2018 books match the query 'Political aspects' and 81 start with f

cover of Foreign Aid: Diplomacy, Development, Domestic Politics

Foreign Aid

Diplomacy, Development, Domestic Politics

Carol Lancaster

University of Chicago Press, 2006

A twentieth-century innovation, foreign aid has become a familiar and even expected element in international relations. But scholars and government officials continue to debate why countries provide it: some claim that it is primarily a tool of diplomacy, some argue that it is largely intended to support development in poor countries, and still others point out its myriad newer uses. Carol Lancaster effectively puts this dispute to rest here by providing the most comprehensive answer yet to the question of why governments give foreign aid. She argues that because of domestic politics in aid-giving countries, it has always been—and will continue to be—used to achieve a mixture of different goals. 

Drawing on her expertise in both comparative politics and international relations and on her experience as a former public official, Lancaster provides five in-depth case studies—the United States, Japan, France, Germany, and Denmark—that demonstrate how domestic politics and international pressures combine to shape how and why donor governments give aid. In doing so, she explores the impact on foreign aid of political institutions, interest groups, and the ways governments organize their giving. Her findings provide essential insight for scholars of international relations and comparative politics, as well as anyone involved with foreign aid or foreign policy.

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cover of Foreign Policy Rhetorics in a Global Era: Concepts and Case Studies

Foreign Policy Rhetorics in a Global Era

Concepts and Case Studies

Allison M. Prasch

Michigan State University Press, 2024

This volume takes concepts familiar to foreign policy scholars and reimagines their usefulness in a global era. The essays in this collection feature unique methodological and theoretical contributions to rhetorical scholarship. The field of rhetorical studies often assumes a US-centric approach that elevates American chief executives as the sole doers and makers of foreign policy discourse. This work points to a more comprehensive, global perspective of foreign policy discourse and offers key concepts, case studies, and approaches. It also examines who enacts discourse, where it happens, and how it influences relationships in/between local, national, transnational, and global spheres.
Among the cases researched in this collection are foreign policy rhetoric from Cold War foreign policy in Latin America, the rhetoric of Vladimir Putin’s Ukraine war messages, and the development challenges of the Ford Foundation and the Kenya Women Finance Trust, among many others.
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cover of Fortress Power: Hostile Designs and the Politics of Spatial Control

Fortress Power

Hostile Designs and the Politics of Spatial Control

Derek S. Denman

University of Minnesota Press, 2025

A compelling treatise on the relationship between power and enclosure

Fortress Power presents a genealogy of fortification as a material and political technology intent on obstruction, tracing its implementation across battlefields, borders, and urban environments. Drawing on the influential work of philosophers Michel Foucault and Giorgio Agamben, Derek S. Denman places the fortress alongside the archetypes of the prison and the camp, citing them as paradigmatic of how space is transformed into a tool of domination and control.

Focusing on the defensive architecture of bastion fortresses, urban design, and border landscapes, Fortress Power charts the rise of a form of governance grounded in hostility, extending the scope of its subject from a piece of military construction to a much broader political concept. Detailing how power manifests in everything from city centers to international boundaries, the book analyzes the logic of fortification as it moves through various contexts in the advancement of surveillance, exploitation, warfare, and political authority.

Through a unique blend of architecture and design studies, political theory, international relations, geography, and migration studies, Denman outlines the disquieting legacy of the fortress to highlight its role in the formation of modern government and the enactment of violence. In an era marked by the increasing prevalence of authoritarian power and conflicting geopolitical boundaries, he presents an insightful investigation of the weaponization of the built environment.

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cover of Foucault, Politics, and Violence

Foucault, Politics, and Violence

Johnanna Oksala

Northwestern University Press, 2012

In her book, Oksala shows that the arguments for the ineliminability of violence from the political are often based on excessively broad, ontological conceptions of violence distinct from its concrete and physical meaning and, on the other hand, on a restrictively narrow and empirical understanding of politics as the realm of conventional political institutions.
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cover of Foxconned: Imaginary Jobs, Bulldozed Homes, and the Sacking of Local Government

Foxconned

Imaginary Jobs, Bulldozed Homes, and the Sacking of Local Government

Lawrence Tabak

University of Chicago Press, 2021

Powerful and resonant, Foxconned is both the definitive autopsy of the Foxconn fiasco and a dire warning to communities and states nationwide.

