Results by title

“[A] spirited and deeply researched project…. [Benkemoun’s] affection for her subject is infectious. This book gives a satisfying treatment to a woman who has been confined for decades to a Cubist’s limited interpretation.” — Joumana Khatib, The New York Times

Merging biography, memoir, and cultural history, this compelling book, a bestseller in France, traces the life of Dora Maar through a serendipitous encounter with the artist’s address book.

In search of a replacement for his lost Hermès agenda, Brigitte Benkemoun’s husband buys a vintage diary on eBay. When it arrives, she opens it and finds inside private notes dating back to 1951—twenty pages of phone numbers and addresses for Balthus, Brassaï, André Breton, Jean Cocteau, Paul Éluard, Leonor Fini, Jacqueline Lamba, and other artistic luminaries of the European avant-garde.

After realizing that the address book belonged to Dora Maar—Picasso’s famous “Weeping Woman” and a brilliant artist in her own right—Benkemoun embarks on a two-year voyage of discovery to learn more about this provocative, passionate, and enigmatic woman, and the role that each of these figures played in her life.

Longlisted for the prestigious literary award Prix Renaudot, Finding Dora Maar is a fascinating and breathtaking portrait of the artist.

Frank Norris Remembered is a collection of reminiscences by Norris’s contemporaries, friends, and family that illuminate the life of a popular American novelist.

Considering his undergraduate education spent studying art at Académie Julian in Paris and creative writing at Harvard and his journalism career reporting from the far reaches of South Africa and Cuba, it is difficult to fathom how Frank Norris also found time to compose seven novels during the course of his brief life. But despite his adventures abroad, Norris turned out novels at a dizzying pace. He published Moran of the Lady Letty in 1898, McTeague early in 1899, Blix later that year, A Man’s Woman in February 1900, and The Octopus, the first in his ultimately unfinished “Epic of the Wheat” trilogy, in 1901. By informing his novels with his own experiences abroad, Norris composed works that were politically charged and culturally relevant and that made considerable contributions to the character of American literature in the twentieth century.

Frank Norris died at the age of thirty-two in 1902 from peritonitis resulting from a burst appendix, leaving behind a wife, a daughter, and an unfinished series of novels (two of which, The Pit and Vandover and the Brute, were published posthumously). The aim of Frank Norris Remembered, edited by Jesse S. Crisler and Joseph R. McElrath Jr., is to re-create the short, spectacular life of this American author through the eyes of those who knew him best. The fifty reminiscences included in this book feature the voices of Frank N. Doubleday; William Dean Howells; Hamlin Garland; Norris’s wife, Jeannette; and many others who were lucky enough to form a relationship with this vital twentieth-century American author, artist, and adventurer.

When readers see the names Mark Twain and Dan De Quille, fake news may not be the first thing that comes to mind. But these legendary journalists were some of the original, and most prolific, fake news writers in the early years of Nevada’s history. Frontier Fake News puts a spotlight on the hoaxes, feuds, pranks, outright lies, witty writing, and other literary devices utilized by a number of the Silver State’s frontier newsmen from the mid-nineteenth through the early twentieth centuries. Often known collectively as the Sagebrush School, these journalists were opinionated, talented, and individualistic.

While Mark Twain (Samuel Clemens), who got his start at Virginia City’s Territorial Enterprise, and Dan De Quille (William Wright), who some felt was a better writer than Twain, are the most well-known members of the Sagebrush School, author Richard Moreno includes others such as Fred Hart, who concocted a fake social club and reported on its gatherings for Austin’s Reese River Reveille, and William Forbes, who enjoyed sprinkling clever puns with political undertones in his newspaper articles.

Moreno traces the beginnings of genuine fake news from founding father Benjamin Franklin’s “Supplement to the Boston Independent Chronicle, Number 705, March 1782,” a fake newspaper aimed at swaying British public opinion, to the fake news articles of New York and Baltimore papers in the early 1800s. But these examples are only a prelude to the amazing accounts of petrified men, freeze-inducing solar armor, magically magnetic rocks, blood-curdling massacres, and other nonsense stories that appeared in Nevada’s frontier newspapers and beyond.