668 books match the query 'History & Surveys' and 15 start with f

cover of Fashioning Change: The Trope of Clothing in High- and Late-Medieval England

Fashioning Change

The Trope of Clothing in High- and Late-Medieval England

Andrea Denny-Brown

The Ohio State University Press, 2012

Medieval European culture was obsessed with clothing. In Fashioning Change: The Trope of Clothing in High-and Late-Medieval England, Andrea Denny-Brown explores the central impact of clothing in medieval ideas about impermanence and the ethical stakes of human transience. Studies of dress frequently contend with a prevailing cultural belief that bodily adornment speaks to interests that are frivolous, superficial, and cursory. Taking up the vexed topic of clothing’s inherent changeability, Denny-Brown uncovers an important new genealogy of clothing as a representational device, one imbued with a surprising philosophical pedigree and a long history of analytical weightiness.
Considering writers as diverse as Boethius, Alain de Lille, William Durand, Chaucer, and Lydgate, among others, Denny-Brown tracks the development of a literary and cultural trope that begins in the sixth century and finds its highest expression in the vernacular poetry of fifteenth-century England. Among the topics covered are Boethian discourses on the care of the self, the changing garments of Lady Fortune, novelty in ecclesiastical fashions, the sartorial legacy of Chaucer’s Griselda, and the emergence of the English gallant. These literary treatments of vestimentary variation—which develop an aesthetics of change itself—enhance our understanding of clothing as a phenomenological and philosophical category in medieval Europe and illustrate the centrality of the Middle Ages to theories of aesthetics, of materiality, and of cultural change.
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cover of Final Causality in Nature and Human Affairs

Final Causality in Nature and Human Affairs

Richard F. Hassing

Catholic University of America Press, 2018

This study of the questions of final causality is arranged in historical order from Aristotle to contemporary anthropic-principle cosmology. It discusses such teleological issues as chance and providence, and Aristotle's definition of nature in relation t
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cover of Force and Form: Philosophy of Life in the Age of Goethe

Force and Form

Philosophy of Life in the Age of Goethe

Stephen Klemm

Bucknell University Press, 2027

This book offers a bold rethinking of how modern ideas of life, nature, and subjectivity took shape in late-eighteenth- and early-nineteenth-century German thought. Moving beyond familiar narratives based on Kantian autonomy or Romantic irrationalism, it uncovers a vitalist tradition stretching from Herder to Schiller and Goethe, one that understood nature as dynamic, self-forming, and internally animated by life-force. Drawing on philosophy, the life sciences, and aesthetics, this innovative study reveals how these thinkers challenged mechanistic models of matter and resisted strict divisions between mind and nature. In doing so, they developed a historically contingent and embodied concept of subjectivity in which reason emerges from natural, cultural, and physiological processes rather than standing outside them. By situating this tradition within debates about epigenesis, form, and development, the book not only reshapes our understanding of German intellectual history but also sheds new light on contemporary debates about naturalism, posthumanism, and theories of life.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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cover of Forty-Nine Steps

Forty-Nine Steps

Roberto Calasso

University of Minnesota Press, 2001

The first treatment of contemporary thought by the acclaimed cultural critic. In books lauded as "brilliant,"* "exhilarating,"** and "profound,"*** Roberto Calasso has revealed the unexpected intersections of ancient and modern through topics ranging from Greek and Indian mythology to what a legendary African kingdom can tell us about the French Revolution. In this first translation of his most important essays, Calasso brings his powerful intellect and elegant prose style to bear on the essential thinkers of our time, providing a sweeping analysis of the current state of Western culture. "Forty-nine steps" refers to the Talmudic doctrine that there are forty-nine steps to meaning in every passage of the Torah. Employing this interpretive approach, Calasso offers a "secret history" of European literature and philosophy in the wake of Nietzsche, Marx, and Freud. Calasso analyzes how figures ranging from Gustav Flaubert, Gottfried Benn, Karl Kraus, Martin Heidegger, Walter Benjamin, Franz Kafka, Bertolt Brecht, and Theodor Adorno have contributed to, or been emblematic of, the current state of Western thought. The book's theme, writ large, is the power of fable-specifically, its persistence in art and literature despite its exclusion from orthodox philosophy. In its breadth and the nature of its concerns, The Forty-nine Steps is a philosophical and literary twin to the widely-praised The Marriage of Cadmus and Harmony. Combining erudition with engaging prose and original insights, Calasso contributes a daring new interpretation of some of the most challenging writers of the past 150 years. Roberto Calasso is the author of The Marriage of Cadmus and Harmony (1993), The Ruin of Kasch (1994), Ka (1998), and Literature and the Gods (2000). He is the publisher of Adelphi Edizioni and lives in Milan. John Shepley is a freelance writer and translator who lives in New York City. His translation of Pasolini's Roman Nights and Other Stories won the first Italo Calvino Translation Award in 1987.
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cover of Foucault

Foucault

Gilles Deleuze

University of Minnesota Press, 1988

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cover of Foucault And Heidegger: Critical Encounters