When Wisconsin governor Scott Walker stood shoulder to shoulder with President Trump and Speaker of the House Paul Ryan at the White House in July 2017, they painted a glorious picture of his state’s future. Foxconn, the enormous China-based electronics firm, was promising to bring TV manufacturing back to the United States with a $10 billion investment and 13,000 well-paying jobs. They actually were making America great again, they crowed.
 
Two years later, the project was in shambles. Ten thousand construction workers were supposed to have been building what Trump had promised would be “the eighth wonder of the world.” Instead, land had been seized, homes had been destroyed, and hundreds of millions of municipal dollars had been committed for just a few hundred jobs—nowhere near enough for Foxconn to earn the incentives Walker had shoveled at them. In Foxconned, journalist Lawrence Tabak details the full story of this utter collapse, which was disturbingly inevitable.
 
As Tabak shows, everything about Foxconn was a disaster. But worse, he reveals how the economic incentive infrastructure across the country is broken, leading to waste, cronyism, and the steady transfer of tax revenue to corporations. Tabak details every kind of financial chicanery, from eminent domain abuse to good old-fashioned looting—all to benefit a coterie of consultants, politicians, and contractors. With compassion and care, he also reports the distressing stories of the many individuals whose lives were upended by Foxconn.
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cover of Framing Identities: Autobiography and the Politics of Pedagogy

Framing Identities

Autobiography and the Politics of Pedagogy

Wendy S. Hesford

University of Minnesota Press, 1999

A trenchant examination of the political dynamics of autobiography in education.

How do historically marginalized groups expose the partiality and presumptions of educational institutions through autobiographical acts? How are the stories we tell used to justify resistance to change or institutional complacency? These are the questions Wendy S. Hesford asks as she considers the uses of autobiography in educational settings. This book demonstrates how autobiographical acts-oral, written, performative, and visual-play out in vexed and contradictory ways and how in the academy they can become sites of cultural struggle over multicultural education, sexual harassment, institutional racism, hate speech, student activism, and commemorative practices.

Within the context of Oberlin, a small liberal arts college in Ohio, and beginning with a speak-out organized by Asian American students in 1995, this book looks at the uses of autobiographical practices in empowering groups traditionally marginalized in academic settings. Investigating the process of self-representation and the social, spatial, and discursive frames within which academic bodies and identities are constituted, Framing Identities explores the use of autobiographical acts in terms of power, influence, risks involved, and effectiveness. Hesford does not endorse autobiography as an unequivocal source of empowerment, however. Instead, she illustrates how autobiographical practices in the academy can mobilize competing and often irreconcilable interests. Hesford argues that by integrating self-reflection into cultural, rhetorical, and material analyses-and encouraging students to do the same-teachers not only will largely justify attention to the personal in the classroom, they will help their communities move beyond a naive identity politics. Framing Identities provides a model for teacher-researchers across the disciplines (education, English, composition, cultural studies, women’s studies, to name a few) to investigate the contradictory uses and consequences of autobiography at their own institutions, and to carve out new pedagogical spaces from which they and their students can emerge as social, political, and intellectual subjects.
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cover of Framing the Audience: Art and the Politics of Culture in the United States, 1929-1945

Framing the Audience

Art and the Politics of Culture in the United States, 1929-1945

Isadora Helfgott

Temple University Press, 2015

Framing the Audience explores the cultural politics of the Great Depression and World War II through the prism of art appreciation. Isadora Helfgott interrogates the ideological and political motivations for breaking down barriers between fine art and popular culture. She charts the impact that changes in art appreciation had on the broader political, social, cultural, and artistic landscape.

Framing the Audience argues that efforts to expand the social basis of art became intertwined with—and helped shape—broader debates about national identity and the future of American political economy. Helfgott chronicles artists’ efforts toinfluence the conditions of artistic production and display. She highlights the influence of the Federal Art Project, the impact of the Museum of Modern Art as an institutional home for modernism in America and as an organizer of traveling exhibitions, and the efforts by LIFE and Fortune magazines to integrate art education into their visual record of modern life. In doing so, Helfgott makes critical observations about the changing relationship between art and the American public.

