Edited by J. Jeffery Clark and Elise Boxer; Foreword by Nick Estes
University of Arizona Press, 2023
In this volume, contributors demonstrate the real-world application of Indigenous theory to the work they do in their own communities and how this work is driven by urgency, responsibility, and justice—work that is from the skin.
In From the Skin, contributors reflect on and describe how they apply the theories and concepts of Indigenous studies to their communities, programs, and organizations, and the ways the discipline has informed and influenced the same. They show the ways these efforts advance disciplinary theories, methodologies, and praxes. Chapters cover topics including librarianship, health programs, community organizing, knowledge recovery, youth programming, and gendered violence. Through their examples, the contributors show how they negotiate their peoples’ knowledge systems with knowledge produced in Indigenous studies programs, demonstrating how they understand the relationship between their people, their nations, and academia.
Editors J. Jeffery Clark and Elise Boxer propose and develop the term practitioner-theorist to describe how the contributors theorize and practice knowledge within and between their nations and academia. Because they live and exist in their community, these practitioner-theorists always consider how their thinking and actions benefit their people and nations. The practitioner-theorists of this volume envision and labor toward decolonial futures where Indigenous peoples and nations exist on their own terms.
Contributors
Randi Lynn Boucher-Giago
Elise Boxer
Shawn Brigman
J. Jeffery Clark
Nick Estes
Eric Hardy
Shalene Joseph
Jennifer Marley
Brittani R. Orona
Alexander Soto
Edited by Ali M. Ansari
Gingko, 2021
Edited by Melanie Gibson
Gingko, 2021
Laura LaPlaca
Rutgers University Press, 2026
A Junior Library Guild Gold Standard Selection
The National Comedy Center and Smithsonian Institution hold unparalleled collections of artifacts that illustrate the vitality and importance of comedy in American life, from vaudeville, silent films, and TV sitcoms to stand-up, sketch, and cartoons. Now, for the first time, these collections are brought together in vibrant photographs and illuminating essays that tell the story of how comedy shaped American history.
Written by historians responsible for safeguarding these cultural treasures, the book takes readers behind the scenes to uncover the stories behind American heirlooms like Groucho Marx’s tailcoat, George Carlin’s joke files, Carol Burnett’s “Went with the Wind” dress, Johnny Carson’s monologues, and the very first Saturday Night Live script, alongside materials from cultural touchstones like The Simpsons, The Muppet Show, In Living Color, All In the Family, and I Love Lucy.
With a foreword by comedy legend Mel Brooks, this dynamic work offers pop culture aficionados, history lovers, and comedy nerds alike a new perspective on America’s past and who we are as a nation through our comedy.
Edited by David Solkin
Paul Holberton Publishing, 2022

Mel Alexenberg
Intellect Books, 2006
This work develops the thesis that the transition from pre-modernism to postmodernism in art of the digital age represents a paradigm shift from the Hellenistic to the Hebraic roots of Western culture.
Semiotic and morphological analysis of art and visual culture demonstrate the contemporary confluence between the deep structure of Hebraic consciousness and new directions in art that arise along the interface between scientific inquiry, digital technologies, and multicultural expressions.
Complementing these two analytic methodologies, alternative methodologies of kabbalah and halakhah provide postmodern methods for extending into digital age art forms. Exemplary artworks are described in the text and illustrated with photographs.

Edited by Anna Bentkowska-Kafel, Trish Cashen, and Hazel Gardiner
Intellect Books, 2007