Foucault And Heidegger

Critical Encounters

Alan Milchman

University of Minnesota Press, 2003

An essential consideration of these two closely related and influential figures. Michel Foucault and Martin Heidegger are two of the most important intellectual figures of the twentieth century, and yet there are significant, largely unexplored questions about the relationship between their projects. Foucault and Heidegger stages a crucial critical encounter between these two thinkers; in doing so, it clarifies not only the complexities of the Heidegger-Foucault relationship, but also their relevance to questions about truth and nihilism, acquiescence and resistance, and technology and agency that are central to debates in contemporary thought. These essays examine topics ranging from Heidegger's and Foucault's intellectual forebears to their respective understanding of the Enlightenment, modernity, and technology, to their conceptions of power and the political. Contributors: Hubert L. Dreyfus, Stuart Elden, Béatrice Han, Steven V. Hicks, Ladelle McWhorter, Jana Sawicki, Michael Schwartz, Charles E. Scott, William V. Spanos, Leslie Paul Thiele, Rudi Visker, Edith Wyschogrod. Alan Milchman is lecturer in political science and Alan Rosenberg is associate professor of philosophy, both at Queens College, City University of New York.
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cover of Foucault and His Interlocutors

Foucault and His Interlocutors

Edited by Arnold I. Davidson

University of Chicago Press, 1997

Containing the debate between Michel Foucault and Noam Chomsky on epistemology and politics, this book also features the most significant essays by the most important French thinkers who influenced and were influenced by Foucault. Foucault's teachers, colleagues, and collaborators take up his major claims, from his first to final works, and provide us with the authoritative context in which to understand Foucault's writings.

This volume also includes several important works by Foucault previously unpublished in English. The other contributors are Georges Canguilhem, Gilles Deleuze, Jacques Derrida, Pierre Hadot, Michel Serres, and Paul Veyne.

Here for the first time is the French Foucault.

This volume offers lucid and important texts that will appeal to students and professors at every level of study. It is essential reading for all scholars of twentieth-century philosophy and critical theory.
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cover of Fragments for a History of a Vanishing Humanism

Fragments for a History of a Vanishing Humanism

Edited by Myra Seaman and Eileen A. Joy

The Ohio State University Press, 2016

Fragments for a History of a Vanishing Humanism brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity—what is the value, and peril, of “being human” or “being post/human” together?; and finally, 7) the constructive, and destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman.
 
This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as “fragments” because the authors do not believe there can ever be a “total history” of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what “the human” (or “post/human”) is has always been an ongoing, never finished cultural project.
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cover of Fredric Jameson and Film Theory: Marxism, Allegory, and Geopolitics in World Cinema

Fredric Jameson and Film Theory

Marxism, Allegory, and Geopolitics in World Cinema

Keith B. Wagner

Rutgers University Press, 2022

Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.  
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cover of Freedom and History and Other Essays: An Introduction to the Thought of Richard McKeon

Freedom and History and Other Essays

An Introduction to the Thought of Richard McKeon

Richard McKeon

University of Chicago Press, 1990

This volume of essays is an important introduction to the thought of one of the twentieth century's most significant yet underappreciated philosophers, Richard McKeon. The originator of philosophical pluralism, McKeon made extraordinary contributions to philosophy, to international relations, and to theory-formation in the communication arts, aesthetics, the organization of knowledge, and the practical sciences. This collection, which includes a philosophical autobiography as well as the out-of-print title essay "Freedom and History" and a previously unpublished essay on "Philosophic Semantics and Philosophic Inquiry," is a testimony to the range and systematic power of McKeon's thinking for the social sciences and the humanities.
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cover of Freedom and the End of Reason: On the Moral Foundation of Kant's Critical Philosophy

Freedom and the End of Reason

On the Moral Foundation of Kant's Critical Philosophy

Richard L. Velkley

University of Chicago Press, 1989

In Freedom and the End of Reason, Richard L. Velkley offers an influential interpretation of the central issue of Kant’s philosophy and an evaluation of its position within modern philosophy’s larger history. He persuasively argues that the whole of Kantianism—not merely the Second Critique—focuses on a “critique of practical reason” and is a response to a problem that Kant saw as intrinsic to reason itself: the teleological problem of its goodness. Reconstructing the influence of Rousseau on Kant’s thought, Velkley demonstrates that the relationship between speculative philosophy and practical philosophy in Kant is far more intimate than generally has been perceived. By stressing a Rousseau-inspired notion of reason as a provider of practical ends, he is able to offer an unusually complete account of Kant’s idea of moral culture.
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cover of French Theory: How Foucault, Derrida, Deleuze, & Co. Transformed the Intellectual Life of the United States

French Theory

How Foucault, Derrida, Deleuze, & Co. Transformed the Intellectual Life of the United States

Francois Cusset

University of Minnesota Press, 2008

“A great story, full of twists and turns. . . . Careers made and ruined, departments torn apart, writing programs turned into sensitivity seminars, political witch hunts, public opprobrium, ignorant media attacks, the whole ball of wax. Read it and laugh or read it and weep. I can hardly wait for the movie.” —Stanley Fish, Think Again, New York Times