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cover of Framing the Black Panthers: The Spectacular Rise of a Black Power Icon

Framing the Black Panthers

The Spectacular Rise of a Black Power Icon

Jane Rhodes

University of Illinois Press, 2017

A potent symbol of black power and radical inspiration, the Black Panthers still evoke strong emotions. This edition of Jane Rhodes's acclaimed study examines the extraordinary staying power of the Black Panthers in the American imagination. Probing the group's longtime relationship to the media, Rhodes traces how the Panthers articulated their message through symbols and tactics the mass media could not resist. By exploiting press coverage through everything from posters to public appearances to photo ops, the Panthers created a linguistic and symbolic universe as salient today as during the group's heyday. They also pioneered a sophisticated version of mass media activism that powers contemporary African American protest. Featuring a timely new preface by the author, Framing the Black Panthers is a breakthrough reconsideration of a fascinating phenomenon.
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cover of Fraternal Critique: The Politics of Muslim Community in France

Fraternal Critique

The Politics of Muslim Community in France

Kirsten Wesselhoeft

University of Chicago Press, 2025

An exploration of ways that discord binds rather than divides communal life, through an ethnography of French Muslim activism.
 
The conversation about Islam in France is framed by the presumption that Muslim communities are a threat to secular solidarity or fraternité. In the face of state repression, French Muslims have not closed ranks around a narrow range of voices; instead, Kirsten Wesselhoeft finds that young Muslim activists have continued to purposefully spark debate about the values that anchor community life. Wesselhoeft argues that such disagreements, far from dividing communities, actually constitute a form of belonging. Some activists call this ethic “fraternal critique,” and Wesselhoeft finds in it profound insights about the place for critique in civic life. The French state has reacted to Muslim solidarity with repression, but Wesselhoeft argues that unity need not come at the expense of dissent. Instead, fraternal critique can teach us how to build communities that are worth fighting over and fighting for.
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cover of Fratricide in the Holy Land: A Psychoanalytic View of the Arab-Israeli Conflict

Fratricide in the Holy Land

A Psychoanalytic View of the Arab-Israeli Conflict

Avner Falk

University of Wisconsin Press, 2004

    This is the first English-language book ever to apply psychoanalytic knowledge to the understanding of the most intractable international struggle in our world today—the Arab-Israeli conflict. Two ethnic groups fight over a single territory that both consider to be theirs by historical right—essentially a rational matter. But close historical examination shows that the two parties to this tragic conflict have missed innumerable opportunities for a rational partition of the territory between them and for a permanent state of peace and prosperity rather than perennial bloodshed and misery.
    Falk suggests that a way to understand and explain such irrational matters is to examine the unconscious aspects of the conflict. He examines large-group psychology, nationalism, group narcissism, psychogeography, the Arab and Israeli minds, and suicidal terrorism, and he offers psychobiographical studies of Ariel Sharon and Yasser Arafat, two key players in this tragic conflict today.
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cover of Fray: Art and Textile Politics

Fray

Art and Textile Politics

Julia Bryan-Wilson

University of Chicago Press, 2017

In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval.

Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions.

The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
 
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cover of Freak Performances: Dissidence in Latin American Theater

Freak Performances

Dissidence in Latin American Theater

Analola Santana

University of Michigan Press, 2018

The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater significance in a globalized, neoliberal world that defines the "abnormal" as one who does not conform mentally, physically, or emotionally and is unable or unwilling to follow the economic and cultural norms of the institutions in power. Freak Performances examines the continuing effects of colonialism on modern Latin American identities, with a particular focus on the way it has constructed the body of the other through performance. Theater questions the representations of these bodies, as it enables the empowerment of the silenced other; the freak as a spectacle of otherness finds in performance an opportunity for re-appropriation by artists resisting the dominant authority. Through an analysis of experimental theater, dance theater, performance art, and gallery-based installation art across eight countries, Analola Santana explores the theoretical issues shaped by the encounters and negotiations between different bodies in the current Latin American landscape.
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cover of Free to Hate: How Media Liberalization Enabled Right-Wing Populism in Post-1989 Bulgaria

