55 books match the query 'Fascism' and 10 start with f

cover of Fascination with the Persecutor: George L. Mosse and the Catastrophe of Modern Man

Fascination with the Persecutor

George L. Mosse and the Catastrophe of Modern Man

Emilio Gentile and and Stanley G. Payne, translated by John and Anne Tedeschi

University of Wisconsin Press, 2021

In 1933, George L. Mosse fled Berlin and settled in the United States, where he went on to become a renowned historian at the University of Wisconsin–Madison. Through rigorous and innovative scholarship, Mosse uncovered the forces that spurred antisemitism, racism, nationalism, and populism. His transformative work was propelled by a desire to know his own persecutors and has been vital to generations of scholars seeking to understand the cultural and intellectual origins and mechanisms of Nazism.
 
This translation makes Emilio Gentile’s groundbreaking study of Mosse’s life and work available to English language readers. A leading authority on fascism, totalitarianism, and Mosse’s legacy, Gentile draws on a wealth of published and unpublished material, including letters, interviews, lecture plans, and marginalia from Mosse’s personal library. Gentile details how the senior scholar eschewed polemics and employed rigorous academic standards to better understand fascism and the “catastrophe of the modern man”—how masculinity transformed into a destructive ideology. As long as wars are waged over political beliefs in popular culture, Mosse’s theories of totalitarianism will remain as relevant as ever.
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cover of Fascism Comes to America: A Century of Obsession in Politics and Culture

Fascism Comes to America

A Century of Obsession in Politics and Culture

Bruce Kuklick

University of Chicago Press, 2022

A deeply relevant look at what fascism means to Americans.

From the time Mussolini took power in Italy in 1922, Americans have been obsessed with and brooded over the meaning of fascism and how it might migrate to the United States. Fascism Comes to America examines how we have viewed fascism overseas and its implications for our own country. Bruce Kuklick explores the rhetoric of politicians, who have used the language of fascism to smear opponents, and he looks at the discussions of pundits, the analyses of academics, and the displays of fascism in popular culture, including fiction, radio, TV, theater, and film. Kuklick argues that fascism has little informational meaning in the United States, but instead, it is used to denigrate or insult. For example, every political position has been besmirched as fascist. As a result, the term does not describe a phenomenon so much as it denounces what one does not like. Finally, in displaying fascism for most Americans, entertainment—and most importantly film—has been crucial in conveying to citizens what fascism is about. Fascism Comes to America has been enhanced by many illustrations that exhibit how fascism was absorbed into the US public consciousness.  
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cover of Fascism and Antifascism since 1945

Fascism and Antifascism since 1945

Mark Bray, Jessica Namakkal, Giulia Riccò, and Eric Roubinek, special issue editors

Duke University Press, 2020

Contributors to this special issue of Radical History Review study histories of fascism and antifascism after 1945 to show how fascist ideology continues to circulate and be opposed transnationally despite its supposed death at the end of World War II. The essays cover the use of fascism in the 1970s construction of the Latinx Left, the connection of antifascism and anti-imperialism in 1960s Italian Communist internationalism, post-dictatorship Argentina and the transhistorical alliance between Las Madres and travestí activism, cultures of antifascism in contemporary Japan, and global fascism as portrayed through the British radical right's attempted alliance with Qathafi's Libya. The issue also includes a discussion about teaching fascism through fiction in the age of Trump, a reflection on the practices of archiving and displaying antifascist objects to various publics, and reviews of recent works on antifascism, punk music, and the Rock Against Racism movement.

Contributors. Benjamin Bland, Mark Bray, Rosa Hamilton, Jessica Namakkal, Giulia Riccò, Cole Rizki, Eric Roubinek, Antonino Scalia, Stuart Schrader, Vivian Shaw, Michael Staudenmaier
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cover of Fascism in Spain, 1923–1977

Fascism in Spain, 1923–1977

Stanley G. Payne

University of Wisconsin Press, 2000

Fascism in Spain, 1923–1977, by celebrated historian Stanley G. Payne, is the most comprehensive history of Spanish fascism to appear in any language. This authoritative study offers treatment of all the major doctrines, personalities, and defining features of the Spanish fascist movement, from its beginnings until the death of General Francisco Franco in 1977.

