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Longlisted for the 2025 Nigeria Prize for Literature

A 2024 Foreword INDIES Finalist

Set in a fictional town, at a fictional school, Linda N. Masi’s debut novel, Fine Dreams, rewrites myth and history. Framed by a ghost’s first-person narrative, the book centers on four young friends, the stars of their school’s track team. While studying for exams, they are kidnapped and taken to a terrorist encampment. Two are claimed as “wives” by their captors, one is forced to wear a suicide vest, and each is subjected to appalling violence and terror. While their stories resonate with a widely publicized 2014 abduction, these four young women could have been taken in any of the many incidents that have plagued the Nigerian people for years.

Even though they are abducted and abused by men in power and forced to survive in a dark place like Persephone, Masi’s protagonists offer new endings for Persephone’s story. In Masi’s telling, these resilient young women recover their dreams and hopes to live in daylight once again. No matter where they travel or where they stay, they gain self-determination and reclaim their dreams.

In 2008, the Canadian government established a Truth and Reconciliation Commission (TRC) to review the history of the residential school system, a brutal colonial project that killed and injured many Indigenous children and left a legacy of trauma and pain. In Fragments of Truth Naomi Angel analyzes the visual culture of reconciliation and memory in relation to this complex and painful history. In her analyses of archival photographs from the residential school system, representations of the schools in popular media and literature, and testimonies from TRC proceedings, Angel traces how the TRC served as a mechanism through which memory, trauma, and visuality became apparent. She shows how many Indigenous communities were able to use the TRC process as a way to claim agency over their memories of the schools. Bringing to light the ongoing costs of transforming settler states into modern nations, Angel demonstrates how the TRC offers a unique optic through which to survey the long history of colonial oppression of Canada’s Indigenous populations.

From Hate to Hallows intervenes in the public discourse surrounding the burning of Black churches in the United States—conversations largely dominated by white, conservative political imaginaries—to provide a critical account of the anti-Black racism and economic exploitation animating these acts of violence. Todne Thomas centers an ethnographic examination of a Knoxville, Tennessee, church that was burned in 2015 as the primary case study of this intervention. By exploring the congregants’ experiences and perspectives on the event, Thomas privileges Black meaning-making as a primary source of social and political analysis. She draws on their explanations for the arson to explore the social, historical, and religious contexts of white supremacy, vandalism, gentrification and urban redevelopment, and the End Times as each relate to church burning. From Hate to Hallows challenges the dominant picture of Black church arson as episodic and aberrant events and instead foregrounds them as central moments in the construction of a twenty-first-century United States steeped in racial and economic domination.