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Perlmutter's hard-hitting, revisionist history of Roosevelt's foreign policy explores FDR's not-so-grand alliance with the ruthless Soviet leader. As the first Western scholar granted access to key foreign ministry documents recently declassified in the former Soviet Union, Perlmutter provides a provocative portrait of a popular leader whose failure to comprehend Stalin's long-range goals had devastating results for the postwar world.

A fine example of Village Prose from the post-Stalin era, Farewell to Matyora decries the loss of the Russian peasant culture to the impersonal, soulless march of progress.

It is the final summer of the peasant village of Matyora. A dam will be completed in the fall, destroying the village. Although their departure is inevitable, the characters over when, and even whether, they should leave. A haunting story with a heartfelt theme, Farewell to Matyora is a passionate plea for humanity and an eloquent cry for a return to an organic life.

Set in the summer of 1979 at the height of the movement to free Soviet Jewry, Farewell, Mama Odessa is an autobiographical novel whose intertwined storylines follow a variety of people—dissidents, victims of ethnic discrimination, and black marketeers among them—as they bid farewell to their beloved hometown of Odessa, Ukraine, and make their way to the West. At the book’s center is Boris, a young writer thwarted by state censorship and antisemitism. With an Angora kitten for his companion and together with other émigrés, he puts the old country in his rear-view mirror and sets out on a journey that will take him to Bratislava, Vienna, Rome, and New York on his way to Los Angeles. Will Boris be able to rekindle his creative passion and inspiration in the West? Will other Jewish émigrés fit into the new society, so much different than the one they left behind? With humor and compassion, Farewell, Mama
Odessa describes the émigrés’ attempts at adjustment to the free world. 

Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence.
    Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects.     
    Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.

The revival of the Olympic games in 1896 and the subsequent rise of modern athletics prompted a new, energetic movement away from more sedentary habits. In Russia, this ethos soon became a key facet of the Bolsheviks' shared vision for the future. In the aftermath of the revolution, glorification of exercise persevered, pointing the way toward a stronger, healthier populace and a vibrant Socialist society.
With interdisciplinary analysis of literature, painting, and film, Faster, Higher, Stronger, Comrades! traces how physical fitness had an even broader impact on culture and ideology in the Soviet Union than previously realized. From prerevolutionary writers and painters glorifying popular circus wrestlers to Soviet photographers capturing unprecedented athleticism as a means of satisfying their aesthetic ideals, the nation's artists embraced sports in profound, inventive ways. Though athletics were used for doctrinaire purposes, Tim Harte demonstrates that at their core, they remained playful, joyous physical activities capable of stirring imaginations and transforming everyday realities.

To understand how North Korea has survived as the worlds last Stalinist regime despite international isolationand at enormous human costs to its peopleone must look at how its political system was created. The countrys foundations were laid in the late 1940s and 1950s as a result of interaction between the Soviet Stalinist model, imposed from outside, and local traditions.

Andrei Lankov traces the formation of the North Korean state and the early years of Kim Il Sungs rule, when the future "Great Leader" and his entourage were consolidating their power base. Surveying the situation in North Korea after 1945, Lankov explores the internal composition of the ruling elite, the role of the Soviets, and the uneasy relations between various political groups. He also focuses on how in 1956 Kim Il Sung defeated the only known attempt to oust him and thereby established absolute personal rule beyond either Soviet or Chinese control.

The book is based on previously secret Soviet documents from Russian archives, as well as interviews with Russian and Korean participants.

When the United States and the Soviet Union signed the first Strategic Arms Limitation Talks accords in 1972 it was generally seen as the point at which the USSR achieved parity with the United States. Less than twenty years later the Soviet Union had collapsed, confounding experts who never expected it to happen during their lifetimes. In From Washington to Moscow veteran US Foreign Service officer Louis Sell traces the history of US–Soviet relations between 1972 and 1991 and explains why the Cold War came to an abrupt end. Drawing heavily on archival sources and memoirs—many in Russian—as well as his own experiences, Sell vividly describes events from the perspectives of American and Soviet participants. He attributes the USSR's fall not to one specific cause but to a combination of the Soviet system's inherent weaknesses, mistakes by Mikhail Gorbachev, and challenges by Ronald Reagan and other US leaders. He shows how the USSR's rapid and humiliating collapse and the inability of the West and Russia to find a way to cooperate respectfully and collegially helped set the foundation for Vladimir Putin’s rise.