Payne describes and analyzes the development of the Falangist party both prior to and during the Spanish Civil War, presenting a detailed analysis of its transformation into the state party of the Franco regime—Falange Española Tradicionalista—as well as its ultimate conversion into the pseudofascist Movimiento Nacional. Payne devotes particular attention to the crucial years 1939–1942, when the Falangists endeavored to expand their influence and convert the Franco regime into a fully Fascist system. Fascism in Spain helps us to understand the personality of Franco, the way in which he handled conflict within the regime, and the reasons for the long survival of his rule. Payne concludes with the first full inquiry into the process of “defascistization,” which began with the fall of Mussolini in 1943 and extended through the Franco regime’s later efforts to transform the party into a more viable political entity.

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cover of Fascism: Comparison and Definition

Fascism

Comparison and Definition

Stanley G. Payne

University of Wisconsin Press, 1983

“An impressive review of reputed fascist movements, at once setting them apart from other authoritarian nationalist organizations and bringing them together within a qualified generic category.  Running throughout the volume, and valuable to readers at every level, is a careful critique of the major debates that divide scholars on this most unintelligible ‘ism’ of them all.  Payne precisely defines issues, cites the best literature in the major European languages, and offers with moderation and intelligence his own conclusions on the question.”—Gilbert Allardyce, American Historical Review
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cover of Fascism: History and Theory

Fascism

History and Theory

David Renton

Pluto Press, 2020

Across Europe and the world, far right parties have been enjoying greater electoral success than at any time since 1945. Right-wing street movements draw huge supporters and terrorist attacks on Jews and Muslims proliferate. It sometimes seems we are returning to the age of fascism. 

To explain this disturbing trend, David Renton surveys the history of fascism in Europe from its pre-war origins to the present day, examining Marxist responses to fascism in the age of Hitler and Mussolini, the writings of Trotsky and Gramsci and contemporary theorists. Renton theorizes that fascism was driven by the chaotic and unstable balance between reactionary ambitions and the mass character of its support. This approach will arm a new generation of anti-fascists to resist those who seek to re-enact fascism.

Rewritten and revised for the twentieth anniversary of its first publication, Renton's classic book synthesizes the Marxist theory of fascism and updates it for our own times.
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cover of Fascism: The History of a Word

Fascism

The History of a Word

Federico Marcon

University of Chicago Press, 2025

A wide-ranging history of the term “fascism,” what it has meant, and what it means today.
 
The rise and popular support for authoritarianism around the world and within traditional democracies have spurred debates over the meaning of the term “fascist” and when and whether it is appropriate to use it. The landmark study Fascism: The History of a Word takes this debate further by tackling its most fundamental questions: How did the terms “fascism” and “fascist” come to be in the first place? How and in what circumstances have they been used? How can they be understood today? And what are the advantages (or disadvantages) of using “fascism” to make sense of interwar authoritarianism as well as contemporary politics?
 
Exploring the writings and deeds of political leaders, activists, artists, authors, and philosophers, Federico Marcon traces the history of the term’s use (and usefulness) in relation to Mussolini’s political regime, antifascist resistance, and the quest of postwar historians to develop a definition of a “fascist minimum.” This investigation of the semiotics of “fascism” also aims to inquire about people’s voluntary renunciation of the modern emancipatory ideals of freedom, equality, and solidarity.
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cover of Fascism: Theory and Practice

Fascism

Theory and Practice

David Renton

Pluto Press, 1999

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cover of Fascist Virilities: Rhetoric, Ideology, and Social Fantasy in Italy

Fascist Virilities

Rhetoric, Ideology, and Social Fantasy in Italy

Barbara Spackman

University of Minnesota Press, 1996

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cover of Fighting Fascist Spain: Worker Protest from the Printing Press

Fighting Fascist Spain

Worker Protest from the Printing Press

Montse Feu

University of Illinois Press, 2020

In the 1930s, anarchists and socialists among Spanish immigrants living in the United States created España Libre (Free Spain) as a response to the Nationalist takeover in their homeland. Worker-oriented and avowedly antifascist, the grassroots periodical raised money for refugees and political prisoners while advancing left-wing culture and politics. España Libre proved both visionary and durable, charting an alternate path toward a modern Spain and enduring until democracy's return to the country in 1977.

Montse Feu merges España Libre's story with the drama of the Spanish immigrant community's fight against fascism. The periodical emerged as part of a transnational effort to link migrants and new exiles living in the United States to antifascist networks abroad. In addition to showing how workers' culture and politics shaped their antifascism, Feu brings to light creative works that ranged from literature to satire to cartoons to theater. As España Libre opened up radical practices, it encouraged allies to reject violence in favor of social revolution's potential for joy and inclusion.

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