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Far Too Easily Pleased was originally published in 1976, although it is just as relevant today. Catholic Education Press is thrilled to be able to bring this book back into print. To summarize the volume we can do better than to excerpt part of Fr. Schall’s introduction to the 1976 edition: This book is intended to be a helpful stimulus to incite the reader to survey the truly exciting literature in this field and to assist in organizing personal reflection about the basic themes of game, play, wonder, rite, contemplation and festivity, themes that the theology of play naturally suggests. For it can be truly said that those who have not yet been initiated into this style of religious and cultural thought have been missing highly liberating and ennobling levels of our heritage. For those who already know what rewards are to be found in play and game, it is hoped that this book can again be a fresh and different approach to wonder and fascination, to the curiously marvelous life we have been given. James V. Schall, SJ, (1928-2019) was an American Jesuit Roman Catholic priest, teacher, writer, and philosopher. He retired in 2012 after a long tenure as a professor of political philosophy at Georgetown University Among his many books are The Universe We Think In; Political Philosophy and Revelation: A Catholic Reading; The Mind That Is Catholic: Philosophical and Political Essays; Schall on Chesterton: Timely Essays on Timeless Paradoxes and At the Limits of Political Philosophy: From “Brilliant Errors” To Things of Uncommon Importance (all CUA Press).

A new translation of Federico García Lorca’s captivating lecture on duende.

For years, Federico García Lorca’s lecture on duende has been a source of insight for writers and performers, including Ted Hughes, Nick Cave, Patti Smith, and Amanda Gorman.

Duende: Play and Theory not only provides a path into Lorca’s poetics and the arts of Spain; it is one of the strangest, most compelling accounts of inspiration ever offered by a poet. Contrasting the demon called duende with the Angel and the Muse, Lorca describes a mysterious telluric, diabolical current, an irreducible “it,” that can draw the best from both performer and audience.

This new translation by Christopher Maurer, based on a thoroughly revised edition of the Spanish original of 1933, also included in this volume, offers a more accurate and fully annotated version of the lecture, with an introduction by eminent philologist José Javier León. Drawing on a deep knowledge of flamenco, and correcting decades of discussion about duende and its supposed origins in Spanish folklore and popular speech, León shows to what extent the concept of duende—understood as the imp of artistic inspiration—was the playful, yet deadly serious, invention of Lorca himself.

Lorca’s bravura performance of duende is foreshadowed here with a bilingual version—the most complete ever—of his other major text on inspiration, “Imagination, Inspiration, Evasion,” in which he calls for greater freedom in poetry as if searching for duende and its “constant baptism of newly created things.”