Free to Hate

How Media Liberalization Enabled Right-Wing Populism in Post-1989 Bulgaria

Martin Marinos

University of Illinois Press, 2023

Linking neoliberalism with the Right’s global rise

Bulgaria’s media-driven pivot to right-wing populism parallels political developments taking place around the world. Martin Marinos applies a critical political economy approach to place Bulgarian right-wing populism within the structural transformation of the country’s media institutions. As Marinos shows, media concentration under Western giants like Westdeutsche Allgemeine Zeitung and News Corporation have led to a neoliberal turn of commercialization, concentration, and tabloidization across media. The Right have used the anticommunism and racism bred by this environment to not only undermine traditional media but position their own outlets to boost new political entities like the nationalist party Ataka. Marinos’s ethnographic observations and interviews with local journalists, politicians, and media experts add on-the-ground detail to his account. He also examines several related issues, including the performative appeal of populist media and the money behind it.

A timely and innovative analysis, Free to Hate reveals where structural changes in media intersect with right-wing populism.

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cover of Freedom from the Press: Journalism and State Power in Singapore

Freedom from the Press

Journalism and State Power in Singapore

Cherian George

National University of Singapore Press, 2011

For several decades, the city-state of Singapore has been an international anomaly, combining an advanced, open economy with restrictions on civil liberties and press freedom. Freedom from the Press analyses the republic’s media system, showing how it has been structured ”like the rest of the political framework” to provide maximum freedom of manœuvre for the People's Action Party (PAP) government.
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cover of Freedom's Ballot: African American Political Struggles in Chicago from Abolition to the Great Migration

Freedom's Ballot

African American Political Struggles in Chicago from Abolition to the Great Migration

Margaret Garb

University of Chicago Press, 2014

In the spring of 1915, Chicagoans elected the city’s first black alderman, Oscar De Priest. In a city where African Americans made up less than five percent of the voting population, and in a nation that dismissed and denied black political participation, De Priest’s victory was astonishing. It did not, however, surprise the unruly group of black activists who had been working for several decades to win representation on the city council.

Freedom’s Ballot is the history of three generations of African American activists—the ministers, professionals, labor leaders, clubwomen, and entrepreneurs—who transformed twentieth-century urban politics. This is a complex and important story of how black political power was institutionalized in Chicago in the half-century following the Civil War. Margaret Garb explores the social and political fabric of Chicago, revealing how the physical makeup of the city was shaped by both political corruption and racial empowerment—in ways that can still be seen and felt today.
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cover of Freeing Black Girls: A Black Feminist Bible on Racism and Revolutionary Mothering

Freeing Black Girls

A Black Feminist Bible on Racism and Revolutionary Mothering

Tamura Lomax

Duke University Press, 2025

In Freeing Black Girls, Tamura Lomax offers an insurgent feminist love letter to Black girls, women, mothers, and othermothers. Exploring what it means to mother Black children in the twenty-first century, Lomax shares her journey from her traditionalist Black girlhood to finding the path to revolutionary Black motherhood. Along the way, she shows how all Black people are endangered by white supremacist capitalist heteropatriarchal dominance and emphasizes the power of looking and talking back. Lomax insists on Black feminist ways of living that value and nourish whole persons, sketching a radical dream that will allow Black women and girls to survive America while being able to love themselves, others, and collective Black freedom. Ultimately, Lomax declares that Black women and girls are emphatically not defective, second-class, or immanent nurturers; they are sacred and revolutionary beings who deserve to live a life free of predation, patriarchy, misrecognition, misogynoir, and violence.
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cover of From Class to Identity: The politics of education reforms in former Yugoslavia

