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183 books match the query 'Feminist' and 14 start with f

cover of Families of the Heart: Surrogate Relations in the Eighteenth-Century British Novel

Families of the Heart

Surrogate Relations in the Eighteenth-Century British Novel

Ann Campbell

Bucknell University Press, 2023

In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.

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cover of Farewell Tangier

Farewell Tangier

Salma El Moumni

Seagull Books, 2026

A bold, intimate debut novel that follows a young Moroccan woman’s flight from shame to self-reclamation.

For Alia, being a teenager in Tangier means constantly facing a gauntlet of unwanted encounters by men in the streets who look her over, grab her, or make comments about her body. At night, in the privacy of her bedroom, Alia begins to take photos of her body in order to understand what those men see when they look at her, becoming her own voyeur. When Alia’s photos somehow end up on the internet, she decides to flee the country, as the photos violate Moroccan law. She seeks refuge in Lyon, France, but is unable to escape the past.
 
Farewell Tangier is a searing exploration of the male gaze and its potential to shatter a young woman’s life, exploring themes of desire, dissociation, and exile. It is both a feminist critique of the policing of female bodies and an affecting narrative of one young woman’s struggle with her identity.
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cover of Feminist Biblical Studies in the Twentieth Century: Scholarship and Movement

Feminist Biblical Studies in the Twentieth Century

Scholarship and Movement

Elisabeth Schüssler Fiorenza

SBL Press, 2014

Chart the development of feminist approaches and theories of interpretation during the period when women first joined the ranks of biblical scholars

This collection of essays on feminist biblical studies in the twentieth century seeks to explore four areas of inquiry demanding further investigation. In the first section, articles chart the beginnings and developments of feminist biblical studies as a conversation among feminists around the world. The second section introduces, reviews, and discusses the hermeneutic religious spaces created by feminist biblical studies. The third segment discusses academic methods of reading and interpretation that dismantle androcentric language and kyriarchal authority. The fourth section returns to the first with work that transgresses academic boundaries in order to exemplify the transforming, inspiring, and institutionalizing feminist work that has been and is being done to change religious mindsets of domination and to enable wo/men to engage in critical readings of the Bible.

Features:

  • Essays examine the rupture or break in the malestream reception history of the Bible
  • Exploration of the term feminism in different social-cultural and theoretical-religious locations
  • Authors from around the world present research and future directions for research challenging the next generation of feminist interpreters
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cover of Feminist Book Work: Reading with the Women's Press

Feminist Book Work

Reading with the Women's Press

Rosy Mack

Duke University Press, 2027

From the 1970s to the 1990s, a new wave of women’s writing emerged, spanning from serious feminist theoretical interventions to lesbian detective fiction. In Feminist Book Work, Rosy Mack traces how the British publisher the Women’s Press, in tandem with the booksellers and other presses that comprised the interdependent infrastructure of feminist print culture, made this proliferation of feminist publishing possible. Mack uncovers the everyday work of feminist publishing through five case studies informed by the press’s archives along with oral history interviews with former workers. She centers the care and labor that went into facilitating innovative, politically responsive, and delightfully strange women’s writing, paying close attention to the many workers and forms of work that help bring books into the world, as well as highlighting feminist publishing’s most influential contributions to leftist publications and women’s literature. In theorizing feminist textual work as a practice of care, Mack sheds light on the often-hidden labor of facilitating cultural production and makes the case for the necessity of independent and innovative publishing in the face of political crisis.
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cover of Feminist Fabulation: Space/Postmodern Fiction

Feminist Fabulation

Space/Postmodern Fiction

Marleen S. Barr

University of Iowa Press, 1992

The surprising and controversial thesis of Feminist Fabulation is unflinching: the postmodern canon has systematically excluded a wide range of important women's writing by dismissing it as genre fiction. Marleen Barr issues an urgent call for a corrective, for the recognition of a new meta- or supergenre of contemporary writing--feminist fabulation--which includes both acclaimed mainstream works and works which today's critics consistently ignore.
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cover of Feminist Narrative Ethics: Tacit Persuasion in Modernist Form

