570 books match the query 'Gay Studies' and 18 start with f

cover of Faeries, Bears, and Leathermen: Men in Community Queering the Masculine

Faeries, Bears, and Leathermen

Men in Community Queering the Masculine

Peter Hennen

University of Chicago Press, 2008

Over time, male homosexuality and effeminacy have become indelibly associated, sometimes even synonymous. In Faeries, Bears, and Leathermen, Peter Hennen contends that this stigma of effeminacy exerts a powerful influence on gay subcultures. Through a comparative ethnographic analysis of three communities, Hennen explores the surprising ways that conventional masculinity is being collectively challenged, subverted, or perpetuated in contemporary gay male culture.

Hennen’s colorful study focuses on a trio of groups: the Radical Faeries, who parody effeminacy by playfully embracing it, donning prom dresses and glitter; the Bears, who strive to appear like “regular guys” and celebrate their larger, hairier bodies; and the Leathermen, who emulate hypermasculine biker culture, simultaneously paying homage to and undermining notions of manliness. Along with a historical analysis of the association between effeminacy and homosexuality, Hennen examines how this connection affects the groups’ sexual practices. Ultimately, he argues, while all three groups adopt innovative approaches to gender issues and sexual pleasure, masculine norms continue to constrain members of each community.
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cover of Farm Boys: Lives of Gay Men from the Rural Midwest

Farm Boys

Lives of Gay Men from the Rural Midwest

Collected and Edited by William D. Fellows

University of Wisconsin Press, 1998

Homosexuality is often seen as a purely urban experience, far removed from rural and small-town life. Farm Boys undermines that cliche by telling the stories of more than three dozen gay men, ranging in age from 24 to 84, who grew up in farm families in the midwestern United States. Whether painful, funny, or matter-of-fact, these plain-spoken accounts will move and educate any reader, gay or not, from farm or city.

     “When I was fifteen, the milkman who came to get our milk was beautiful. This is when I was really getting horny to do something with another guy. I waited every day for him to come. I couldn’t even talk to him, couldn’t think of anything to say. I just stood there, watching him, wondering if he knew why.”—Henry Bauer, Minnesota

     “When I go back home, I feel a real connection with the land—a tremendous feeling, spiritual in a way. It makes me want to go out into a field and take my shoes off and put my feet right on the dirt, establish a real physical connection with that place. I get homesick a lot, but I don’t know if I could ever go back there and live. It’s not the kind of place that would welcome me if I lived openly, the way that I would like to live. I would be shunned.”—Martin Scherz, Nebraska

     “If there is a checklist to see if your kid is queer, I must have hit every one of them—all sorts of big warning signs. I was always interested in a lot of the traditional queen things—clothes, cooking, academics, music, theater. A farm boy listening to show tunes? My parents must have seen it coming.”—Joe Shulka, Wisconsin

     “My favorite show when I was growing up was ‘The Waltons’. The show’s values comforted me, and I identified with John-Boy, the sensitive son who wanted to be a writer. He belonged there on the mountain with his family, yet he sensed that he was different and that he was often misunderstood. Sometimes I still feel like a misfit, even with gay people.”—Connie Sanders, Illinois

     “Agriculture is my life. I like working with farm people, although they don’t really understand me. When I retire I want the word to get out [that I’m gay] to the people I’ve worked with—the dairy producers, the veterinarians, the feed salesmen, the guys at the co-ops. They’re going to be shocked, but their eyes are going to be opened.”—James Heckman, Indiana
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cover of Fashionable Masculinities: Queers, Pimp Daddies, and Lumbersexuals

Fashionable Masculinities

Queers, Pimp Daddies, and Lumbersexuals

Vicki Karaminas

Rutgers University Press, 2022

Fashionable Masculinities explores the expression of masculinities through constructions of fashion, identity, style and appearance as the third decade of the new millennium begins: a contradictory and precarious moment when masculinities are defined by protests and pandemics whilst being problematized across class, ethnicity, race, gender and sexuality. Whilst a majority of men might still define themselves as ‘traditional,’ post-millennials are now talking about how they envision a future without gender boundaries and borders. Rather than being defined as a gender, masculinity has now become a style that can be worn and performed as traditional and normative codes of masculinity are modulated and manipulated. This volume includes original essays on musical pop sensation Harry Styles, rapper and producer “Puff Daddy” Sean Combs, lumbersexuals, spornosexuals, sexy daddies, and aging cool black daddies. Bringing together contributions from leading scholars, this book interrogates and challenges the meaning of masculinities and the ways that they are experienced and lived. 
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cover of Fashioning Lives: Black Queers and the Politics of Literacy

