748 books match the query 'Influence' and 20 start with f

cover of FEMINIST REALISM AT THE FIN DE SIÈCLE: The Influence of the Late-Victorian Woman’s Press on the Development of the Novel

FEMINIST REALISM AT THE FIN DE SIÈCLE

The Influence of the Late-Victorian Woman’s Press on the Development of the Novel

Molly Youngkin

The Ohio State University Press, 2007

Molly Youngkin takes on a major literary problem of the turn-of-the-century: Was the transition from the Victorian novel to the modern novel enabled by antirealist or realist narrative strategies? To answer this question, Youngkin analyzes book reviews that appeared in two prominent feminist periodicals circulated during the late-Victorian era—Shafts and The Woman’s Herald.
 
Through reviews of the works of important male and female authors of the decade—Thomas Hardy, Sarah Grand, George Gissing, Mona Caird, George Meredith, Ménie Dowie, George Moore, and Henrietta Stannard—these periodicals developed a feminist realist aesthetic that drew on three aspects of woman’s agency (consciousness, spoken word, and action) and emphasized corresponding narrative strategies (internal perspective, dialogue, and description of characters’ actions). Still, these periodicals privileged consciousness over spoken word and action and, by doing so, encouraged authors to push the boundaries of traditional realism and anticipate the modernist aesthetic.
 
By acknowledging the role of the woman’s press in the development of the novel, this book revises our understanding of the transition from Victorianism to modernism, which often is characterized as antirealist. Late-Victorian authors working within the realist tradition also contributed to this transition, particularly through their engagement with feminist realism. Youngkin deftly illustrates this transition and in so doing proves that it cannot be attributed to antirealist narrative strategies alone.
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cover of Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States

Fear of a Black Republic

Haiti and the Birth of Black Internationalism in the United States

Leslie M. Alexander

University of Illinois Press, 2023

The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander’s study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti’s place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti’s people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom.

A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.

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cover of Figures of Time: Affect and the Television of Preemption

Figures of Time

Affect and the Television of Preemption

Toni Pape

Duke University Press, 2019

Many contemporary television series from Modern Family to How to Get Away with Murder open an episode or season with a conflict and then go back in time to show how that conflict came to be. In Figures of Time Toni Pape examines these narratives, showing how these leaps in time create aesthetic experiences of time that attune their audiences to the political doctrine of preemption—a logic that justifies preemptive action to nullify a perceived future threat. Examining questions of temporality in Life on Mars, the political ramifications of living under the auspices of a catastrophic future in FlashForward, and how Damages disrupts the logic of preemption, Pape shows how television helps shift political culture away from a model of rational deliberation and representation toward a politics of preemption and conformity. Exposing the mechanisms through which television supports a fear-based politics, Pape contends, will allow for the rechanneling of television's affective force into building a more productive and positive politics.
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cover of Film and Television After 9/11

Film and Television After 9/11

Edited by Wheeler Winston Dixon

Southern Illinois University Press, 2004

In Film and Television After 9/11, editor Wheeler Winston Dixon and eleven other distinguished film scholars discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how moviemaking has changed to reflect the new world climate.

While some contemporary films offer escapism, much of mainstream American cinema since 9/11 is centered on the desire for a “just war” in which military reprisals and escalation of warfare appear to be both inevitable and justified. Films of 2002 such as Black Hawk Down, Collateral Damage, and We Were Soldiers demonstrate a renewed audience appetite for narratives of conflict, reminiscent of the wave of filmmaking that surrounded American involvement in World War II.

The attacks on the World Trade Center and the Pentagon galvanized the American public initially, yet film critics wonder how this will play out over time. Film and Television After 9/11 is the first book to provide original insights into topics ranging from the international reception of post-9/11 American cinema, re-viewing films of our shared cinematic past in light of the attacks, and exploring parallels between post-9/11 cinema and World War II-era productions.

