244 books match the query 'Crime' and 6 start with f

cover of Fiction, Crime, and Empire: CLUES TO MODERNITY AND POSTMODERNISM

Fiction, Crime, and Empire

CLUES TO MODERNITY AND POSTMODERNISM

Jon Thompson

University of Illinois Press, 1993

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cover of Firebreak: A Parker Novel

Firebreak

A Parker Novel

Richard Stark

University of Chicago Press, 2011

Parker becomes a lover of art (to heist, that is) in this slam-bang entry in the classic hard-boiled crime series

Richard Stark's Parker novels are the hardest of hard-boiled, classic crime novels where the heists are huge, the body counts are high, and the bad guys usually win. 

The Parker novels have been a huge influence on countless writers and filmmakers, including Quentin Tarantino, Stephen King, George Pelecanos, Colson Whitehead, Lucy Sante, John Banville, and many more. Their stripped-down language and hard-as-nails amorality create an unforgettable world where the next score could be the big one, but your next mistake could also be your last. There's nothing else like them.

Between Parker’s 1961 debut and his return in the late 1990s, the whole world of crime changed. Now fake IDs and credit cards had to be purchased from specialists; increasingly sophisticated policing made escape and evasion tougher; and, worst of all, money had gone digital—the days of cash-stuffed payroll trucks were long gone.
 
But cash isn’t everything: Firebreak takes Parker to a palatial Montana “hunting lodge” where a dot-com millionaire hides a gallery of stolen old masters—which will fetch Parker a pretty penny if his team can just get it past the mansion’s tight security. The forests of Montana are an inhospitable place for a heister when well-laid plans fall apart, but no matter how untamed the wilderness, Parker’s guaranteed to be the most dangerous predator around.

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cover of Fitting the Facts of Crime: An Invitation to Biopsychosocial Criminology

Fitting the Facts of Crime

An Invitation to Biopsychosocial Criminology

Chad Posick, Michael Rocque, and J.C. Barnes

Temple University Press, 2022

Biosocial criminology—and biosocial criminologists—focuses on both the environmental and biological factors that contribute to antisocial behavior. Importantly, these two domains are not separate parts of an equation but pieces of the same puzzle that fit together for a complete picture of the causes of crime/antisocial behavior. 

Fitting the Facts of Crime applies a biopsychosocial lens to the “13 facts of crime” identified by John Braithwaite in his classic book, Crime, Shame and Reintegration. The authors unpack established facts—about gender and sex, age, environment, education, class, social bonds and associations, stress, and other influences—providing both empirical research and evidence from biopsychosocial criminology to address the etiology behind these facts and exactly how they are related to deviant behavior.

With their approach, the authors show how biopsychosocial criminology can be a unifying framework to enrich our understanding of the most robust and well-established topics in the field. In so doing, they demonstrate how biological and psychological findings can be responsibly combined with social theories to lend new insight into existing inquiries and solutions. Designed to become a standard text for criminology in general, Fitting the Facts of Crime introduces key concepts and applies them to real-world situations.

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cover of Flashfire: A Parker Novel

Flashfire

A Parker Novel

Richard Stark

University of Chicago Press, 2011

An action-packed crime novel starring Parker, the heister starring in the forthcoming Shane Black film Play Dirty!

Richard Stark's Parker novels are the hardest of hard-boiled, classic crime novels where the heists are huge, the body counts are high, and the bad guys usually win. 

The Parker novels have been a huge influence on countless writers and filmmakers, including Quentin Tarantino, Stephen King, George Pelecanos, Colson Whitehead, Lucy Sante, John Banville, and many more. Their stripped-down language and hard-as-nails amorality create an unforgettable world where the next score could be the big one, but your next mistake could also be your last. There's nothing else like them.

Between Parker’s 1961 debut and his return in the late 1990s, the whole world of crime changed. Now fake IDs and credit cards had to be purchased from specialists; increasingly sophisticated policing made escape and evasion tougher; and, worst of all, money had gone digital—the days of cash-stuffed payroll trucks were long gone.
 
But cash isn’t everything: Flashfire (which was the basis of the Jason Statham and Jennifer Lopez film Parker) finds Parker going after a fortune in jewels in West Palm Beach. He's unexpectedly competing with a crew that has an unhealthy love of explosions, and when things go sour, Parker finds himself shot and trapped—and forced to rely on a civilian to survive.
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cover of Foote: A Mystery Novel

Foote

A Mystery Novel

Tom Bredehoft

West Virginia University Press, 2022

“Part mystery, part fable but all original, Jim Foote is sure to be one of your favorite literary detectives—cryptid or otherwise.” —Jordan Farmer, author of The Poison Flood and The Pallbearer

In the space of one weekend in Morgantown, West Virginia, private investigator Big Jim Foote finds himself at the center of two murder investigations. Suspected of one killing at a local festival, he locates the body of a missing person immediately after. The cops are watching him, and Big Jim has a secret he dares not reveal: he is a bigfoot living in plain sight, charged with keeping his people in the surrounding hills from being discovered. To protect the bigfoot secret, he must solve both murders—and convince himself it wasn’t a bigfoot who pulled the trigger.

​Through the course of his investigations, Big Jim is helped by unique and well-rendered characters and friends in both his bigfoot and human communities. Readers are introduced to Appalachian mountain folk and traditional culture in new ways, even while Big Jim experiences the impact of the opioid epidemic on his own bigfoot kin. By centering a mythical creature as the unlikely protagonist in this enchanting literary murder mystery, Foote offers a winsome redefinition of a cryptid “monster” and breathes new life into the PI genre.
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cover of From Fear to Fraternity: A Russian Tale of Crime, Economy and Modernity

From Fear to Fraternity

A Russian Tale of Crime, Economy and Modernity

Patricia Rawlinson

Pluto Press, 2010

The end of communism marked the re-emergence of a huge rise in organised crime across Russia and Eastern Europe. High-profile efforts to combat it have met with little success.
 
Patricia Rawlinson argues that burgeoning crime rates result not only from the failures of communism but also from the problems of free market economies.
 
Drawing on interviews with members of the Russian criminal underworld, the business community, journalists and the militia, she argues that organised crime provides us with a barometer of economic well-being, not just for Russia but for any market economy.

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