Results by title
100 books match the query 'Monographs' and 5 start with f
First Meal
Julie Green
Oregon State University Press, 2023
Wrongful convictions haunt the American criminal justice system, as revealed in recent years by DNA and other investigative tools. And every wrongfully convicted person who walks free, exonerated after years or decades, carries part of that story. From those facts, artist Julie Green posed a seemingly simple question: When you have been denied all choice, what do you choose to eat on the first day of freedom?
In the small details of life at such pivotal moments, a vast new landscape of the world can emerge, and that is the core concept of First Meal. Partnering with the Center on Wrongful Convictions at Northwestern University’s Pritzker School of Law, Green and her coauthor, award-winning journalist Kirk Johnson, have created a unique melding of art and narration in the portraits and stories of twenty-five people on the day of their release.
Food and punishment have long been intertwined. The tradition of offering a condemned person a final meal before execution, for example, has been explored by psychologists, filmmakers, and others—including Green herself in an earlier series of criminal-justice themed paintings, The Last Supper. First Meal takes on that issue from the other side: food as a symbol of autonomy in a life restored. Set against the backdrop of a flawed American legal system, First Meal describes beauty, pain, hope and redemption, all anchored around the idea—explored by writers from Marcel Proust to Michael Pollan—that food touches us deeply in memory and emotion.
In Green’s art, state birds and surreal lobsters soar over places where wrongful convictions unfolded, mistaken witnesses shout their errors, glow-in-the-dark skylines evoke homecoming. Johnson’s essays take us inside those moments—from the courtrooms where things went wrong to the pathways of faith and resilience that kept people sane through their years of injustice. First Meal seeks to inform and spread awareness, but also celebrate the humanity that unites us, and the idea that gratitude and euphoria—even as it mixes with grief and the awareness of loss—can emerge in places we least expect.
Frank Lloyd Wright and His Manner of Thought
Jerome Klinkowitz
University of Wisconsin Press, 2014
Klinkowitz presents a critical biography driven by the architect's own work and intellectual growth, focusing on the evolution of Wright's thinking and writings from his first public addresses in 1894 to his last essay in 1959. Did Wright reject all of Victorian thinking about the home, or do his attentions to a minister's sermon on "the house beautiful" deserve closer attention? Was Wright echoing the Transcendentalism of Ralph Waldo Emerson, or was he more in step with the philosophy of William James? Did he reject the Arts and Crafts movement, or repurpose its beliefs and practices for new times? And, what can be said of his deep dissatisfaction with architectural concepts of his own era, the dominant modernism that became the International Style? Even the strongest advocates of Frank Lloyd Wright have been puzzled by his objections to so much that characterized the twentieth century, from ideas for building to styles of living.
In Frank Lloyd Wright and His Manner of Thought, Klinkowitz, a widely published authority on twentieth-century literature, thought, and culture, examines the full extent of Wright's books, essays, and lectures to show how he emerged from the nineteenth century to anticipate the twenty-first.
Outstanding Book, selected by the American Association of School Librarians
Best Books for General Audiences, selected by the Public Library Reviewers
Frank Lloyd Wright's Forgotten House
How an Omission Transformed the Architect's LegacyNicholas D. Hayes
University of Wisconsin Press, 2021
When Nicholas and Angela Hayes became stewards of the unassuming Elizabeth Murphy House near Milwaukee, they began to unearth evidence that ultimately revealed a one-hundred-year-old fiasco fueled by competing ambitions and conflicting visions of America. The couple’s forensic pursuit of the truth untangled the ways Wright’s ASBH experiment led to the architect’s most productive, creative period. Frank Lloyd Wright’s Forgotten House includes a wealth of drawings and photographs, many of which have never been previously published. Historians, architecture buffs, and Wrightophiles alike will be fascinated by this untold history that fills a crucial gap in the architect’s oeuvre.
Franklin D. Israel
A Life in ArchitectureTodd Gannon
J. Paul Getty Trust, The, 2024
Acclaimed Los Angeles architect Franklin D. Israel (1945–1996) created innovative residential projects and office interiors that made him one of the most talked-about designers of his generation. In this vivid account, architectural historian Todd Gannon draws on archival resources, analyses of Israel’s buildings, and recent interviews with the architect’s colleagues, clients, and contemporaries, including Frank Gehry, Thom Mayne, and Robert A. M. Stern. Gannon traces Israel’s development from his early years and career on the East Coast to his formative world travels and residence at the American Academy in Rome. The author guides readers through the Los Angeles architectural context, Israel’s influential teaching at UCLA, his dalliance with Hollywood, and the personal motivations behind his architecture and design work—all aspects of an influential career that was cut short by his death from AIDS-related complications at the age of fifty.
Franklin D. Israel is a compelling work of architectural history and biography, chronicling one gay man’s engagement with the largely heteronormative world of American architectural culture. It explores the achievement of this central figure in the still largely unstudied history of late twentieth-century avant-garde Los Angeles architecture.
Frederic Remington and the West
With the Eye of the MindBy Ben Merchant Vorpahl
University of Texas Press, 1978
Frederic Remington and the West sheds new light on the remarkably complicated and much misunderstood career of Frederic Remington. This study of the complex relationship between Remington and the American West focuses on the artist’s imagination and how it expressed itself. Ben Merchant Vorpahl takes into account all the dimensions of Remington’s extensive work—from journalism to fiction, sculpture, and painting. He traces the events of Remington’s life and makes extensive use of literary and art criticism and nineteenth-century American social cultural and military history in interpreting his work.
Vorpahl reveals Remington as a talented, sensitive, and sometimes neurotic American whose work reflects with peculiar force the excitement and distress of the period between the Civil War and the Spanish-American War. Remington was not a “western” artist in the conventional sense; neither was he a historian: he lacked the historian’s breadth of vision and discipline, expressing himself not through analysis but through synthesis. Vorpahl shows that, even while Remington catered to the sometimes maudlin, sometimes jingoistic tastes of his public and his editors, his resourceful imagination was at work devising a far more demanding and worthwhile design—a composite work, executed in prose, pictures, and bronze. This body of work, as the author demonstrates, demands to be regarded as an interrelated whole. Here guilt, shame, and personal failure are honestly articulated, and death itself is confronted as the artist’s chief subject.
Because Remington was so prolific a painter, sculptor, illustrator, and writer, and because his subjects, techniques, and media were so apparently diverse, the deeper continuity of his work had not previously been recognized. This study is a major contribution to our understanding of an important American artist. In addition, Vorpahl illuminates the interplay between history, artistic consciousness, and the development of America’s sense of itself during Remington’s lifetime.