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cover of Fitzgerald's Mentors: Edmund Wilson, H. L. Mencken, and Gerald Murphy

Fitzgerald's Mentors

Edmund Wilson, H. L. Mencken, and Gerald Murphy

Ronald Berman

University of Alabama Press, 2012

A fresh and compelling study of F. Scott Fitzgerald’s intellectual friendship with Edmund Wilson, H. L. Mencken, and Gerald Murphy
 
Fitzgerald was shaped through his engagements with key literary and artistic figures in the 1920s. This book is about their influence— and also about the ways that Fitzgerald defended his own ideas about writing. Influence was always secondary to independence.
 
Fitzgerald’s education began at Princeton with Edmund Wilson. There Wilson imparted to Fitzgerald many ideas about education and literary values, among them respect for the classics and an acute awareness of literary tradition.
 
In New York H. L. Mencken impressed upon Fitzgerald his belief in the stifling effect of public morality on writers. Furthermore, Mencken’s The American Language changed Fitzgerald’s thinking about the power of everyday language.
 
After moving to France in 1924, Fitzgerald’s intellectual life took a very different turn. Gerald Murphy exposed him to the visual arts— including the work of Fernand Leger, Pablo Picasso, and Man Ray—and to people deeply interested in the perception of art in daily life. Equally important, Fitzgerald had many discussions about artistic values with both Gerald and Sara Murphy.
 
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cover of Flowers in the Dustbin: Culture, Anarchy, and Postwar England

Flowers in the Dustbin

Culture, Anarchy, and Postwar England

Neil Nehring

University of Michigan Press, 1993

Flowers in the Dustbin looks at the volatile relations between literature, rock music, and youth subcultures in postwar England. Neil Nehring traces the continuities between the original avant-garde of the twenties and thirties and the postwar youth culture, arguing that anarchism never really disappeared from the world. The author shows that British youth groups like the Mods, the Rockers, Punks, and Teddy Boys and the music that inspired them appear increasingly more acute than their literary counterparts, belying conventional assumptions about the relative powers of "high" and "low" culture. By examining literary texts as part of a larger sampling of cultural forms and their uses in everyday life, Flowers in the Dustbin provides a striking illustration of the significance the field of cultural studies holds for studies in English.
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cover of Food Instagram: Identity, Influence, and Negotiation

Food Instagram

Identity, Influence, and Negotiation

Edited by Emily J. H. Contois and Zenia Kish

University of Illinois Press, 2022

Winner of the 2023 Association for the Study of Food and Society Book Prize for Edited Volume

Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food’s connection to Instagram from vantage points as diverse as Hong Kong’s camera-centric foodie culture, the platform’s long history with feminist eateries, and the photography of Australia’s livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.

Interdisciplinary in approach and transnational in scope, Food Instagram offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives.

Contributors: Laurence Allard, Joceline Andersen, Emily Buddle, Robin Caldwell, Emily J. H. Contois, Sarah E. Cramer, Gaby David, Deborah A. Harris, KC Hysmith, Alex Ketchum, Katherine Kirkwood, Zenia Kish, Stinne Gunder Strøm Krogager, Jonathan Leer, Yue-Chiu Bonni Leung, Yi-Chieh Jessica Lin, Michael Z. Newman, Tsugumi Okabe, Rachel Phillips, Sarah Garcia Santamaria, Tara J. Schuwerk, Sarah E. Tracy, Emily Truman, Dawn Woolley, and Zara Worth

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cover of For Might and Right: Cold War Defense Spending and the Remaking of American Democracy

For Might and Right

Cold War Defense Spending and the Remaking of American Democracy

Michael Brenes

University of Massachusetts Press, 2020

How did the global Cold War influence American politics at home? For Might and Right traces the story of how Cold War defense spending remade participatory politics, producing a powerful and dynamic political coalition that reached across party lines. This “Cold War coalition” favored massive defense spending over social welfare programs, bringing together a diverse array of actors from across the nation, including defense workers, community boosters, military contractors, current and retired members of the armed services, activists, and politicians. Faced with neoliberal austerity and uncertainty surrounding America's foreign policy after the 1960s, increased military spending became a bipartisan solution to create jobs and stimulate economic growth, even in the absence of national security threats.