“In such a difficult genre, full of traps and obstacles, French Theory is a success and a remarkable book in every respect: it is fair, balanced, and informed. I am sure this book will become the reference on both sides of the Atlantic.” —Jacques Derrida

“The Atlantic Ocean has two sides, and so does French Theory. Reinvented in America and betrayed in its own country, it has become the most radical intellectual movement in the West with global reach, rewriting Marx in light of late capitalism. Breathtakingly moving back and forth between the two cultures, Francois Cusset takes us through a dazzling intellectual adventure that illuminates the past thirty years, and many more decades to come.” —Sylvere Lotringer

 

During the last three decades of the twentieth century, a disparate group of radical French thinkers achieved an improbable level of influence and fame in the United States. Compared by at least one journalist to the British rock ‘n’ roll invasion, the arrival of works by Michel Foucault, Jacques Derrida, Jean-François Lyotard, Jean Baudrillard, Gilles Deleuze, and Félix Guattari on American shores in the late 1970s and 1980s caused a sensation.

Outside the academy, “French theory” had a profound impact on the era’s emerging identity politics while also becoming, in the 1980s, the target of right-wing propagandists. At the same time in academic departments across the country, their poststructuralist form of radical suspicion transformed disciplines from literature to anthropology to architecture. By the 1990s, French theory was woven deeply into America’s cultural and intellectual fabric.

French Theory is the first comprehensive account of the American fortunes of these unlikely philosophical celebrities. François Cusset looks at why America proved to be such fertile ground for French theory, how such demanding writings could become so widely influential, and the peculiarly American readings of these works. Reveling in the gossipy history, Cusset also provides a lively exploration of the many provocative critical practices inspired by French theory. Ultimately, he dares to shine a bright light on the exultation of these thinkers to assess the relevance of critical theory to social and political activism today-showing, finally, how French theory has become inextricably bound with American life.

François Cusset, a writer and intellectual historian, teaches contemporary French thought in Paris at the Institut d’Etudes Politiques and at Columbia University’s Reid Hall. His books include Queer Critics and La Décennie.

Jeff Fort is assistant professor of French at the University of California, Davis. He has translated works by Maurice Blanchot, Jean Genet, and Jean-Luc Nancy.

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cover of From Kant and Royce to Heidegger: Essays in Modern Philosophy

From Kant and Royce to Heidegger

Essays in Modern Philosophy

Charles Sherover

Catholic University of America Press, 2019

In this study, Charles M. Sherover argues that there is a single, substantial line of development that can be traced from the work of Leibniz through Kant and Royce to Heidegger. Sherover traces a movement from deep within the roots of German idealism through Royce's insights into American pragmatism to the ethical ramifications of Heidegger's existential phenomenology, and then provides an analysis of the neglected ethical and political implications of Heidegger's Being and Time. The essays lead finally to Sherover's own view of the self as a member of a moral and political community.
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cover of From the Alien to the Alone: A Study of Soul in Plotinus

From the Alien to the Alone

A Study of Soul in Plotinus

Gary M. Gurtler, SJ

Catholic University of America Press, 2022

Plotinus is often accused of writing haphazardly, with little concern for the integral unity of a treatise. By analyzing each treatise as a whole, From the Alien to the Alone finds much evidence that he constructed them skillfully, with the parts working together in subtle ways. This insight was also key in translating several central passages by considering the flow of the argument as a whole to shed light on the difficulties in these passages as well as reveal the structure often latent in particular treatise. The volume also serves to clarify Plotinus’ rich use of images. Commentators, for instance, tend to take the images of light and warmth to explain the relation of soul and body as in conflict, with light casting out warmth. A close look at the text, however, reveals that Plotinus uses each image to correct the limitations of the other. Thus, since the soul is incorporeal, it is actually more transcendent than light and as activating the body is more completely present than warmth. Similarly, recent commentators are quick to take the related impassibility of the soul as implying a Cartesian gap between body and soul. The problem Plotinus faces, however, is that his description of the soul’s pervasive presence in the body jeopardizes its impassibility as in the intelligible. His effort then is actually to introduce a gap that preserves the soul’s nature, rather than overcome a gap that would make the very existence of the body problematic. While this work confirms much recent scholarly consensus on Plotinus, many of Gurtler's interpretations and general conclusions give constructive challenges to some existing modes of understanding Plotinus’ thought. The arguments and their textual evidence, with the accompanying Greek, provide the reader with direct evidence for testing these conclusions as well as appreciating the nature of Plotinus’ philosophizing.
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cover of From the Nature of the Mind to Personal Dignity: The Significance of Rosmini's Philosophy

From the Nature of the Mind to Personal Dignity

The Significance of Rosmini's Philosophy

Juan F. Franck

Catholic University of America Press, 2006

This book is the first philosophical study in English devoted to Antonio Rosmini (1797-1855) for over a century.
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