Fashioning Lives

Black Queers and the Politics of Literacy

Eric Darnell Pritchard

Southern Illinois University Press, 2017

Honorable Mention, 2018 Winifred Bryan Horner Outstanding Book Award
Winner, Lavender Rhetorics Award for Excellence in Queer Scholarship from CCCC, 2018
Winner, Advancement of Knowledge Award from CCCC, 2018
Winner, Outstanding Book Award from the Conference on Community Writing, 2017

Fashioning Lives: Black Queers and the Politics of Literacy analyzes the life stories of sixty Black lesbian, gay, bisexual, transgender, and queer (LGBTQ) people along with archival documents, literature, and film. Author Eric Darnell Pritchard provides a theoretical framework for studying the literacy work of Black LGBTQ people, who do not fit into the traditional categories imposed on their language practices and identities. Examining the myriad ways literacy is used to inflict harm, Pritchard discusses how these harmful events prompt Black LGBTQ people to ensure their own survival by repurposing literacy through literacy performances fueled by accountability to self and communal love towards social and political change, a process the author calls “restorative literacies.” Pritchard highlights restorative literacies in literacy institutions (e.g., libraries, schools), historical records repositories, religious and spiritual spaces, parties, community events, activist organizations, and digital spheres. This trailblazing study draws connections between race and queerness in literacy, composition, and rhetoric and provides the basis for a sustainable dialogue on their intersections in the discipline.
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cover of Fear Of A Queer Planet: Queer Politics and Social Theory

Fear Of A Queer Planet

Queer Politics and Social Theory

Michael Warner

University of Minnesota Press, 1993

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cover of Feeling Photography

Feeling Photography

Elspeth H. Brown and Thy Phu, eds.

Duke University Press, 2014

This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present.

Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor
 
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cover of Female Masculinity

Female Masculinity

Jack Halberstam

Duke University Press, 1998

In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.

Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity; considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities; and explores issues of transsexuality among “transgender dykes”—lesbians who pass as men—and female-to-male transsexuals who may find the label of “lesbian” a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.

Featuring a new preface by the author, this twentieth anniversary edition of Female Masculinity remains as insightful, timely, and necessary as ever.
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cover of Feminist Solutions for Ending War

Feminist Solutions for Ending War

Megan MacKenzie

Pluto Press, 2021

‘War is a man’s game,’ or so goes the saying. Whether this is true or not, patriarchal capitalism is certainly one of the driving forces behind war in the modern era. So can we end war with feminism? This book argues that this is possible, and is in fact already happening.

Each chapter provides a solution to war using innovative examples of how feminist and queer theory and practice inform pacifist treaties, movements and methods, from the international to the domestic spheres. Chapters propose a range of solutions that include arms abolition, centering Indigenous knowledge, economic restructuring, and transforming how we ‘count’ civilian deaths.

Ending war requires challenging complex structures, but the solutions found in this edition have risen to this challenge. By thinking beyond the violence of the capitalist patriarchy, this book makes the powerful case that the possibility of life without war is real.

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cover of Filled with the Spirit: Sexuality, Gender, and Radical Inclusivity in a Black Pentecostal Church Coalition

Filled with the Spirit

Sexuality, Gender, and Radical Inclusivity in a Black Pentecostal Church Coalition

Ellen Lewin

University of Chicago Press, 2018

In 2001, a collection of open and affirming churches with predominantly African American membership and a Pentecostal style of worship formed a radically new coalition. The group, known now as the Fellowship of Affirming Ministries or TFAM, has at its core the idea of “radical inclusivity”: the powerful assertion that everyone, no matter how seemingly flawed or corrupted, has holiness within. Whether you are LGBT, have HIV/AIDS, have been in prison, abuse drugs or alcohol, are homeless, or are otherwise compromised and marginalized, TFAM tells its people, you are one of God’s creations.

In Filled with the Spirit, Ellen Lewin gives us a deeply empathetic ethnography of the worship and community central to TFAM, telling the story of how the doctrine of radical inclusivity has expanded beyond those it originally sought to serve to encompass people of all races, genders, sexualities, and religious backgrounds. Lewin examines the seemingly paradoxical relationship between TFAM and traditional black churches, focusing on how congregations and individual members reclaim the worship practices of these churches and simultaneously challenge their authority. The book looks closely at how TFAM worship is legitimated and enhanced by its use of gospel music and considers the images of food and African American culture that are central to liturgical imagery, as well as how understandings of personal authenticity tie into the desire to be filled with the Holy Spirit. Throughout, Lewin takes up what has been mostly missing from our discussions of race, gender, and sexuality—close attention to spirituality and faith.
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cover of For You, Lili Marlene: A Memoir Of World War II

For You, Lili Marlene

A Memoir Of World War II

Robert Peters

University of Wisconsin Press, 1996

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cover of For the Record: On Sexuality and the Colonial Archive in India

For the Record

On Sexuality and the Colonial Archive in India

Anjali Arondekar

Duke University Press, 2009

Anjali Arondekar considers the relationship between sexuality and the colonial archive by posing the following questions: Why does sexuality (still) seek its truth in the historical archive? What are the spatial and temporal logics that compel such a return? And conversely, what kind of “archive” does such a recuperative hermeneutics produce? Rather than render sexuality’s relationship to the colonial archive through the preferred lens of historical invisibility (which would presume that there is something about sexuality that is lost or silent and needs to “come out”), Arondekar engages sexuality’s recursive traces within the colonial archive against and through our very desire for access.