Using a rich array of archival sources, Michael Brenes draws important connections between economic inequality and American militarism that enhance our understanding of the Cold War's continued impact on American democracy and the resilience of the military-industrial complex, up to the age of Donald Trump.

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cover of Forever Vietnam: How a Divisive War Changed American Public Memory

Forever Vietnam

How a Divisive War Changed American Public Memory

David Kieran

University of Massachusetts Press, 2014

Four decades after its end, the American war in Vietnam still haunts the nation's collective memory. Its lessons, real and imagined, continue to shape government policies and military strategies, while the divisions it spawned infect domestic politics and fuel the so-called culture wars. In Forever Vietnam, David Kieran shows how the contested memory of the Vietnam War has affected the commemoration of other events, and how those acts of remembrance have influenced postwar debates over the conduct and consequences of American foreign policy.

Kieran focuses his analysis on the recent remembrance of six events, three of which occurred before the Vietnam War and three after it ended. The first group includes the siege of the Alamo in 1836, the incarceration of Union troops at Andersonville during the Civil War, and the experience of American combat troops during World War II. The second comprises the 1993 U.S. intervention in Somalia, the crash of United Airlines Flight 93 on September 11, 2001, and the Iraq and Afghanistan wars.

In each case a range of actors—military veterans, policymakers, memorial planners, and the general public—used memorial practices associated with the Vietnam War to reinterpret the contemporary significance of past events. A PBS program about Andersonville sought to cultivate a sense of national responsibility for the My Lai massacre. A group of Vietnam veterans occupied the Alamo in 1985, seeing themselves as patriotic heirs to another lost cause. A World War II veteran published a memoir in 1980 that reads like a narrative of combat in Vietnam. Through these and other examples, Forever Vietnam reveals not only the persistence of the past in public memory but also its malleability in the service of the political present.
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cover of Foucault and the Kamasutra: The Courtesan, the Dandy, and the Birth of Ars Erotica as Theater in India

Foucault and the Kamasutra

The Courtesan, the Dandy, and the Birth of Ars Erotica as Theater in India

Sanjay K. Gautam

University of Chicago Press, 2016

The Kamasutra is best known in the West for its scandalous celebration of unbridled sensuality. Yet, there is much, much more to it; embedded in the text is a vision of the city founded on art and aesthetic pleasure. In Foucault and the "Kamasutra", Sanjay K. Gautam lays out the nature and origin of this iconic Indian text and engages in the first serious reading of its relationship with Foucault.

Gautam shows how closely intertwined the history of erotics in Indian culture is with the history of theater-aesthetics grounded in the discourse of love, and Foucault provides the framework for opening up an intellectual horizon of Indian thought. To do this, Gautam looks to the history of three inglorious characters in classical India: the courtesan and her two closest male companions—her patron, the dandy consort; and her teacher and advisor, the dandy guru. Foucault’s distinction between erotic arts and the science of sexuality drives Gautam’s exploration of the courtesan as a symbol of both sexual-erotic and aesthetic pleasure. In the end, by entwining together Foucault’s works on the history of sexuality in the West and the classical Indian texts on eros, Gautam transforms our understanding of both, even as he opens up new ways of investigating erotics, aesthetics, gender relations, and subjectivity.
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cover of Foucault in Iran: Islamic Revolution after the Enlightenment

Foucault in Iran

Islamic Revolution after the Enlightenment

Behrooz Ghamari-Tabrizi

University of Minnesota Press, 2016

Were the thirteen essays Michel Foucault wrote in 1978–1979 endorsing the Iranian Revolution an aberration of his earlier work or an inevitable pitfall of his stance on Enlightenment rationality, as critics have long alleged? Behrooz Ghamari-Tabrizi argues that the critics are wrong. He declares that Foucault recognized that Iranians were at a threshold and were considering if it were possible to think of dignity, justice, and liberty outside the cognitive maps and principles of the European Enlightenment. 