Feminist Narrative Ethics

Tacit Persuasion in Modernist Form

Katherine Saunders Nash

The Ohio State University Press, 2014

Feminist Narrative Ethics: Tacit Persuasion in Modernist Form establishes a new theory of narrative ethics by analyzing rhetorical techniques prompt readers of novels to reconsider their ethical convictions about women’s rights. Katherine Saunders Nash proposes four new theoretical paradigms: the ethics of persuasion (Virginia Woolf), of fair play (Dorothy L. Sayers), of distance (E. M. Forster), and of attention (John Cowper Powys). While offering close readings of novels by each author, this book also provides a new, interdisciplinary basis for coordinating feminist and rhetorical theories, history, and narrative technique.
 
Despite pronouncements by many theorists about the difficulty—even the impossibility—of doing justice in a single study to both history and form, Feminist Narrative Ethics proves that they can be mutually illuminating. Its approach is not only resolutely rhetorical, but resolutely historical as well. It strikes a felicitous balance between history and form that affords new understanding of the implied author concept.
 
Feminist Narrative Ethics makes a persuasive case for the necessity of locating authorial agency in the implied (rather than the actual) author and cogently explains why rhetorical theory insists on the concept of an implied (rather than an inferred) author. And it proposes a new facet of agency that rhetorical theorists have heretofore neglected: the ethics of progressive revisions to a project in manuscript.
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cover of Feminist Rereadings of Rabbinic Literature

Feminist Rereadings of Rabbinic Literature

Inbar Raveh

Brandeis University Press, 2014

This book offers a fresh perspective on classical Jewish literature by providing a gender-based, feminist reading of rabbinical anecdotes and legends. Viewing rabbinical legends as sources that generate perceptions about women and gender, Inbar Raveh provides answers to questions such as how the Sages viewed women; how they formed and molded their characterization of them; how they constructed the ancient discourse on femininity; and what the status of women was in their society. Raveh also re-creates the voices and stories of the women themselves within their sociohistorical context, moving them from the periphery to the center and exposing how men maintain power. Chapter topics include desire and control, pain, midwives, prostitutes, and myth. A major contribution to the fields of literary criticism and Jewish studies, Raveh’s book demonstrates the possibility of appreciating the aesthetic beauty and complexity of patriarchal texts, while at the same time recognizing their limitations.
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cover of Feminist and Human Rights Struggles in Peru: Decolonizing Transitional Justice

Feminist and Human Rights Struggles in Peru

Decolonizing Transitional Justice

Pascha Bueno-Hansen

University of Illinois Press, 2015

In 2001, following a generation of armed conflict and authoritarian rule, the Peruvian state created a Truth and Reconciliation Committee (TRC). Pascha Bueno-Hansen places the TRC, feminist and human rights movements, and related non-governmental organizations within an international and historical context to expose the difficulties in addressing gender-based violence. Her innovative theoretical and methodological framework based on decolonial feminism and a critical engagement with intersectionality facilitates an in-depth examination of the Peruvian transitional justice process based on field studies and archival research. Bueno-Hansen uncovers the colonial mappings and linear temporality underlying transitional justice efforts and illustrates why transitional justice mechanisms must reckon with the societal roots of atrocities, if they are to result in true and lasting social transformation. Original and bold, Feminist and Human Rights Struggles in Peru elucidates the tension between the promise of transitional justice and persistent inequality and impunity.
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cover of Fictions of Modesty: Women and Courtship in the English Novel

Fictions of Modesty

Women and Courtship in the English Novel

Ruth Bernard Yeazell

University of Chicago Press, 1991

From the late seventeenth century to the beginning of the twentieth, no figure was more central to debates in England about the relations between the sexes than that of the modest woman. Drawing on a wide range of narratives from the period, Ruth Bernard Yeazell analyzes the multiple and conflicting wishes that were covered by talk of "modesty" and explores some of the most striking uses of a modest heroine.

Combining evidence from conduct books and ladies' magazines with the arguments of influential theorists like Hume, Rousseau, and Wollstonecraft, this book begins by asking why writers were devoted to the anxious remaking of women's "nature" and to codifying rules for their porper behavior. Fictions of Modesty shows how the culture at once tried to regulate young women's desires and effectively opened up new possibilities of subjectivity and individual choice.

