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In many modern armies the religious soldier is suspect. Civilians and officers alike wonder if such a soldier might represent a potential fifth column. This concern is especially prominent in the public discourse over the presence of religious Orthodox Jews serving in the Israel Defense Forces. Will they obey their commanding officer or their rabbi? With research collected over almost a decade, including hundreds of hours of interviews, Elisheva Rosman examines this question of loyalties and reveals how religious soldiers negotiate a place for themselves in an institution whose goals and norms sometimes conflict with those of Orthodox Judaism.

For God and Country? focuses on the pre-service study programs available to religious conscripts. Many journalists and scholars in Israel are suspicious of the student-soldiers who participate in these programs, but in fact, as Rosman’s research demonstrates, the pre-service study programs serve as mediating structures between the demands of Religious Zionism and the demands of the Israel Defense Forces and do not encourage their students to disobey orders. This was especially apparent during the disengagement from Gaza in 2005. Many in Israeli society predicted student-soldiers would defy their orders, per the instruction of their religious leaders, but this did not happen as expected. In high profile cases such as this and in matters encountered daily by religious soldiers—the mixing of the sexes, for instance—Rosman has discovered that the pre-service study programs can successfully serve as agents of civil society, both able to curb the military’s efforts to meddle in civilian affairs and vice versa.

This book explores the role of religion, especially religious extremism, in American culture. In particular, it examines the development of the Judeo-Christian tradition, its impact on America's self-image, and the way it has influenced America's attitude to the Arab World.

The Christian Right has become a very powerful force in American politics. Its basic belief in Christian Zionism has resulted in a steadfast commitment to the establishment of the state of Israel and to its aggressive expansion, and has made Zionism a central part of government policy, for both Republicans and Democrats.

Fuad Sha'ban shows how this is not a new phenomenon: what he terms the 'Vision of Zion' in American life has its roots in literature, the arts and internal politics from colonial times until today. Looking in detail at a wealth of resources, including religious and literary texts, as well as official political statements, he pieces together a subtle account of how America's Puritan roots have fostered a specifically religious political culture that encourages hatred and suspicion of the Muslim World in domestic and foreign policy.

An updated paperback version of the book heralded as “a new benchmark in Marx scholarship” by the Los Angeles Times

Before film made them international comedy legends, the Marx Brothers developed their comic skills on stage for twenty-five years. In Four of the Three Musketeers: The Marx Brothers on Stage, Robert S. Bader offers the first comprehensive history of the foursome’s hardscrabble early years honing their act in front of live audiences.

From Groucho’s debut in 1905 to their final live performances of scenes from A Night in Casablanca in 1945, the brothers’ stage career shows how their characters and routines evolved before their arrival in Hollywood. Four of the Three Musketeers draws on an unmatched array of sources, many not referenced elsewhere. Bader’s detailed portrait of the struggling young actors both brings to vivid life a typical night on the road for the Marx Brothers and illuminates the inner workings of the vaudeville business, especially during its peak in the 1920s.

As Bader traces the origins of the characters that would later come to be beloved by filmgoers, he also skillfully scrapes away the accretion of rumors and mythology perpetuated not only by fans and writers but by the Marx Brothers themselves. Revealing, vital, and entertaining, Four of the Three Musketeers has taken its place as an essential reference for this legendary American act. Now, the updated edition adds newly discovered performances—some submitted by readers—and additional information provided by descendants of long-departed vaudevillians mentioned in the book.