482 books match the query '17th Century' and 14 start with g

cover of GENDER AND PETTY VIOLENCE IN LONDON, 1680-1720

GENDER AND PETTY VIOLENCE IN LONDON, 1680-1720

JENNINE HURL-EAMON

The Ohio State University Press, 2005

Looking at a heretofore overlooked set of archival records of London in the late 17th and early 18th centuries, Hurl-Eamon reassesses the impact of gender on petty crime and its prosecution during the period. This book offers a new approach to the growing body of work on the history of violence in past societies. By focusing upon low-cost prosecutions in minor courts, Hurl-Eamon uncovers thousands of assaults on the streets of early modern London. Previous histories stressing the masculine nature of past violence are questioned here: women perpetrated one-third of all assaults. In looking at more mundane altercations rather than the homicidal attacks studied in previous histories, the book investigates violence as a physical language, with some forms that were subject to gender constraints, but many of which were available to both men and women. Quantitative analyses of various circumstances surrounding the assaults—including initial causes, weapons used, and injuries sustained—outline the patterns of violence as a language.

Hurl-Eamon also stresses the importance of focusing on the prosecutorial voice. In bringing the court’s attention to petty attacks, thousands of early modern men and women should be seen as agents rather than victims. This view is especially interesting in the context of domestic violence, where hundreds of wives and servants prosecuted patriarchs for assault, and in the Mohock Scare of 1712, where London’s populace rose up in opposition to aristocratic violence. The discussion is informed by a detailed knowledge of assault laws and the rules governing justices of the peace.

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cover of Galileo, Science and the Church

Galileo, Science and the Church

Jerome J. Langford

University of Michigan Press, 1992

Jerome J. Langford's Galileo, Science, and the Church is widely recognized as a classic, balanced account of Galileo Galilei’s legendary 1633 confrontation with the Roman Catholic Inquisition. Moving past the overly polarized arguments of traditional polemicists and apologists, Langford contextualizes the "Galileo Affair" within its proper 17th-century historical, theological, and philosophical milieu. The book meticulously explores how the clash was less a fundamental war between science and faith, and more a complex dispute over scriptural interpretation, ecclesiastical authority, and the academic rigidities of Aristotelian philosophy. Through objective research, Langford demonstrates that this momentous historical drama still serves as a timeless case study on the enduring friction between institutional authority and the freedom of individual thought and expression.
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cover of Gaming the Stage: Playable Media and the Rise of English Commercial Theater

Gaming the Stage

Playable Media and the Rise of English Commercial Theater

Gina Bloom

University of Michigan Press, 2018

Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology.

Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.

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cover of Gehennical Fire: The Lives of George Starkey, an American Alchemist in the Scientific Revolution

Gehennical Fire

The Lives of George Starkey, an American Alchemist in the Scientific Revolution

William R. Newman

University of Chicago Press, 2002

Both the quest for natural knowledge and the aspiration to alchemical wisdom played crucial roles in the Scientific Revolution, as William R. Newman demonstrates in this fascinating book about George Starkey (1628-1665), America's first famous scientist. Beginning with Starkey's unusual education in colonial New England, Newman traces out his many interconnected careers—natural philosopher, alchemist, chemist, medical practitioner, economic projector, and creator of the fabulous adept, "Eirenaeus Philalethes." Newman reveals the profound impact Starkey had on the work of Isaac Newton, Robert Boyle, Samuel Hartlib, and other key thinkers in the realm of early modern science.
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cover of Gems and the New Science: Matter and Value in the Scientific Revolution

Gems and the New Science

Matter and Value in the Scientific Revolution

Michael Bycroft

University of Chicago Press, 2026

The first book-length history of gems in early modern science offers a thought-provoking new take on the Scientific Revolution.
 
In Gems and the New Science, Michael Bycroft argues that gems were connected to major developments in the “new science” between the sixteenth and nineteenth centuries. As he explains, precious and semiprecious stones were at the center of dramatic shifts in natural knowledge in early modern Europe. They were used to investigate luminescence, electricity, combustion, chemical composition, and more. They were collected by naturalists; measured by mathematicians; and rubbed, burned, and dissolved by experimental philosophers. This led to the demise of the traditional way of classifying gems—which grouped them by transparency, color, and locality—and the turn to density, refraction, chemistry, and crystallography as more reliable guides for sorting these substances.
 
The science of gems shows that material evaluation was as important as material production in the history of science. It also shows the value of seeing science as the product of the interaction between different material worlds. The book begins by bringing these insights to bear on five themes of the Scientific Revolution. Each of the subsequent chapters deals with a major episode in early modern science, from the expansion of natural history in the sixteenth century to the emergence of applied science early in the nineteenth century. This important work is not only the first book-length history of the science of gems but also a fresh interpretation of the Scientific Revolution and an argument for using a new form of materialism to understand the evolution of science.
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cover of Gender and Heroism in Early Modern English Literature

Gender and Heroism in Early Modern English Literature

Mary Beth Rose

University of Chicago Press, 2001

For most readers and spectators, heroism takes the form of public, idealized masculinity. It calls to mind socially and morally elevated men embarking on active adventures: courageously confronting danger; valiantly rescuing the helpless; exploring and claiming unconquered terrain. But in this book, Mary Beth Rose argues that from the late sixteenth to the late seventeenth centuries, a passive, more female, but equally potent dimension of heroic identity began to dominate English culture. For both men and women, heroism came to be defined in terms of patience, as the ability to endure suffering, catastrophe, and pain.