Foucault in Iran centers not only on the significance of the great thinker’s writings on the revolution but also on the profound mark the event left on his later lectures on ethics, spirituality, and fearless speech. Contemporary events since 9/11, the War on Terror, and the Arab Uprisings have made Foucault’s essays on the Iranian Revolution more relevant than ever. Ghamari-Tabrizi illustrates how Foucault saw in the revolution an instance of his antiteleological philosophy: here was an event that did not fit into the normative progressive discourses of history. What attracted him to the Iranian Revolution was precisely its ambiguity.

Theoretically sophisticated and empirically rich, this interdisciplinary work will spark a lively debate in its insistence that what informed Foucault’s writing was not an effort to understand Islamism but, rather, his conviction that Enlightenment rationality has not closed the gate of unknown possibilities for human societies. 

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cover of Four Decades On: Vietnam, the United States, and the Legacies of the Second Indochina War

Four Decades On

Vietnam, the United States, and the Legacies of the Second Indochina War

Scott Laderman and Edwin A. Martini, eds.

Duke University Press, 2013

In Four Decades On, historians, anthropologists, and literary critics examine the legacies of the Second Indochina War, or what most Americans call the Vietnam War, nearly forty years after the United States finally left Vietnam. They address matters such as the daunting tasks facing the Vietnamese at the war's end—including rebuilding a nation and consolidating a socialist revolution while fending off China and the Khmer Rouge—and "the Vietnam syndrome," the cynical, frustrated, and pessimistic sense that colored America's views of the rest of the world after its humiliating defeat in Vietnam. The contributors provide unexpected perspectives on Agent Orange, the POW/MIA controversies, the commercial trade relationship between the United States and Vietnam, and representations of the war and its aftermath produced by artists, particularly writers. They show how the war has continued to affect not only international relations but also the everyday lives of millions of people around the world. Most of the contributors take up matters in the United States, Vietnam, or both nations, while several utilize transnational analytic frameworks, recognizing that the war's legacies shape and are shaped by dynamics that transcend the two countries.

Contributors
. Alex Bloom, Diane Niblack Fox, H. Bruce Franklin, Walter Hixson, Heonik Kwon, Scott Laderman, Mariam B. Lam, Ngo Vinh Long, Edwin A. Martini, Viet Thanh Nguyen, Christina Schwenkel, Charles Waugh
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cover of Framing Abuse: Media Influence and Public Understanding of Sexual Violence Against Children

Framing Abuse

Media Influence and Public Understanding of Sexual Violence Against Children

Jenny Kitzinger

Pluto Press, 2004

This book offers fascinating insights into how the media shape the way we think. Combining in-depth analysis of media representations of child sexual abuse with focus group discussions and interviews with around 500 journalists, campaigners and a cross-section of 'the public', Jenny Kitzinger reveals the media's role in contemporary society.

Which stories attract attention and why? What strategies do journalists and campaigners use to persuade people and how do we respond? Answering these and other questions, Kitzinger demonstrates how media reporting can impact on people's knowledge of the 'facts', perceptions of risk, sense of appropriate policy responses and even how we interpret our own experiences.

Kitzinger examines feminist initiatives to challenge sexual violence, the emergence of incest as a social problem and the development of new survivor identities. She also explores stereotypes around sex offenders,interrogates protests against 'paedophiles-in-the-community' and presents a detailed analysis of the impact of scandals about disputed abuse accusations.

This book is essential reading for anyone interested in theories of media influence, identity and social change or who wishes to encourage responsible journalism. It is also a key resource for anyone concerned about sexual violence and the protection of children or who is attempting to design intervention strategies.
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cover of Framing Faust: Twentieth-Century Cultural Struggles

Framing Faust

Twentieth-Century Cultural Struggles

Inez Hedges

Southern Illinois University Press, 2009

In this interdisciplinary cultural history that encompasses film, literature, music, and drama, Inez Hedges follows the thread of the Faustian rebel in the major intellectual currents of the last hundred years. She presents Faust and his counterpart Mephistopheles as antagonistic—yet complementary—figures whose productive conflict was integral to such phenomena as the birth of narrative cinema, the rise of modernist avant-gardes before World War II, and feminist critiques of Western cultural traditions.

