122 books match the query 'English poetry' and 4 start with f

cover of Fantasy, Fashion, and Affection: Editions of Robert Herrick's Poetry for the Common Reader, 1810–1968

Fantasy, Fashion, and Affection

Editions of Robert Herrick's Poetry for the Common Reader, 1810–1968

Jay Gertzman

University of Wisconsin Press, 1986

Robert Herrick (1591–1674) achieved fame only in the nineteenth century. The book features approximately fifty reproductions of illustrations of Hesperides.
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cover of Fishing by Obstinate Isles: Modern and Postmodern British Poetry and American Readers

Fishing by Obstinate Isles

Modern and Postmodern British Poetry and American Readers

Keith Tuma

Northwestern University Press, 1998

Fishing by Obstinate Isles explores the relations of recent British and American poetries, challenging American views of a British poetry dominated by antimodernism while discussing the role of rhetorics of national identity on both sides of the Atlantic in the persistence of these views. Devoting its most extensive commentary to a collection of British modernist and postmodernist poets, it attacks the relegation of British poetry to the zones of the quaint, making a compelling case for renewed engagements with fields of British poetry deserving of attention.
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cover of Following Chaucer: Offices of the Active Life

Following Chaucer

Offices of the Active Life

Lynn Staley

University of Michigan Press, 2020

Following Chaucer: Offices of the Active Life explores three representative figures—the royal woman, the poet, and the merchant—in relation to the concept of “office,” which Cicero linked to the health of the republic, but Chaucer to that of the common good. Not usually conjoined to the term “office,” these three figures, situated in the active life, were not firmly mapped onto the body politic, which was used to figure a relational and ordered social body ruled by the king, the head. These figures are points of entry into a set of questions rooted in Chaucer’s understanding of his cultural and historical past and in his keen appraisal of the social dynamics of his own time that also reverberate in the centuries after Chaucer’s death.

Following Chaucer does not trace influence but uses Chaucer’s likely reading, circumstances, and literary and social affiliations as guides to understanding his poetry, within the context of late medieval English culture and the reshaping of the concept of these particular offices that suited the needs of a future whose dynamics he anticipated. His understanding of the importance of the Ciceronian concept of office within the active life, his profound cultural awareness, and his probing of the foundations of social change provide him with a keen sense of the persistent tensions and inconsistencies that are fundamental to his poetry.

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cover of From Renaissance to Baroque: Essays on Literature and Art

From Renaissance to Baroque

Essays on Literature and Art

Louis L. Martz

University of Missouri Press, 1991

Distinguished critic and scholar Louis L. Martz refreshingly addresses some of the central concerns in current studies of English poetry from the sixteenth and seventeenth centuries, exploring the context of religious controversy within which this poetry developed and the relationship of poetry to the visual arts.

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