The logic and the interpretive resources of For the Record arise out of two entangled and minoritized historiographies: one in South Asian studies and the other in queer/sexuality studies. Focusing on late colonial India, Arondekar examines the spectacularization of sexuality in anthropology, law, literature, and pornography from 1843 until 1920. By turning to materials and/or locations that are familiar to most scholars of queer and subaltern studies, Arondekar considers sexuality at the center of the colonial archive rather than at its margins. Each chapter addresses a form of archival loss, troped either in a language of disappearance or paucity, simulacrum or detritus: from Richard Burton’s missing report on male brothels in Karáchi (1845) to a failed sodomy prosecution in Northern India, Queen Empress v. Khairati (1884), and from the ubiquitous India-rubber dildos found in colonial pornography of the mid-to-late nineteenth century to the archival detritus of Kipling’s stories about the Indian Mutiny of 1857.

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cover of Forging Gay Identities: Organizing Sexuality in San Francisco, 1950-1994

Forging Gay Identities

Organizing Sexuality in San Francisco, 1950-1994

Elizabeth A. Armstrong

University of Chicago Press, 2002

Unlike many social movements, the gay and lesbian struggle for visibility and rights has succeeded in combining a unified group identity with the celebration of individual differences. Forging Gay Identities explores how this happened, tracing the evolution of gay life and organizations in San Francisco from the 1950s to the mid-1990s.
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cover of Foundlings: Lesbian and Gay Historical Emotion before Stonewall

Foundlings

Lesbian and Gay Historical Emotion before Stonewall

Christopher Nealon

Duke University Press, 2001

What is it like to “feel historical”? In Foundlings Christopher Nealon analyzes texts produced by American gay men and lesbians in the first half of the twentieth century—poems by Hart Crane, novels by Willa Cather, gay male physique magazines, and lesbian pulp fiction. Nealon brings these diverse works together by highlighting a coming-of-age narrative he calls “foundling”—a term for queer disaffiliation from and desire for family, nation, and history.

The young runaways in Cather’s novels, the way critics conflated Crane’s homosexual body with his verse, the suggestive poses and utopian captions of muscle magazines, and Beebo Brinker, the aging butch heroine from Ann Bannon’s pulp novels—all embody for Nealon the uncertain space between two models of lesbian and gay sexuality. The “inversion” model dominant in the first half of the century held that homosexuals are souls of one gender trapped in the body of another, while the more contemporary “ethnic” model refers to the existence of a distinct and collective culture among gay men and lesbians. Nealon’s unique readings, however, reveal a constant movement between these two discursive poles, and not, as is widely theorized, a linear progress from one to the other.

This startlingly original study will interest those working on gay and lesbian studies, American literature and culture, and twentieth-century history.
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cover of Freaks Talk Back: Tabloid Talk Shows and Sexual Nonconformity

Freaks Talk Back

Tabloid Talk Shows and Sexual Nonconformity

Joshua Gamson

University of Chicago Press, 1998

Using extensive interviews, hundreds of transcripts, focus-group discussions with viewers, and his own experiences as an audience member, Joshua Gamson argues that talk shows give much-needed, high-impact public visibility to sexual nonconformists while also exacerbating all sorts of political tensions among those becoming visible. With wit and passion, Freaks Talk Back illuminates the joys, dilemmas, and practicalities of media visibility.

