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The French have long had a love affair with the cat, expressed through centuries of poetry portraying the animal's wit and wonder.

Norman R. Shapiro lionizes the feline's limitless allure in this one-of-a-kind collection. Spanning centuries and styles, he draws on she-cats and toms, and an honor roll of French poets, well known and lesser known, who have served as their devoted champions. He reveals the remarkable range of French cat poems, with most works presented here for the first time in English translation. Scrupulously devoted to evoking the meaning and music of the originals, Shapiro also respects the works' formal structures. Pairing Shapiro's translations with Olga Pastuchiv's elegant illustrations, Fe-Lines guides the reader through the marvels and inscrutabilities of the Mystique féline.

    In the early 1970s, when he was still an aspiring, unpublished writer, Felice Picano began a remarkable relationship with an extraordinary animal: a days-old kitten slated for euthanasia who refused to perish.  Rescued, named, and trained, Fred became an extraordinarily intelligent companion, ally, teacher, and constant wonder to the author as he began his ascent through the Bohemian circles of Greenwich Village, among musicians, actors, curious characters, and even the famous British actress in hiding right next door.
    But when an acquaintance brought his female cat to be serviced by Fred, an entire new set of experiences opened up for the cat-and for Picano, who'd never had the nerve to befriend her owner, his ideal man.  The course of love seldom runs straight for cats or for men, and this time would prove (hilariously) no different.
    This is another of Picano's distinguished portraits of a vanished era, when a new gay domain was solidifying only a few years after the Stonewall Riots, and the still nascent gay literary world that Picano would help invent was just a conception. Fred in Love is a charming, nostalgic, funny, gossipy, involving, and ultimately enlightening story about how we learn and grow, and how we love-whether the object of our affection is a cat or another human being.  It's sure to take its place next to Picano's now classic literary memoirs Ambidextrous, Men Who Loved Me, and A House on the Ocean, a House on the Bay.

In the wake of the considerable cultural changes and social shifts that the United States and all advanced industrial democracies have experienced since the late 1960s and early 1970s, social discourse around the disempowered has changed in demonstrable ways. In From Property to Family: American Dog Rescue and the Discourse of Compassion, Andrei Markovits and Katherine Crosby describe a “discourse of compassion” that actually alters the way we treat persons and ideas once scorned by the social mainstream. This “culture turn” has also affected our treatment of animals inaugurating an accompanying “animal turn”. In the case of dogs, this shift has increasingly transformed the discursive category of the animal from human companion to human family member. One of the new institutions created by this attitudinal and behavioral change towards dogs has been the breed specific canine rescue organization, examples of which have arisen all over the United States beginning in the early 1980s and massively proliferating in the 1990s and subsequent years.  While the growing scholarship on the changed dimension of the human-animal relationship attests to its social, political, moral and intellectual salience to our contemporary world, the work presented in Markovits and Crosby’s book constitutes the first academic research on the particularly important institution of breed specific dog rescue.