Interweaving discourses of gender, Rose explores ways in which this heroics of endurance became the dominant model. She examines the glamorous, failed destinies of heroes in plays by Shakespeare, Jonson, and Marlowe; Elizabeth I's creation of a heroic identity in her public speeches; the autobiographies of four ordinary women thrust into the public sphere by civil war; and the seduction of heroes into slavery in works by Milton, Aphra Behn, and Mary Astell. Ultimately, her study demonstrates the importance of the female in the creation of modern heroism, while offering a critique of both idealized action and suffering.
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cover of Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages

Gender in Play on the Shakespearean Stage

Boy Heroines and Female Pages

Michael Shapiro

University of Michigan Press, 1996

Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise--man-playing-woman-playing-man--in all its theatrical and social complexity.
Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England.
The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that found their way into Shakespearean drama, Shapiro considers such cases as cross-dressing women in London being punished as prostitutes and the alleged homoerotic practices of the apprentices who played female roles in adult companies. Shapiro also traces other Elizabethan dramatists' varied uses of the cross-dressing motif, especially as they were influenced by Shakespeare's innovations.
"Shapiro's engaging study is distinguished by the scope of interrelated topics it draws together and the balance of critical perspectives it brings to bear on them." --Choice
Michael Shapiro is Professor of English, University of Illinois, Urbana.
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cover of Gerrard Winstanley: The Digger's Life and Legacy

Gerrard Winstanley

The Digger's Life and Legacy

John Gurney

Pluto Press, 2012

'The power of property was brought into creation by the sword', so wrote Gerrard Winstanley (1609-1676) – Christian Communist, leader of the Diggers movement and bête noire of the landed aristocracy. Despite being one of the great English radicals, Winstanley remains unmentioned in today's lists of 'great Britons'.

John Gurney reveals the hidden history of Winstanley and his movement. As part of the radical ferment which swept England at the time of the civil war, Winstanley led the Diggers in taking over land and running it as 'a common treasury for all' – provoking violent opposition from landowners. Gurney also guides us through Winstanley's writings, which are among the most remarkable prose writings of his age.

Gerrard Winstanley: The Digger's Life and Legacy is a must read for students of English history and all those seeking to re-claim the commons today.
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cover of Giambattista Marino: Adonis

Giambattista Marino

Adonis

Thomas E. Mussio

Arizona Center for Medieval and Renaissance Studies, 2019

This is the first complete translation in English of Giambattista Marino’s Adone, a poem of 20 cantos written in Italian and first published in 1623 in Paris. Although Marino’s work has been characterized as a mythological poem with the tragic tale of Venus and Adonis at its core and woven through with retellings of many Greek and Roman myths, it is clear that Marino strove to write more than an Italian version of Ovid’s Metamorphoses. The highly wrought descriptive passages that permeate the poem, the allusions to contemporary political figures and events, and the rich scientific, philosophical, and theological language of many passages reflect Marino’s particular poetic style, his broad interests, and his engagement with the political and intellectual scene of early seventeenth-century Europe. One of the goals of this translation is to provide a highly accessible version of the whole poem and to expand its readership to include not only students and scholars of the romance epic and the early modern period but also curious general readers. It is hoped that this modern, annotated translation will spur new research on Marino’s poem and bear new assessments of the poem’s relation to its sources, of its influence on later literature, and of its vital connection with key issues of Marino’s time, such as scientific advancement, discovery and exploration, and the power and influence of the Catholic Church.

Translated, with introduction and notes by Thomas E. Mussio.
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cover of Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639

Gifts in the Age of Empire

Ottoman-Safavid Cultural Exchange, 1500–1639

Sinem Arcak Casale

University of Chicago Press, 2023

Explores the Safavid and Ottoman empires through the lens of gifts.

When the Safavid dynasty, founded in 1501, built a state that championed Iranian identity and Twelver Shi'ism, it prompted the more established Ottoman Empire to align itself definitively with Sunni legalism. The political, religious, and military conflicts that arose have since been widely studied, but little attention has been paid to their diplomatic relationship. Sinem Arcak Casale here sets out to explore these two major Muslim empires through a surprising lens: gifts. Countless treasures—such as intricate carpets, gilded silver cups, and ivory-tusk knives—flowed from the Safavid to the Ottoman Empire throughout the sixteenth century. While only a handful now survive, records of these gifts exist in court chronicles, treasury records, poems, epistolary documents, ambassadorial reports, and travel narratives. Tracing this elaborate archive, Casale treats gifts as representative of the complicated Ottoman-Safavid coexistence, demonstrating how their rivalry was shaped as much by culture and aesthetics as it was by religious or military conflict. Gifts in the Age of Empire explores how gifts were no mere accessories to diplomacy but functioned as a mechanism of competitive interaction between these early modern Muslim courts.
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cover of Global Goods and the Country House: Comparative Perspectives, 1650–1800

Global Goods and the Country House

Comparative Perspectives, 1650–1800

Edited by Jon Stobart

University College London, 2023

Fresh insights into the multi-directional flow of goods and cultures that enmeshed the eighteenth century.

