425 books match the query 'Ethics' and 15 start with f
Sharrona Pearl
University of Chicago Press, 2017

Edited by Efrat Tseëlon
Intellect Books, 2014

Dayan Jayatilleka
Pluto Press, 2007
Michael A. Weinstein
University of Massachusetts Press, 1985
A contemporary account of how virtue can have significance in a world that has lost the certainty of common and collective meanings.
Finite Perfection: Reflections on Virtue is a work of political philosophy and ethical theory in which Michael A. Weinstein develops a rigorous and original account of virtue grounded in the existentialist tradition rather than in classical metaphysics or theology. The book's title captures its central philosophical tension: where classical and religious traditions have often located virtue in relation to an infinite, divine, or transcendent standard of perfection, Weinstein insists on taking seriously the finitude of the human condition—the irreducible limits of time, mortality, and embodied existence—and asking what excellence and virtue can mean for beings who are, by nature, incomplete and bounded.
Weinstein's approach is rooted in the concept of the self-possessed individual—a person who has achieved a kind of integrity and mastery over themselves not through escape from finitude, but through honest acknowledgment and creative embrace of it. Virtue, on this view, is not a transcendence of human limitation but a perfecting of what is possible within it: the best a finite being can be. This framework draws productively on the existentialist tradition (particularly its emphasis on authenticity, self-creation, and the confrontation with mortality), while also engaging with the Aristotelian tradition of virtue ethics and the Nietzschean understanding of self-overcoming.
Throughout its pages, Weinstein brings his characteristic intellectual breadth to bear, moving across political philosophy, ethics, and social theory to construct an account of virtue that is both philosophically rigorous and deeply humane.
Edited by Nancy L. Diekelmann
University of Wisconsin Press, 2002
First, Do No Harm shows how health care professionals, with the best intentions of providing excellent, holistic health care, can nonetheless perpetuate violence against vulnerable patients. The essays investigate the need to rethink contemporary healthcare practices in ways that can bring the art and science of medicine back into sorely needed balance.
These ground-breaking studies by noted scholars question commonly held assumptions in contemporary healthcare that underlie oppressive power dynamics and even violence for patients and their families. The contributors discuss such topics as women and violence, life-support technologies, and healthcare professionals’ own experiences as patients. First, Do No Harm opens the discourse for reaching new understandings, from reassessing the meaning of "quality of life" to questioning the appropriateness of the very language used by healthcare professionals. It will be welcomed by healthcare workers and by scholars in nursing, medicine, and the allied health sciences.
Eugene Garver
University of Chicago Press, 2004
Max Scheler
Northwestern University Press, 1973
Michael Lambek, Veena Das, Didier Fassin, and Webb Keane
HAU, 2015
Michael Fishbane
University of Chicago Press, 2021
Rosenberg, Charles E
Rutgers University Press, 1992
"In some ways disease does not exist until we have agreed that it does, by perceiving, naming, and responding to it, " writes Charles E. Rosenberg in his introduction to this stimulating set of essays. Disease is both a biological event and a social phenomenon. Patient, doctor, family, and social institutions—including employers, government, and insurance companies—all find ways to frame the biological event in terms that make sense to them and serve their own ends.
Many diseases discussed here—endstage renal disease, rheumatic fever, parasitic infectious diseases, coronary thrombosis—came to be defined, redefined, and renamed over the course of several centuries. As these essays show, the concept of disease has also been used to frame culturally resonant behaviors: suicide, homosexuality, anorexia nervosa, chronic fatigue syndrome. Disease is also framed by public policy, as the cases of industrial disability and of forensic psychiatry demonstrate. Medical institutions, as managers of people with disease, come to have vested interests in diagnoses, as the histories of facilities to treat tuberculosis or epilepsy reveal. Ultimately, the existence and conquest of disease serves to frame a society's sense of its own "healthiness" and to give direction to social reforms.
The contributors include Steven J. Peitzman, Peter C. English, John Farley, Christopher Lawrence, Michael MacDonald, Bert Hansen, Joan Jacobs Brumberg, Robert A. Aronowitz, Gerald Markowitz, David Rosner, Janet A. Tighe, Barbara Bates, Ellen Dwyer, John M. Eyler, and Elizabeth Fee. For any student of disease and society, this book is essential, compelling reading.
Kate Fullbrook
Temple University Press, 1990
Patricia Kobielus Thompson
University of Scranton Press, 2010
Drawing from her many years of experience as a hospice nurse and her training as a theologian, Patricia Kobielus Thompson offers in The Dark Night of the Soul instruction to those providing care for terminally ill patients. Thompson finds in the poetry and other writings of Spanish mystic Saint John of the Cross a wisdom that she argues will assist caregivers in comforting their patients through the trying times just before death. Though much has been written on Saint John of the Cross, Thompson’s application of these works is wholly new and rooted in deep empathy.
Richard Berquist
Catholic University of America Press, 2019
Markos Hadjioannou
University of Minnesota Press, 2012
Cinema has been undergoing a profound technological shift: celluloid film is being replaced by digital media in the production, distribution, and reception of moving images. Concerned with the debate surrounding digital cinema’s ontology and the interrelationship between cinema cultures, From Light to Byte investigates the very idea of change as it is expressed in the current technological transition. Markos Hadjioannou asks what is different in the way digital movies depict the world and engage with the individual and how we might best address the issue of technological shift within media archaeologies.
Hadjioannou turns to the technical basis of the image as his first point of departure, considering the creative and perceptual activities of moviemakers and viewers. Grounded in film history, film theory, and philosophy, he explores how the digital configures its engagement with reality and the individual while simultaneously replaying and destabilizing celluloid’s own structures. He observes that, where film’s photographic foundation encourages an existential association between individual and reality, digital representations are graphic renditions of mathematical codes whose causal relations are more difficult to trace.
Throughout this work Hadjioannou examines how the two technologies set themselves up with reference to reality, physicality, spatiality, and temporality, and he concludes that the question concerning digital cinema is ultimately one of ethical implications—a question, that is, of the individual’s ability to respond to the image of the world.

Irene Alexander
Catholic University of America Press, 2027