Framing Faust: Twentieth-Century Cultural Struggles pursues a dialectical approach to cultural history. Using the probing lens of cultural studies, Hedges shows how claims to the Faustian legacy permeated the struggle against Nazism in the 1930s while infusing not only the search for socialist utopias in Russia, France, and Germany, but also the quest for legitimacy on both sides of the Cold War divide after 1945.

Hedges balances new perspectives on such well-known works as Thomas Mann’s Dr. Faustus and Jack Kerouac’s Dr. Sax with discussions of previously overlooked twentieth-century expressions of the Faust myth, including American film noir and the Faust films of Stan Brakhage. She evaluates musical compositions—Hanns Eisler’s Faust libretto, the opera Votre Faust by Henri Pousseur and Michel Butor, and Alfred Schnittke’s Faust Cantata—as well as works of fiction and drama in French and German, many of which have heretofore never been discussed outside narrow disciplinary confines.

Enhanced by twenty-four illustrations, Framing Faust provides a fascinating and focused narrative of some of the major cultural struggles of the past century as seen through the Faustian prism, and establishes Faust as an important present-day frame of reference.

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cover of Frank Lloyd Wright--the Lost Years, 1910-1922: A Study of Influence

Frank Lloyd Wright--the Lost Years, 1910-1922

A Study of Influence

Anthony Alofsin

University of Chicago Press, 1993

Frank Lloyd Wright: The Lost Years, 1910-1922 uncovers the real story of Wright's travels in Europe. By examining this elusive and influential period in Wright's development, Alofsin restores an important chapter to the history of modern architecture. Bringing new definition and insight to the story of Frank Lloyd Wright, this book has become a standard work on America's greatest architect.

"Alofsin has set out to explain the impact of European culture on Wright by integrating its artistic influence with the tumultuous events in his private life. . . . [He] succeeds in this ambitious goal."—Kevin Nute, Architects' Journal

"A convincing and well-documented case that these were in fact crucial and fruitful years in Wright's development as an architect. . . . Absorbing."—Catherine Maclay, San Jose Mercury News

"One of the best."—Robert Fulford, Toronto Globe and Mail
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cover of Freedom and the End of Reason: On the Moral Foundation of Kant's Critical Philosophy

Freedom and the End of Reason

On the Moral Foundation of Kant's Critical Philosophy

Richard L. Velkley

University of Chicago Press, 1989

In Freedom and the End of Reason, Richard L. Velkley offers an influential interpretation of the central issue of Kant’s philosophy and an evaluation of its position within modern philosophy’s larger history. He persuasively argues that the whole of Kantianism—not merely the Second Critique—focuses on a “critique of practical reason” and is a response to a problem that Kant saw as intrinsic to reason itself: the teleological problem of its goodness. Reconstructing the influence of Rousseau on Kant’s thought, Velkley demonstrates that the relationship between speculative philosophy and practical philosophy in Kant is far more intimate than generally has been perceived. By stressing a Rousseau-inspired notion of reason as a provider of practical ends, he is able to offer an unusually complete account of Kant’s idea of moral culture.
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cover of Freeing Black Girls: A Black Feminist Bible on Racism and Revolutionary Mothering