From Class to Identity

The politics of education reforms in former Yugoslavia

Jana Bacevic

Central European University Press, 2014

Jana Bacevic provides an innovative analysis of education policy-making in the processes of social transformation and post-conflict development in the Western Balkans. Based on case studies of educational reform in the former Yugoslavia - from the decade before its violent breakup to contemporary efforts in post-conflict reconstruction - From Class to Identity tells the story of the political processes and motivations underlying each reform.The book moves away from technical-rational or prescriptive approaches that dominate the literature on education policy-making during social transformation, and offers an example on how to include the social, political and cultural context in the understanding of policy reforms. It connects education policy at a particular time in a particular place with broader questions such as: What is the role of education in society? What kind of education is needed for a 'good' society? Who are the 'targets' of education policies (individuals/citizens, ethnic/religious/linguistic groups, societies)? Bacevic shows how different answers to these questions influence the contents and outcomes of policies.
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cover of From Dead Ends to Cold Warriors: Constructing American Boyhood in Postwar Hollywood Films

From Dead Ends to Cold Warriors

Constructing American Boyhood in Postwar Hollywood Films

Peter W.Y. Lee

Rutgers University Press, 2021

After World War II, studies examining youth culture on the silver screen start with James Dean. But the angst that Dean symbolized—anxieties over parents, the “Establishment,” and the expectations of future citizen-soldiers—long predated Rebels without a Cause. Historians have largely overlooked how the Great Depression and World War II impacted and shaped the Cold War, and youth contributed to the national ideologies of family and freedom. From Dead Ends to Cold Warriors explores this gap by connecting facets of boyhood as represented in American film from the 1930s to the postwar years. From the Andy Hardy series to pictures such as The Search, Intruder in the Dust, and The Gunfighter, boy characters addressed larger concerns over the dysfunctional family unit, militarism, the “race question,” and the international scene as the Korean War began. Navigating the political, social, and economic milieus inside and outside of Hollywood, Peter W.Y. Lee demonstrates that continuities from the 1930s influenced the unique postwar moment, coalescing into anticommunism and the Cold War.
 
 
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cover of From Dessalines to Duvalier: Race, Colour and National Independence in Haiti

From Dessalines to Duvalier

Race, Colour and National Independence in Haiti

Nicholls, David

Rutgers University Press, 1996

In this lively, provocative, and well-documented history, David Nicholls discusses the impact of "color" on the political relationship between the black majority and the mulatto elite during almost two hundred years of Haitian history. The divisive factor impeding harmony in Haitian culture, argues Nicholls, has not been race, but color. Identifying themselves as non-white, blacks and mulattos acknowledge racial unity. But color divisions, reinforced by religious, regional, and class differences, have nonetheless prevented the two groups from achieving poltitical and ideological unity. Nicholls grounds this sophisticated analysis in great historical detail and engaging, witty prose. Students and general readers alike will delight in this insightful and informative history of Haiti.
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cover of From Dessalines to Duvalier: Race, Colour and National Independence in Haiti

From Dessalines to Duvalier

Race, Colour and National Independence in Haiti

Nicholls, David

Rutgers University Press, 1996

In this lively, provocative, and well-documented history, David Nicholls discusses the impact of "color" on the political relationship between the black majority and the mulatto elite during almost two hundred years of Haitian history. The divisive factor impeding harmony in Haitian culture, argues Nicholls, has not been race, but color. Identifying themselves as non-white, blacks and mulattos acknowledge racial unity. But color divisions, reinforced by religious, regional, and class differences, have nonetheless prevented the two groups from achieving poltitical and ideological unity. Nicholls grounds this sophisticated analysis in great historical detail and engaging, witty prose. Students and general readers alike will delight in this insightful and informative history of Haiti.
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cover of From Edward Brooke to Barack Obama: African American Political Success, 1966-2008

From Edward Brooke to Barack Obama

African American Political Success, 1966-2008

Dennis S. Nordin

University of Missouri Press, 2012

In 2008, American history was forever changed with the election of Barack Obama, the United States’ first African American president. However, Obama was far from the first African American to run for a public office or to face the complexities of race in a political campaign. For over a century, offices ranging from city mayor to state senator have been filled by African Americans, making race a factor in many elections.

