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Investigates the rhetorical practices used by contemporary evangelical Christian women to confront theological and cultural issues that stymie deliberation within their communities

While often perceived as an insular enclave with a high level of in-group agreement about political and social issues, predominantly white evangelicalism includes prominent voices urging deliberation about appropriate responses to sexual abuse, domestic violence, and the discourses surrounding these traumas. In Faithful Deliberation: Rhetorical Invention, Evangelicalism, and #MeToo Reckonings, T J Geiger II examines theologically reflective rhetorical invention that reconfigures trauma-minimizing commonplaces in order to facilitate community-internal deliberation.

Resting at the intersection of feminist rhetorical studies and religious rhetorics, this book contains four related theological-rhetorical case studies that consider how figures such as Beth Moore, Jen Hatmaker, Rachael Denhollander, Karen Swallow Prior, and others engaged in rhetorical invention. Each juxtaposes differing approaches to contending with rape, domestic violence, sexual abuse, and other traumas. Each case contrasts an approach based on appeals to highly circumscribed understandings of grace, purity, and other denomination-specific traditions and values with approaches rooted in those same traditions and values, but with an eye toward community transformation, healing through justice, and reinvigorated forms of forgiveness. Geiger skillfully argues that this faithful deliberation involves practices of thinking, reflecting, storytelling, and acting within a tightly bounded community that can foster change through a recommitment to core values.

These rhetorical practices exemplify the kind of inventive listening deliberative discourse requires, point to the sort of healing they may promote in response to trauma and trauma discourses, and occur within a range of genres including social media posts, blog entries, published interviews, victim impact statements, and petitions. This study of invention for evangelical-to-other-evangelical deliberative discourse contributes to rhetorical studies by demonstrating the civic and social possibilities of rhetoric within religious enclaves. By locating the case studies as recent moments in longer US public and evangelical histories of activism, deliberative practice, and politics, Faithful Deliberation brings into focus how enclaves and the dominant public sphere interact.
 

The first full-length study of a pivotal figure in American evangelical faith

James Dobson—child psychologist, author, radio personality, and founder of the Christian conservative organization Focus on the Family—published his first book, Dare to Discipline, in 1970 and quickly became the go-to family expert for evangelical parents across the United States as American evangelicalism rose as a major political force. The family expert became a leading voice in the Reagan Revolution, and played a role in making American evangelicals even more firmly associated with the Republican Party. Dobson’s principle beliefs are that the family is the center of Christian America and that the traditional family must be defended from perceived threats such as gay rights, feminism, abortion, and the secularization of public schools. Dobson and Focus on the Family dominated Christian media through print, radio, and online venues, and their message reached millions of American evangelical households, shaping the cultural sensibilities and political attitudes of evangelical families throughout the culture wars from the 1980s into the 2000s.
 
Family Matters: James Dobson and Focus on the Family’s Crusade for the Christian Home by Hilde Løvdal Stephens is an insightful history and analysis of James Dobson’s rise to fame, effect on American evangelical culture, and subsequent descent from relevance. Extensively researched, Løvdal Stephens scoured through Dobson’s books, articles, and other materials published by Focus on the Family in order to explore how evangelicals defined and defended the traditional family as an ideal and as a symbol in an ever-changing world.
 
By contextualizing the history of Dobson’s reign, Løvdal Stephens’s discerning analysis fills an important gap in our understandings of the politics and culture of late twentieth-century conservative Christianity in the United States. She explores complex topics ranging from Dobson’s celebration of what he believes are timeless biblical values, such as maintaining strict and defined gender roles, to the ways Dobson and Focus on the Family balanced their basic ideals with real everyday lives of average American evangelical families, facing the realities of divorce, working mothers, and other perceived threats to the traditional family.
 

The End is always near. The Apocalypse has sparked imaginations for millennia, while in more recent times, highly publicized predictions have thrust End-Time theology briefly into the spotlight. In the 21st century, fictional depictions of various apocalyptic scenarios are found in an endless stream of films, TV shows, and novels, while real-world media coverage of global issues including climate change and the migrant crisis often features an apocalyptic tone. Feeling the Future at Christian End-Time Performances explores this prevalent human desire to envision the End by analyzing how various live End-Time performances allow people to live in and through future time.
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The book’s main focus is contemporary Christian End-Time performances and how they theatrically construct encounters with future time—not just images or ideas of a future, but viscerally and immediately real experiences of future time. Author Jill Stevenson’s examples are Hell Houses and Judgement Houses; Rapture House, a similarly styled “walk through drama” in North Carolina; Hell’s Gates, an “outdoor reality drama” in Dawsonville, Georgia; Ark Encounter, a full-size recreation of Noah’s Ark; and Tribulation Trail, an immersive thirteen-scene drama ministry based on the Book of Revelation. The book’s coda considers similarities between these Christian performances and secular survivalist prepper events, especially with respect to constructions of and language about time. In doing so, the author situates these performances within a larger tradition that challenges traditional secular/sacred distinctions and illuminates how the End Times has been employed in our current social and political moment.