Results by title
129 books match the query 'God' and 3 start with f
Fictions of God
English Renaissance Literature and the Invention of the Biblical NarratorRaphael Magarik
University of Chicago Press, 2025
A new history of literary narration rooted in the turmoil of the Protestant Reformation.
We often identify secularization's characteristic literary form as the modern novel: out with divine scripture, in with human fictions. In Fictions of God, Raphael Magarik argues that this story overlooks the cultural upheavals of the Protestant Reformation. Early reformers imagined a Bible that was neither infallible nor inerrant but fictional, composed by a divine counterfactual: God crafted the text, they said, as if it had been written by the prophets. Early modern Protestants now found in their Bibles not a source of foundational truths but a model for unreliable narration, even fiction.
Fictions of God traces how this approach to literature passed from biblical commentators to poets like Abraham Cowley, John Milton, and Lucy Hutchinson amid the violent emergence of a new religious and political order—long before the eighteenth-century rise of the English novel. The result is a transformative account of the Reformation’s effect on imaginative literature and the secularization of the Bible itself.
We often identify secularization's characteristic literary form as the modern novel: out with divine scripture, in with human fictions. In Fictions of God, Raphael Magarik argues that this story overlooks the cultural upheavals of the Protestant Reformation. Early reformers imagined a Bible that was neither infallible nor inerrant but fictional, composed by a divine counterfactual: God crafted the text, they said, as if it had been written by the prophets. Early modern Protestants now found in their Bibles not a source of foundational truths but a model for unreliable narration, even fiction.
Fictions of God traces how this approach to literature passed from biblical commentators to poets like Abraham Cowley, John Milton, and Lucy Hutchinson amid the violent emergence of a new religious and political order—long before the eighteenth-century rise of the English novel. The result is a transformative account of the Reformation’s effect on imaginative literature and the secularization of the Bible itself.
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For the Love of God
The Bible as an Open BookOstriker, Alicia Suskin
Rutgers University Press, 2009
Quoting King Solomon’s famous prayer to God at the Temple in Jerusalem, “Behold, the heaven of heavens cannot contain thee; how much less this house that I have builded,” Alicia Suskin Ostriker posits a God who cannot be contained by dogma and doctrine. Troubled by the way the Bible has become identified in our culture with a monolithic authoritarianism, Ostriker focuses instead on the extraordinary variability of Biblical writing.
For the Love of God is a provocative and inspiring re-interpretation of six essential Biblical texts: The Song of Songs, the Book of Ruth, Psalms, Ecclesiastes, Jonah, and Job. In prose that is personal and probing, analytically acute and compellingly readable, Ostriker sees these writings as “counter-texts,” deviating from convention yet deepening and enriching the Bible, our images of God, and our own potential spiritual lives. Attempting to understand “some of the wildest, strangest, most splendid writing in Western tradition,” she shows how the Bible embraces sexuality and skepticism, boundary crossing and challenges to authority, how it illuminates the human psyche and mirrors our own violent times, and how it asks us to make difficult choices in the quest for justice.
For better or worse, our society is wedded to the Bible. But according to Talmud, “There is always another interpretation.” Ostriker demonstrates that the Bible, unlike its reputation, offers a plenitude of surprises.
For the Love of God is a provocative and inspiring re-interpretation of six essential Biblical texts: The Song of Songs, the Book of Ruth, Psalms, Ecclesiastes, Jonah, and Job. In prose that is personal and probing, analytically acute and compellingly readable, Ostriker sees these writings as “counter-texts,” deviating from convention yet deepening and enriching the Bible, our images of God, and our own potential spiritual lives. Attempting to understand “some of the wildest, strangest, most splendid writing in Western tradition,” she shows how the Bible embraces sexuality and skepticism, boundary crossing and challenges to authority, how it illuminates the human psyche and mirrors our own violent times, and how it asks us to make difficult choices in the quest for justice.
For better or worse, our society is wedded to the Bible. But according to Talmud, “There is always another interpretation.” Ostriker demonstrates that the Bible, unlike its reputation, offers a plenitude of surprises.
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From the Trinity
The Coming of God in Revelation and TheologyPiero Coda
Catholic University of America Press, 2020
From the Trinity provides an overall view of the history and the philosophical and theological significance of God the Trinity, not only from a religious point of view but from an anthropological and socio-cultural view as well. The perspective is that of Christian doctrine, specifically Catholic, in dialogue with the cultural sensitivity of our times and with the religious pluralism that characterizes it.
Following the generative-progressive method proposed by Vatican II, the book begins with a phenomenological reading of the signs of the times, with special focus upon the performative aspect of the announcement and the doctrine of faith. In particular, constant attention to the contribution made by the mystics and great charisms (from Augustine of Hippo to Francis of Assisi and Theresa of Avila up until Therese of Lisieux, Edith Stein and Chaira Lubich) toward a deeper understanding of the Trinitarian truth.
From the Trinity is unique in what it offers not only for Trinitarian theology, but also for other theological disciplines (Christology, Pneumatology, Anthropology, Ecclesiology, etc.) – in which the Trinity shines forth as the central and enlightening truth – as well as for philosophy, the humanities and the natural sciences. This perspective is especially developed in terms of a Trinitarian ontology (see Part V) by which reality is understood in light of the revelation of the Trinity. The implications of the incarnation of the Son of God and the gift of the Holy Spirit are taken seriously in studying the truth of all things as they are perceived in the space created by living and thinking “in” Jesus, united to the Father in the Spirit, as suggested by the title of the book, looking upon reality “From the Trinity.”
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