In From Edward Brooke to Barack Obama, Dennis S. Nordin navigates the history of biracial elections by examining the experiences of a variety of African American politicians from across the country, revealing how voters, both black and white, respond to the issue of race in an election.
The idea to compare the African American political experience across several levels of office first occurred to Nordin as he was researching Arthur W. Mitchell’s 1934 congressional campaign. The question of white voter support was of particular significance, as was whether the continuation of that support depended upon his avoiding minority issues in office. To begin answering these questions and others, Nordin compares the experiences of eleven African American politicians. Taken from across the country to ensure a wide sample and accurate depiction of the subject, the case studies examined include Tom Bradley, mayor of Los Angeles; David Dinkins, mayor of New York; Freeman Bosley Jr., mayor of St. Louis; Senator Edward Brooke of Massachusetts; Senator Carol Moseley-Braun of Illinois; Governor L. Douglas Wilder of Virginia; and Representative J. C. Watts Jr. of Oklahoma, among others. As Nordin analyzes these individuals and their contribution to the whole, he concludes that biracial elections in the United States have yet to progress beyond race.

From Edward Brooke to Barack Obama investigates the implications of race in politics, a highly relevant topic in today’s American society. It offers readers a chronological overview of the progress made over the last several decades as well as shows where there is room for growth in the political arena. By taking a pertinent topic for the era and placing it in the context of history, Nordin successfully chronicles the roles of race and race relations in American politics.
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cover of From Noose to Needle: Capital Punishment and the Late Liberal State

From Noose to Needle

Capital Punishment and the Late Liberal State

Timothy V. Kaufman-Osborn

University of Michigan Press, 2002

From Noose to Needle contributes a new perspective on the controversial topic of capital punishment by asking how the conduct of state killing reveals broader contradictions in the contemporary liberal state, especially, but not exclusively, in the United States. Moving beyond more familiar legal and sociological approaches to this matter, Timothy V. Kaufman-Osborn asks several questions. Why do executions no longer take the form of public spectacles? Why are certain methods of execution considered barbaric? Why must the liberal state strictly segregate the imposition of a death sentence, whether by judge or jury, from its actual infliction, whether by a state official or an ordinary citizen? Why are women so infrequently sentenced to death and executed? How does the state seek to hide the suffering inflicted by capital punishment through its endorsement of a bio-medical conception of pain? How does the nearly-universal shift to lethal injection pose problems for the late liberal state by confusing its punitive and welfare responsibilities?
Drawing on a wide range of theoretical sources, including John Locke, Max Weber, Nicos Poulantzas, Friedrich Nietzsche, J. L. Austin, Michel Foucault, Judith Butler, Pierre Bourdieu, Elaine Scarry, and others, Kaufman-Osborn grounds his appropriation of these authors in analyses of specific recent executions, including that of Wesley Allan Dodd and Charles Campbell in Washington, Karla Faye Tucker in Texas, and Allen Lee Davis in Florida.
From Noose to Needle will be of interest to students of law, political theory, and sociology as well as more general readers interested in the troublesome issue of capital punishment.
Timothy V. Kaufman-Osborn is Baker Ferguson Professor of Politics and Leadership, Whitman College.
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cover of From Politics to the Pews: How Partisanship and the Political Environment Shape Religious Identity

From Politics to the Pews

How Partisanship and the Political Environment Shape Religious Identity

Michele F. Margolis

University of Chicago Press, 2018

One of the most substantial divides in American politics is the “God gap.” Religious voters tend to identify with and support the Republican Party, while secular voters generally support the Democratic Party. Conventional wisdom suggests that religious differences between Republicans and Democrats have produced this gap, with voters sorting themselves into the party that best represents their religious views.

Michele F. Margolis offers a bold challenge to the conventional wisdom, arguing that the relationship between religion and politics is far from a one-way street that starts in the church and ends at the ballot box. Margolis contends that political identity has a profound effect on social identity, including religion. Whether a person chooses to identify as religious and the extent of their involvement in a religious community are, in part, a response to political surroundings. In today’s climate of political polarization, partisan actors also help reinforce the relationship between religion and politics, as Democratic and Republican elites stake out divergent positions on moral issues and use religious faith to varying degrees when reaching out to voters.
 
