3703 books match the query '19th Century' and 84 start with g

cover of GENERATION OF BOOMERS

GENERATION OF BOOMERS

Shelton Stromquist

University of Illinois Press, 2000

"'Boomer' railroad men have a cherished place in the popular imagination. Although the romance of their vocations and the itinerancy of their lives have been exaggerated, the term ‘Boomer' fittingly characterizes a significant portion of the generation of workers that built and operated the railroads during the expansive years of the late nineteenth century. There are numerous excellent accounts of the major railroad strikes for this period. There is also a rich literature of local studies that focus primarily on changes in working class culture and community in a variety of industrial settings. But we lack a framework for integrating the local analysis of social and cultural patterns with changes in the political economy of nineteenth-century American capitalism, and we lack an analysis of strikes that locates episodes within broader patterns of emerging class conflict. This volume is an attempt to build such a larger framework."
 
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cover of Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900

Gaelic Scotland in the Colonial Imagination

Anglophone Writing from 1600 to 1900

Silke Stroh

Northwestern University Press, 2017

Can Scotland be considered an English colony? Is its experience and literature comparable to that of overseas postcolonial countries? Or are such comparisons no more than patriotic victimology to mask Scottish complicity in the British Empire and justify nationalism? These questions have been heatedly debated in recent years, especially in the run-up to the 2014 referendum on independence, and remain topical amid continuing campaigns for more autonomy and calls for a post-Brexit “indyref2.” Gaelic Scotland in the Colonial Imagination offers a general introduction to the emerging field of postcolonial Scottish studies, assessing both its potential and limitations in order to promote further interdisciplinary dialogue. Accessible to readers from various backgrounds, the book combines overviews of theoretical, social, and cultural contexts with detailed case studies of literary and nonliterary texts. The main focus is on internal divisions between the anglophone Lowlands and traditionally Gaelic Highlands, which also play a crucial role in Scottish–English relations. Silke Stroh shows how the image of Scotland’s Gaelic margins changed under the influence of two simultaneous developments: the emergence of the modern nation-state and the rise of overseas colonialism.
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cover of Gambling on Ore: The Nature of Metal Mining in the United States, 1860–1910

Gambling on Ore

The Nature of Metal Mining in the United States, 1860–1910

Kent Curtis

University Press of Colorado, 2013

Gambling on Ore examines the development of the western mining industry from the tumultuous and violent Gold Rush to the elevation of large-scale copper mining in the early twentieth century, using Montana as representative of mining developments in the broader US mining west. Employing abundant new historical evidence in key primary and secondary sources, Curtis tells the story of the inescapable relationship of mining to nature in the modern world as the United States moved from a primarily agricultural society to a mining nation in the second half of the nineteenth century.

In Montana, legal issues and politics—such as unexpected consequences of federal mining law and the electrification of the United States—further complicated the mining industry’s already complex relationship to geology, while government policy, legal frameworks, dominant understandings of nature, and the exigencies of profit and production drove the industry in momentous and surprising directions. Despite its many uncertainties, mining became an important part of American culture and daily life.

Gambling on Ore unpacks the tangled relationships between mining and the natural world that gave material possibility to the age of electricity. Metal mining has had a profound influence on the human ecology and the social relationships of North America through the twentieth century and throughout the world after World War II. Understanding how we forged these relationships is central to understanding the environmental history of the United States after 1850. 
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cover of Gangrene and Glory: Medical Care during the American Civil War

Gangrene and Glory

Medical Care during the American Civil War

Frank R. Freemon

University of Illinois Press, 1998

This unusual history of the Civil War takes a close look at the battlefield doctors in whose hands rested the lives of thousands of Union and Confederate soldiers and at the makeshift medicine they were forced to employ.
 
A medical doctor and a credentialed historian, Frank R. Freemon combines poignant, sometimes horrifying anecdotes of amputation, infection, and death with a clearheaded discussion of the state of medical knowledge, the effect of the military bureaucracy on medical supplies, and the members of the medical community who risked their lives, their health, and even their careers to provide appropriate care to the wounded. Freemon examines the impact on major campaigns--Manassas, Gettysburg, Vicksburg, Shiloh, Atlanta--of ignorance, understaffing, inexperience, overcrowded hospitals, insufficient access to ambulances, and inadequate supplies of essentials such as quinine.
 
Presenting the medical side of the war from a variety of perspectives--the Union, the Confederacy, doctors, nurses, soldiers, and their families--Gangrene and Glory achieves a peculiar immediacy by restricting its scope to the knowledge and perceptions available to its nineteenth-century subjects. Now available for the first time in paperback, this important volume takes a hard, close look at a neglected and crucial aspect of this bloody conflict.
 
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cover of Garland in His Own Time: A Biographical Chronicle of His Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates

Garland in His Own Time

A Biographical Chronicle of His Life, Drawn from Recollections, Interviews, and Memoirs by Family, Friends, and Associates

Keith Newlin

University of Iowa Press, 2013

In his heyday, Hamlin Garland had a considerable reputation as a radical writer whose realistic stories and polemical essays agitating for a literature that accurately represented American life riled the nation’s press. Born in poverty and raised on a series of frontier farms, Garland fled the rural Midwest in 1881 at age twenty-one. When his stories combining the radical economic theories of Henry George with realistic depictions of farm life appeared as Main-Travelled Roads in 1891, reviewers praised his method but were disturbed by the bleak subject matter. Four years (and eight books) later, his frank depiction of sexuality in his novel of the New Woman, Rose of Dutcher’s Coolly (1895), made Garland even more controversial.