Yeazell goes on to demonstrate that modest delaying actions inform a central tradition of English narrative. On the Continent, the English believed, the jeune fille went from the artificial innocence of the convent to an arranged marriage and adultery; the natural modesty of the Englishwoman, however, enabled her to choose her own mate and to marry both prudently and with affection. Rather than taking its narrative impetus from adultery, then, English fiction concentrated on courtship and the consciousness of the young woman choosing. After paired studies of Richardson's Pamela and Cleland's Memoirs of a Woman of Pleasure (even Fanny Hill, Yeazell argues, is a modest English heroine at heart), Yeazell investigates what women novelists made of the virtues of modesty in works by Burney, Austen, Charlotte Bronte, and Gaskell.

A speculative postscript briefly addresses the discourse of late nineteenth-century science in order to show how Darwin's theory of sexual selection and Havelock Ellis's psychology of sex replicate fictions of female modesty. While those who sought to codify modest behavior in previous centuries often appealed to Nature for support, our modern understanding of the natural, Yeazell suggests, owes something to the work of the novelists.

Sharply reasoned and witty, Fictions of Modesty will appeal to all those interested in women's studies, the English novel, and the continuing history of relations between the sexes.
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cover of Fictions of Pleasure: The Putain Memoirs of Prerevolutionary France

Fictions of Pleasure

The Putain Memoirs of Prerevolutionary France

Alistaire Tallent

University of Delaware Press, 2024

Out of the libertine literary tradition of eighteenth-century France emerged over a dozen memoir novels of female libertines who eagerly take up sex work as a means of escape from the patriarchal control of fathers and husbands to pursue pleasure, wealth, and personal independence outside the private, domestic sphere. In these anonymously published novels, the heroines proudly declare themselves prostitutes, or putains, and use the desire they arouse, the professional skills they develop, and the network of female friends they create to exploit, humiliate, and financially ruin wealthy and powerful men. In pursuing their desires, the putains challenge contemporary notions of womanhood and expose the injustices of ancien-régime France. Until the French Revolution spelled the end of the genre, these novels proposed not only an appealing libertine utopia in which libertine women enjoy the same benefits as their male counterparts but also entirely new ways of looking at systems of power, gender, and sexuality.
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cover of Fidelity: An Annotated Edition

Fidelity

An Annotated Edition

Susan Glaspell, edited by Kevin McMullen

Southern Illinois University Press, 2025

Recovering a lost feminist story of scandal and strength for a new generation

Out of print in the United States since its original publication in 1915, Susan Glaspell’s largely forgotten novel Fidelity tells the story of Ruth Holland, a young woman who returns to her small Midwestern hometown after eleven years’ absence. Forced home by the death of her father, Ruth must face a family and community that have largely turned against her following her affair with a married man.

Glaspell, mostly known as a playwright and for her founding of the Provincetown Players, was also an accomplished novelist. Inspired by events in Glaspell’s own life, Fidelity portrays Ruth’s struggle to find fulfillment, love, and purpose in a society that imposes rigid expectations and limitations on how a woman should live. Ruth is a woman torn between love and commitment to her family—and between love and commitment to herself. Glaspell’s narrative shifts between characters, offering glimpses through the community’s eyes of the ways that Ruth’s return forces residents to confront their beliefs and the impact that they have. In the vein of Chopin’s The Awakening and Flaubert’s Madame Bovary, Glaspell’s Fidelity holds an important place in the history of early twentieth-century feminist literature and is long overdue to be back in print.

Students at the University of Nebraska–Lincoln, under the guidance of Kevin McMullen, project manager of the Walt Whitman Archive, have resurrected this neglected novel. The text includes contemporary photographs of Susan Glaspell, a new introduction, and annotations throughout, which provide useful commentary for students and general readers alike.