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cover of From Russia with Code: Programming Migrations in Post-Soviet Times

From Russia with Code

Programming Migrations in Post-Soviet Times

Mario Biagioli and Vincent Antonin Lepinay, editors

Duke University Press, 2019

While Russian computer scientists are notorious for their interference in the 2016 US presidential election, they are ubiquitous on Wall Street and coveted by international IT firms and often perceive themselves as the present manifestation of the past glory of Soviet scientific prowess. Drawing on over three hundred in-depth interviews, the contributors to From Russia with Code trace the practices, education, careers, networks, migrations, and lives of Russian IT professionals at home and abroad, showing how they function as key figures in the tense political and ideological environment of technological innovation in post-Soviet Russia. Among other topics, they analyze coders' creation of both transnational communities and local networks of political activists; Moscow's use of IT funding to control peripheral regions; brain drain and the experiences of coders living abroad in the United Kingdom, United States, Israel, and Finland; and the possible meanings of Russian computing systems in a heterogeneous nation and industry. Highlighting the centrality of computer scientists to post-Soviet economic mobilization in Russia, the contributors offer new insights into the difficulties through which a new entrepreneurial culture emerges in a rapidly changing world.

Contributors. Irina Antoschyuk, Mario Biagioli, Ksenia Ermoshina, Marina Fedorova, Andrey Indukaev, Alina Kontareva, Diana Kurkovsky, Vincent Lépinay, Alexandra Masalskaya, Daria Savchenko, Liubava Shatokhina, Alexandra Simonova, Ksenia Tatarchenko, Zinaida Vasilyeva, Dimitrii Zhikharevich
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cover of From Voice to Influence: Understanding Citizenship in a Digital Age

From Voice to Influence

Understanding Citizenship in a Digital Age

Edited by Danielle Allen and Jennifer S. Light

University of Chicago Press, 2015

How have online protests—like the recent outrage over the Komen Foundation’s decision to defund Planned Parenthood—changed the nature of political action? How do Facebook and other popular social media platforms shape the conversation around current political issues? The ways in which we gather information about current events and communicate it with others have been transformed by the rapid rise of digital media. The political is no longer confined to the institutional and electoral arenas, and that has profound implications for how we understand citizenship and political participation.

With From Voice to Influence, Danielle Allen and Jennifer S. Light have brought together a stellar group of political and social theorists, social scientists, and media analysts to explore this transformation. Threading through the contributions is the notion of egalitarian participatory democracy, and among the topics discussed are immigration rights activism, the participatory potential of hip hop culture, and the porous boundary between public and private space on social media. The opportunities presented for political efficacy through digital media to people who otherwise might not be easily heard also raise a host of questions about how to define “good participation:” Does the ease with which one can now participate in online petitions or conversations about current events seduce some away from serious civic activities into “slacktivism?”

 Drawing on a diverse body of theory, from Hannah Arendt to Anthony Appiah, From Voice to Influence offers a range of distinctive visions for a political ethics to guide citizens in a digitally connected world.
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cover of From Walden Pond to Jurassic Park: Activism, Culture, and American Studies

From Walden Pond to Jurassic Park

Activism, Culture, and American Studies

Paul Lauter

Duke University Press, 2001

Paul Lauter, an icon of American Studies who has been a primary agent in its transformation and its chief ambassador abroad, offers a wide-ranging collection of essays that demonstrate and reflect on this important and often highly politicized discipline. While American Studies was formerly seen as a wholly subsidiary academic program that loosely combined the study of American history, literature, and art, From Walden Pond to Jurassic Park reveals the evolution of an independent, highly interdisciplinary program with distinctive subjects, methods, and goals that are much different than the traditional academic departments that nurtured it.

With anecdote peppered discussions ranging from specific literary texts and movies to the future of higher education and the efficacy of unions, From Walden Pond to Jurassic Park entertains even as it offers a twenty-first century account of how and why Americanists at home and abroad now do what they do. Drawing on his forty-five years of teaching and research as well as his experience as a political activist and a cultural radical, Lauter shows how a multifaceted increase in the United States’ global dominion has infused a particular political urgency into American Studies. With its military and economic influence, its cultural and linguistic reach, the United States is—for better or for worse—too formidable and potent not to be understood clearly and critically.
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cover of From a Nation Torn: Decolonizing Art and Representation in France, 1945-1962

From a Nation Torn

Decolonizing Art and Representation in France, 1945-1962

Hannah Feldman

Duke University Press, 2014

From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.
 