Freeing Black Girls

A Black Feminist Bible on Racism and Revolutionary Mothering

Tamura Lomax

Duke University Press, 2025

In Freeing Black Girls, Tamura Lomax offers an insurgent feminist love letter to Black girls, women, mothers, and othermothers. Exploring what it means to mother Black children in the twenty-first century, Lomax shares her journey from her traditionalist Black girlhood to finding the path to revolutionary Black motherhood. Along the way, she shows how all Black people are endangered by white supremacist capitalist heteropatriarchal dominance and emphasizes the power of looking and talking back. Lomax insists on Black feminist ways of living that value and nourish whole persons, sketching a radical dream that will allow Black women and girls to survive America while being able to love themselves, others, and collective Black freedom. Ultimately, Lomax declares that Black women and girls are emphatically not defective, second-class, or immanent nurturers; they are sacred and revolutionary beings who deserve to live a life free of predation, patriarchy, misrecognition, misogynoir, and violence.
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cover of From Inclusion to Influence: Latino Representation in Congress and Latino Political Incorporation in America

From Inclusion to Influence

Latino Representation in Congress and Latino Political Incorporation in America

Walter Clark Wilson

University of Michigan Press, 2017

In From Inclusion to Influence, Walter Wilson addresses urgent questions regarding the political incorporation of Latinos in America. First, he demonstrates that Latino representatives in the U.S. Congress do, in fact, represent Latino interests more effectively than do other representatives, both by serving as conduits connecting fellow Latinos to the government and by introducing their concerns into the legislative process. Then, moving beyond the debate about descriptive and substantive representation, Wilson identifies the ways in which the efforts of Latinos in Congress enable the meaningful inclusion of Latinos in politics, foster the ability of Latinos to shape public policy, and ultimately promote democracy in an increasingly diverse nation.

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cover of From Man to Ape: Darwinism in Argentina, 1870-1920

From Man to Ape

Darwinism in Argentina, 1870-1920

Adriana Novoa and Alex Levine

University of Chicago Press, 2010

Upon its publication, The Origin of Species was critically embraced in Europe and North America. But how did Darwin’s theories fare in other regions of the world? Adriana Novoa and Alex Levine offer here a history and interpretation of the reception of Darwinism in Argentina, illuminating the ways culture shapes scientific enterprise.

In order to explore how Argentina’s particular interests, ambitions, political anxieties, and prejudices shaped scientific research, From Man to Ape focuses on Darwin’s use of analogies. Both analogy and metaphor are culturally situated, and by studying scientific activity at Europe’s geographical and cultural periphery, Novoa and Levine show that familiar analogies assume unfamiliar and sometimes startling guises in Argentina. The transformation of these analogies in the Argentine context led science—as well as the interaction between science, popular culture, and public policy—in surprising directions. In diverging from European models, Argentine Darwinism reveals a great deal about both Darwinism and science in general.

Novel in its approach and its subject, From Man to Ape reveals a new way of understanding Latin American science and its impact on the scientific communities of Europe and North America.

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cover of From Voice to Influence: Understanding Citizenship in a Digital Age

From Voice to Influence

Understanding Citizenship in a Digital Age

Edited by Danielle Allen and Jennifer S. Light

University of Chicago Press, 2015

How have online protests—like the recent outrage over the Komen Foundation’s decision to defund Planned Parenthood—changed the nature of political action? How do Facebook and other popular social media platforms shape the conversation around current political issues? The ways in which we gather information about current events and communicate it with others have been transformed by the rapid rise of digital media. The political is no longer confined to the institutional and electoral arenas, and that has profound implications for how we understand citizenship and political participation.

With From Voice to Influence, Danielle Allen and Jennifer S. Light have brought together a stellar group of political and social theorists, social scientists, and media analysts to explore this transformation. Threading through the contributions is the notion of egalitarian participatory democracy, and among the topics discussed are immigration rights activism, the participatory potential of hip hop culture, and the porous boundary between public and private space on social media. The opportunities presented for political efficacy through digital media to people who otherwise might not be easily heard also raise a host of questions about how to define “good participation:” Does the ease with which one can now participate in online petitions or conversations about current events seduce some away from serious civic activities into “slacktivism?”

 Drawing on a diverse body of theory, from Hannah Arendt to Anthony Appiah, From Voice to Influence offers a range of distinctive visions for a political ethics to guide citizens in a digitally connected world.
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