"This entertaining, accessible, sobering discussion should make every viewer sit up and ponder the effects and possibilities of America's daily talk-fest with newly sharpened eyes."—Publishers Weekly

"Bold, witty. . . . There's a lot of empirical work behind this deceptively easy read, then, and it allows for the most sophisticated and complex analysis of talk shows yet."—Elayne Rapping, Women's Review of Books

"Funny, well-researched, fully theorized. . . . Engaged and humane scholarship. . . . A pretty inspiring example of what talking back to the mass media can be."—Jesse Berrett, Village Voice

"An extraordinarily well-researched volume, one of the most comprehensive studies of popular media to appear in this decade."—James Ledbetter, Newsday
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cover of Fred in Love

Fred in Love

Felice Picano

University of Wisconsin Press, 2005

    In the early 1970s, when he was still an aspiring, unpublished writer, Felice Picano began a remarkable relationship with an extraordinary animal: a days-old kitten slated for euthanasia who refused to perish.  Rescued, named, and trained, Fred became an extraordinarily intelligent companion, ally, teacher, and constant wonder to the author as he began his ascent through the Bohemian circles of Greenwich Village, among musicians, actors, curious characters, and even the famous British actress in hiding right next door.
    But when an acquaintance brought his female cat to be serviced by Fred, an entire new set of experiences opened up for the cat-and for Picano, who'd never had the nerve to befriend her owner, his ideal man.  The course of love seldom runs straight for cats or for men, and this time would prove (hilariously) no different.
    This is another of Picano's distinguished portraits of a vanished era, when a new gay domain was solidifying only a few years after the Stonewall Riots, and the still nascent gay literary world that Picano would help invent was just a conception. Fred in Love is a charming, nostalgic, funny, gossipy, involving, and ultimately enlightening story about how we learn and grow, and how we love-whether the object of our affection is a cat or another human being.  It's sure to take its place next to Picano's now classic literary memoirs Ambidextrous, Men Who Loved Me, and A House on the Ocean, a House on the Bay.
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cover of Freedom with Violence: Race, Sexuality, and the US State

Freedom with Violence

Race, Sexuality, and the US State

Chandan Reddy

Duke University Press, 2011

In Freedom with Violence, Chandan Reddy develops a new paradigm for understanding race, sexuality, and national citizenship. He examines a crucial contradiction at the heart of modernity: the nation-state’s claim to provide freedom from violence depends on its systematic deployment of violence against peoples perceived as nonnormative and irrational. Reddy argues that the modern liberal state is organized as a “counterviolence” to race even as, and precisely because, race persists as the condition of possibility for the modern subject. Rejecting liberal notions of modernity as freedom from violence or revolutionary ideas of freedom through violence, Reddy contends that liberal modernity is a structure for authorizing state violence. Contemporary neoliberal societies link freedom to the notion of legitimate (state) violence and produce narratives of liberty that tie rights and citizenship to institutionalized violence. To counter these formulations, Reddy proposes an alternative politics of knowledge grounded in queer of color critique and critical ethnic studies. He uses issues that include asylum law and the military’s “don’t ask, don’t tell” policy to illustrate this major rethinking of the terms of liberal modernity.
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cover of From Identity To Politics: Lesbian & Gay Movements In The U.S.

From Identity To Politics

Lesbian & Gay Movements In The U.S.

Craig Rimmerman

Temple University Press, 2001

Liberal democracy has provided a certain degree of lesbian and gay rights. But those rights, as we now know, are not unlimited, and they continue to be the focus of efforts by lesbian and gay movements in the United States to promote social change. In this compelling critique, Craig Rimmerman looks at the past, present, and future of the movements to analyze whether it is possible for them to link identity concerns with a progressive coalition for political, social, and gender change, one that take into account race, class, and gender inequalities.

Enriched by eight years of interviews in Washington, D.C. and New York City, and by the author's experience as a Capitol Hill staffer, From Identity to Politics will provoke discussion in classrooms and caucus rooms across the United States.
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cover of Fuckology: Critical Essays on John Money's Diagnostic Concepts

Fuckology

Critical Essays on John Money's Diagnostic Concepts

Lisa Downing, Iain Morland, and Nikki Sullivan

University of Chicago Press, 2014

One of the twentieth century’s most controversial sexologists—or “fuckologists,” to use his own memorable term—John Money was considered a trailblazing scientist and sexual libertarian by some, but damned by others as a fraud and a pervert.  Money invented the concept of gender in the 1950s, yet fought its uptake by feminists. He backed surgical treatments for transsexuality, but argued that gender roles were set by reproductive capacity. He shaped the treatment of intersex, advocating experimental sex changes for children with ambiguous genitalia. He pioneered drug therapy for sex offenders, yet took an ambivalent stance towards pedophilia. In his most publicized case study, Money oversaw the reassignment of David Reimer as female following a circumcision accident in infancy. Heralded by many as proof that gender is pliable, the case was later discredited when Reimer revealed that he had lived as a male since his early teens.

In Fuckology, the authors contextualize and interrogate Money's writings and practices. The book focuses on his three key diagnostic concepts, “hermaphroditism,” “transsexualism,” and “paraphilia,” but also addresses his lesser-known work on topics ranging from animal behavior to the philosophy of science. The result is a comprehensive collection of new insights for researchers and students within cultural, historical, and gender studies, as well as for practitioners and activists in sexology, psychology, and patient rights.
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