the American Civil War were rare in cookbooks, even in those published right in the middle of it. In part, this is a reminder that lives went on and that dinner still appeared on most tables most nights, no matter how much the world was changing outside. But people accustomed to thinking of cookbooks as a source for recipes, and not much else, can be surprised by how much information they can reveal about the daily lives and ways of thinking of the people who wrote and used them. In this fascinating historical compilation, excerpts from five Civil War–era cookbooks present a compelling portrait of cooking and eating in the urban north of the 1860s United States.

Almost immediately, the Civil War transformed the way Southerners ate, devastating fields and food transportation networks. The war also spurred Southerners to canonize prewar cooking styles, resulting in cuisine that retained nineteenth-century techniques in a way other American cuisines did not. This fascinating book presents a variety of Civil War-era recipes from the South, accompanied by eye-opening essays describing this tumultuous period in the way people lived and ate. The cookbooks excerpted here teem with the kinds of recipes we expect to find when we go looking for Southern food: grits and gumbo, succotash and Hopping John, catfish, coleslaw, watermelon pickles, and sweet potato pie. The cookbooks also offer plenty of surprises. This volume, the second in the American Food in History series, sheds new light on cooking and eating in the Civil War South, pointing out how seemingly neutral recipes can reveal unexpected things about life beyond the dinner plate, from responses to the anti-slavery movement to shifting economic imperatives to changing ideas about women’s roles. Together, these recipes and essays provide a unique portrait of Southern life via the flavors, textures, and techniques that grew out of a time of crisis.

In a series of columns published in the African American newspaper The Christian Recorder, the young, charismatic preacher Henry McNeal Turner described his experience of the Civil War, first from the perspective of a civilian observer in Washington, D.C., and later, as one of the Union army’s first black chaplains.

 

In the halls of Congress, Turner witnessed the debates surrounding emancipation and black enlistment. As army chaplain, Turner dodged “grape” and cannon, comforted the sick and wounded, and settled disputes between white southerners and their former slaves. He was dismayed by the destruction left by Sherman’s army in the Carolinas, but buoyed by the bravery displayed by black soldiers in battle. After the war ended, he helped establish churches and schools for the freedmen, who previously had been prohibited from attending either.

 

Throughout his columns, Turner evinces his firm belief in the absolute equality of blacks with whites, and insists on civil rights for all black citizens. In vivid, detailed prose, laced with a combination of trenchant commentary and self-deprecating humor, Turner established himself as more than an observer: he became a distinctive and authoritative voice for the black community, and a leader in the African Methodist Episcopal church. After Reconstruction failed, Turner became disillusioned with the American dream and became a vocal advocate of black emigration to Africa, prefiguring black nationalists such as Marcus Garvey and Malcolm X. Here, however, we see Turner’s youthful exuberance and optimism, and his open-eyed wonder at the momentous changes taking place in American society.

 

Well-known in his day, Turner has been relegated to the fringes of African American history, in large part because neither his views nor the forms in which he expressed them were recognized by either the black or white elite. With an introduction by Jean Lee Cole and a foreword by Aaron Sheehan-Dean, Freedom’s Witness: The Civil War Correspondence of Henry McNeal Turner restores this important figure to the historical and literary record.

The American Civil War through the eyes of a French Jesuit chaplain.

"This book has a tantalizing quality, and it certainly is fresh literature for those who have watched the story of the Civil War unfold. . . . One cannot help but marvel at the research undertaken by Fr. Buckley. These letters of Fr. Gache cover such subjects as the duties of a chaplain, the lack of stimulating conversation in camp, whiskey as medication for diarrhea, the chaplain’s uniform, the oversupply of Catholic chaplains, descriptions of battles—Chancellorsville, Fredericksburg—chaplains as prisoners of war, the possibility of General Lee being chosen as the second president of the Confederacy, making candles for the alter and bleaching wax, procuring sacramental wine, conflicts with Protestant preachers, and the surrender of Richmond. Such subjects allow the personality and character of Hippolyte to stand out. . . . [The book] is interesting reading for all who love and admire the Jesuits. Its wealth of information makes it a must for others whose concern is the Confederate soldier and his God."

—Journal of Southern History

Historian Kenneth Lyftogt introduces us to the volunteer soldiers of the Pioneer Grays and Cedar Falls Reserves infantry companies and in turn examines Iowa’s role in the Civil War. Many of these soldiers served the Union for the duration of the war, from the early fighting in Missouri to Shiloh, Vicksburg, and Sherman’s destructive marches through Georgia and the Carolinas. Their letters home are Lyftogt’s primary sources, as are editorials and articles published in the Cedar Falls Gazette.

In the summer of 1862, the U.S. Army court martialed Colonel John B. Turchin, a Russian-born Union officer, for "outrages" committed by his troops in Athens, Alabama

In the summer of 1862, the U.S. Army court martialed Colonel John B. Turchin, a Russian-born Union officer, for offenses committed by his troops in Athens, Alabama, including looting, safe cracking, the vandalization of homes, and the rape of young black women. The pillage of Athens violated a government policy of conciliation; it was hoped that if Southern civilians were treated gently as citizens of the United States, they would soon return their allegiance to the federal government.
 
By examining the volunteers who made up Turchin’s force, the colonel's trial, his subsequent promotion, the policy debate surrounding the incident and the public reaction to the outcome, the authors further illuminate one of the most provocative questions in Civil War studies: how did the policy set forth by President Lincoln evolve from one of conciliation to one far more modern in nature, placing the burden of war on the civilian population of the South?

“The well-written and candid letters of a reasonably articulate Southern officer, who paints a lucid picture of everyday life in the Confederate army in a little-known theater… Williams’s letters, personally written and shot through with his sharp sense of humor and folksy artwork, provide an excellent account of a long neglected theater of the American Civil War.” – Western Pennsylvania History