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cover of For Fear of the Fire: Joan of Arc and the Limits of Subjectivity

For Fear of the Fire

Joan of Arc and the Limits of Subjectivity

Françoise Meltzer

University of Chicago Press, 2001

Why are contemporary secular theorists so frequently drawn to saints, martyrs, and questions of religion? Why has Joan of Arc fascinated some of the most important thinkers of the twentieth century? In a book that faces crucial issues in both critical and feminist inquiry, Françoise Meltzer uses the story of Joan as a guide for reading the postmodern nostalgia for a body that is intact and transparent. She argues that critics who place excessive emphasis on opposition and difference remain blind to their nostalgia for the pre-Cartesian idea that the body and mind are the same.

Engaging a number of theorists, and alternating between Joan's historical and cultural context, Meltzer also explores the ways in which postmodern thinkers question subjectivity. She argues that the way masculine subjects imagine Joan betrays their fear of death and necessitates the role of women as cultural others: enigmatic, mysterious, dark, and impossible. As such, Joan serves as a useful model of the limits and risks of subjectivity. For Meltzer, she is both the first modern and the last medieval figure. From the ecclesial jury that burned her, to the theorists of today who deny their attraction to the supernatural, the philosophical assumptions that inform Joan's story, as Meltzer ultimately shows, have changed very little.
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cover of Fractured Borders: Reading Women's Cancer Literature

Fractured Borders

Reading Women's Cancer Literature

Mary K. DeShazer

University of Michigan Press, 2010

Women have been writing about cancer for decades, but since the early 1990s, the body of literature on cancer has increased exponentially as growing numbers of women face the searing realities of the disease and give testimony to its ravages and revelations.

Fractured Borders: Reading Women's Cancer Literature surveys a wide range of contemporary writing about breast, uterine, and ovarian cancer, including works by Marilyn Hacker, Margaret Edson, Carole Maso, Audre Lorde, Eve Sedgwick, Mahasweta Devi, Lucille Clifton, Alicia Ostriker, Jayne Anne Phillips, Terry Tempest Williams, and Jeanette Winterson, among many others. DeShazer's readings bring insights from body theory, performance theory, feminist literary criticism, French feminisms, and disability studies to bear on these works, shining new light on a literary subject that is engaging more and more writers.

"An important and useful book that will appeal to people in a variety of fields and walks of life, including scholars, teachers, and anyone interested in this subject."
--Suzanne Poirier, University of Illinois at Chicago

"A book on a timely and important topic, wisely written beyond scholarly boundaries and crossing many theoretical and disciplinary lines."
--Patricia Moran, University of California, Davis
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cover of Frances Newman: Southern Satirist and Literary Rebel

Frances Newman

Southern Satirist and Literary Rebel

Barbara Ann Wade

University of Alabama Press, 1998

This first biographical and literary assessment of Frances Newman highlights one of the most experimental writers of the Southern Renaissance
 

Novelist, translator, critic, and acerbic book reviewer Frances Newman (1883–1928) was praised by Virginia novelist James Branch Cabell and critic H. L. Mencken. Her experimental novels The Hard-Boiled Virgin (1926) and Dead Lovers Are Faithful Lovers (1928), have recently begun to receive serious critical attention, but this is the first book-length study to focus both on Newman’s life and on her fiction.
 
Frances Newman was born into a prominent Atlanta family and was educated at private schools in the South and the Northeast. Her first novel, The Hard-Boiled Virgin, was hailed by James Branch Cabell as “the most brilliant, the most candid, the most civilized, and the most profound yet written by any American woman.” Cabell and H. L. Mencken became Newman’s literary mentors and loyally supported her satire of southern culture, which revealed the racism, class prejudice, and religious intolerance that reinforced the idealized image of the white southern lady. Writing within a nearly forgotten feminist tradition of southern women’s fiction, Newman portrayed the widely acclaimed social change in the early part of the century in the South as superficial rather than substantial, with its continued restrictive roles for women in courtship and marriage and limited educational and career opportunities.
 
Barbara Wade explores Newman’s place in the feminist literary tradition by comparing her novels with those of her contemporaries Ellen Glasgow, Mary Johnston, and Isa Glenn. Wade draws from Newman’s personal correspondence and newspaper articles to reveal a vibrant, independent woman who simultaneously defied and was influenced by the traditional southern society she satirized in her writing.


 
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