Global goods were central to the material culture of eighteenth-century country houses. Across Europe, mahogany furniture, Chinese wallpapers, and Indian textiles formed the backdrop to genteel practices of drinking sweetened coffee, tea, and chocolate from Chinese porcelain. They tied these houses and their wealthy owners into global systems of supply and the processes of colonialism and empire.

Global Goods and the Country House builds on these narratives and then challenges them by decentering our perspective. It offers a comparative framework that explores the definition, ownership, and meaning of global goods outside the usual context of European imperial powers. What were global goods and what did they do for and mean to wealthy landowners in places at the “periphery” of Europe (Sweden and Wallachia), in the British colonies of North America and the Caribbean, or in the extra-colonial context (Japan or Rajasthan)? By placing these goods in their specific material context—from the English country house to the princely palaces of Rajasthan—we gain a better understanding of their use and meaning and of their role in linking the global and the local.
 
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cover of Globalizing Chocolate and Tobacco: Medical Exchange in the Early Modern World

Globalizing Chocolate and Tobacco

Medical Exchange in the Early Modern World

Susan G. Polansky

Bucknell University Press, 2026

This groundbreaking volume explores two early and opposing Spanish medical perspectives on chocolate and other New World substances. In the early 1600s, doctors Bartolomé Marradón and Antonio Colmenero de Ledesma returned from travels to the Americas with starkly different views: Marradón cautioned against tobacco and offered only limited approval of chocolate, while Colmenero vigorously defended chocolate’s health benefits. Their writings, translated and circulated across Europe, helped transform chocolate from a medicinal drink into a global commodity. Featuring the first bilingual edition of Marradón’s Dialogue (1618)—in full Spanish and English—and a new bilingual presentation of Colmenero’s influential Curious Treatise (1631), this book provides rare insight into early modern medical thought, cultural exchange, and the globalization of taste. Essential for readers of food history, early modern medicine, and transatlantic interchange, it uniquely reveals how debates over health, culture, and commerce brewed in a cup of chocolate.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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cover of God Owes Us Nothing: A Brief Remark on Pascal's Religion and on the Spirit of Jansenism

God Owes Us Nothing

A Brief Remark on Pascal's Religion and on the Spirit of Jansenism

Leszek Kolakowski

University of Chicago Press, 1995

God Owes Us Nothing reflects on the centuries-long debate in Christianity: how do we reconcile the existence of evil in the world with the goodness of an omnipotent God, and how does God's omnipotence relate to people's responsibility for their own salvation or damnation. Leszek Kolakowski approaches this paradox as both an exercise in theology and in revisionist Christian history based on philosophical analysis. Kolakowski's unorthodox interpretation of the history of modern Christianity provokes renewed discussion about the historical, intellectual, and cultural omnipotence of neo-Augustinianism.

"Several books a year wrestle with that hoary conundrum, but few so dazzlingly as the Polish philosopher's latest."—Carlin Romano, Washington Post Book World

"Kolakowski's fascinating book and its debatable thesis raise intriguing historical and theological questions well worth pursuing."—Stephen J. Duffy, Theological Studies

"Kolakowski's elegant meditation is a masterpiece of cultural and religious criticism."—Henry Carrigan, Cleveland Plain Dealer
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cover of Gusto for Things: A History of Objects in Seventeenth-Century Rome

Gusto for Things

A History of Objects in Seventeenth-Century Rome

Renata Ago

University of Chicago Press, 2013

We live in a material world—our homes are filled with things, from electronics to curios and hand-me-downs, that disclose as much about us and our aspirations as they do about current trends. But we are not the first: the early modern period was a time of expanding consumption, when objects began to play an important role in defining gender as well as social status. Gusto for Things reconstructs the material lives of seventeenth-century Romans, exploring new ways of thinking about the meaning of things as a historical phenomenon.
 
Through creative use of account books, inventories, wills, and other records, Renata Ago examines early modern attitudes toward possessions, asking what people did with their things, why they wrote about them, and how they passed objects on to their heirs. While some inhabitants of Rome were connoisseurs of the paintings, books, and curiosities that made the city famous, Ago shows that men and women of lesser means also filled their homes with a more modest array of goods. She also discovers the genealogies of certain categories of things—for instance, books went from being classed as luxury goods to a category all their own—and considers what that reveals about the early modern era. An animated investigation into the relationship between people and the things they buy, Gusto for Things paints an illuminating portrait of the meaning of objects in preindustrial Europe.
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