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cover of From the Far Right to the Mainstream: Islamophobia in Party Politics and the Media

From the Far Right to the Mainstream

Islamophobia in Party Politics and the Media

Edited by Humayun Ansari and Farid Hafez

Campus Verlag, 2012

This volume focuses on how the far right’s views of Islam have been increasingly co-opted by both liberal and conservative parties and woven into the policies of Western governments over the past two decades. The unprecedented influence of xenophobic and Islamophobic parties, whether in coalition with governments or recipients of the popular vote, reflects a major realignment of forces and a danger to the Western core values of human rights and equality. From the Far Right to the Mainstream explores how Islamophobia has moved to the mainstream of Western policy making, and the role that the media has played.
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cover of Fugitive Anthropology: Embodying Activist Research

Fugitive Anthropology

Embodying Activist Research

Edited by Shanya Cordis, Maya J. Berry, Claudia Chávez Argüelles, Sarah Ihmoud, and R. Elizabeth Velásquez Estrada

University of Texas Press, 2026

A personal, provocative, and boundary-breaking volume on the power relations that racialized, gendered, and sexualized researchers grapple with while conducting activist research.

Fugitive Anthropology is a transnational, intergenerational engagement that extends feminist theory, activist research methodologies, and the discipline of anthropology in new directions. Contributors examine the tensions that arise from conducting politically engaged, collaborative research alongside communities in struggle, in particular theorizing from the experiences of racialized women, queer, trans, and gender nonconforming researchers across distinct geographies. Essays contend with the matrices of colonial, imperial, and patriarchal violence that afflict the researchers and communities with which they seek political alignment.

Articulating an ethnographic practice grounded in Black and Indigenous political struggles and committed to collective liberation, the volume reflects on what it means to navigate violent relations of power, systemic inequities, and current onslaughts shaping field research and US academia. Ultimately, Fugitive Anthropology argues that a feminist ethos—one that embraces embodied knowledges and fugitive sensibilities—forges liberatory spaces that break from dominant masculinist frames of the “political” and challenge colonial regimes within and beyond the neoliberal university.

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cover of Fungible Life: Experiment in the Asian City of Life

Fungible Life

Experiment in the Asian City of Life

Aihwa Ong

Duke University Press, 2016

In Fungible Life Aihwa Ong explores the dynamic world of cutting-edge bioscience research, offering critical insights into the complex ways Asian bioscientific worlds and cosmopolitan sciences are entangled in a tropical environment brimming with the threat of emergent diseases. At biomedical centers in Singapore and China scientists map genetic variants, disease risks, and biomarkers, mobilizing ethnicized "Asian" bodies and health data for genomic research. Their differentiation between Chinese, Indian, and Malay DNA makes fungible Singapore's ethnic-stratified databases that come to "represent" majority populations in Asia. By deploying genomic science as a public good, researchers reconfigure the relationships between objects, peoples, and spaces, thus rendering "Asia" itself as a shifting entity. In Ong's analysis, Asia emerges as a richly layered mode of entanglements, where the population's genetic pasts, anxieties and hopes, shared genetic weaknesses, and embattled genetic futures intersect. Furthermore, her illustration of the contrasting methods and goals of the Biopolis biomedical center in Singapore and BGI Genomics in China raises questions about the future direction of cosmopolitan science in Asia and beyond.
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cover of Furnishing Fascism: Modernist Design and Politics in Italy

Furnishing Fascism

Modernist Design and Politics in Italy

Ignacio G. Galán

University of Minnesota Press, 2025

The role of modernist interior design in the construction of Italian nationalism

Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, Furnishing Fascism examines the subtler yet effective role of household goods and decor in the cultivation of Italy’s exclusionary sense of national identity.

Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Ignacio G. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country’s colonial territories, Italy’s modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony.

Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period’s so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power.

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