After realizing he couldn’t make a living from such realistic works, Garland turned first to biography, then to critically panned but commercially popular romances set in the mountain west, and eventually to autobiography. In 1917 he published A Son of the Middle Border, a remarkable autobiography in which he combined the story of his life to 1893 with the story of U.S. westward expansion, to considerable critical acclaim and large sales. Its 1921 sequel, A Daughter of the Middle Border, received the Pulitzer Prize for biography.


Although the author eventually wrote no fewer than eight autobiographies, he showed little awareness of the effect of his strong personality upon others. The sixty-six reminiscences in Garland in His Own Time offer an essential complement to his self-portrait by giving the perspectives of family, friends, fellow writers, and critics. The book offers the contemporary reader new reasons to return to this fascinating writer’s work. 
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cover of Gastrodiplomacy: Chinese Exclusion and the Ascent of Chinese Restaurants in New York City, 1870–1943

Gastrodiplomacy

Chinese Exclusion and the Ascent of Chinese Restaurants in New York City, 1870–1943

Heather Ruth Lee

University of Chicago Press, 2027

Traces how Chinese migrants challenged racialization and disenfranchisement by establishing Chinese restaurants during the Gilded Age. 

In Gastrodiplomacy, Heather Ruth Lee dives deep into not just the history of Chinese restaurants in early twentieth-century New York City but the delicate, inchoate, and constantly evolving dynamics among their owners, workers, and their predominantly white clientele. Lee argues that the stylistic and capitalist choices made by restaurateurs (“gastrodiplomats”) had outsized political effects on paternalistic white diners (“gastroliberals”) who patronized their establishments, particularly when it came to racial relations in cities that were growing and diversifying. Lee is not starry-eyed—satisfying white tongues and stomachs didn’t lead to an urban utopia of peace, harmony, and brotherhood—but she shows the great and subtle influences of Chinese migrants on American urban space, culture, and metropolitan identity in a defining time.

In Lee’s capable and compelling telling, the Chinese restaurant becomes a distinctive locus for the negotiation of political power, cultural influence, urban identity, and more. Gastrodiplomacy reveals much about burgeoning and increasingly cosmopolitan American cities, as well as about their dynamic relationships with the fluidities of the American character.

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cover of Gears and God: Technocratic Fiction, Faith, and Empire in Mark Twain's America

Gears and God

Technocratic Fiction, Faith, and Empire in Mark Twain's America

Nathaniel Williams

University of Alabama Press, 2018

A revealing study of the connections between nineteenth-century technological fiction and American religious faith.
 
In Gears and God: Technocratic Fiction, Faith, and Empire in Mark Twain’s America, Nathaniel Williams analyzes the genre of technology-themed exploration novels—dime novel adventure stories featuring steam-powered and electrified robots, airships, and submersibles. This genre proliferated during the same cultural moment when evolutionary science was dismantling Americans’ prevailing, biblically based understanding of human history.
 
While their heyday occurred in the late 1800s, technocratic adventure novels like Twain’s A Connecticut Yankee in King Arthur’s Court inspired later fiction about science and technology. Similar to the science fiction plotlines of writers like Jules Verne and H. Rider Haggard, and anticipating the adventures of Tom Swift some decades later, these novels feature Americans using technology to visit and seize control of remote locales, a trait that has led many scholars to view them primarily as protoimperialist narratives. Their legacy, however, is more complicated. As they grew in popularity, such works became as concerned with the preservation of a fraught Anglo-Protestant American identity as they were with spreading that identity across the globe.
 
Many of these novels frequently assert the Bible’s authority as a historical source. Collectively, such stories popularized the notion that technology and travel might essentially “prove” the Bible’s veracity—a message that continues to be deployed in contemporary debates over intelligent design, the teaching of evolution in public schools, and in reality TV shows that seek historical evidence for biblical events. Williams argues that these fictions performed significant cultural work, and he consolidates evidence from the novels themselves, as well as news articles, sermons, and other sources of the era, outlining and mapping the development of technocratic fiction.
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cover of Gems and the New Science: Matter and Value in the Scientific Revolution

Gems and the New Science

Matter and Value in the Scientific Revolution

Michael Bycroft

University of Chicago Press, 2026

The first book-length history of gems in early modern science offers a thought-provoking new take on the Scientific Revolution.
 
In Gems and the New Science, Michael Bycroft argues that gems were connected to major developments in the “new science” between the sixteenth and nineteenth centuries. As he explains, precious and semiprecious stones were at the center of dramatic shifts in natural knowledge in early modern Europe. They were used to investigate luminescence, electricity, combustion, chemical composition, and more. They were collected by naturalists; measured by mathematicians; and rubbed, burned, and dissolved by experimental philosophers. This led to the demise of the traditional way of classifying gems—which grouped them by transparency, color, and locality—and the turn to density, refraction, chemistry, and crystallography as more reliable guides for sorting these substances.
 
The science of gems shows that material evaluation was as important as material production in the history of science. It also shows the value of seeing science as the product of the interaction between different material worlds. The book begins by bringing these insights to bear on five themes of the Scientific Revolution. Each of the subsequent chapters deals with a major episode in early modern science, from the expansion of natural history in the sixteenth century to the emergence of applied science early in the nineteenth century. This important work is not only the first book-length history of the science of gems but also a fresh interpretation of the Scientific Revolution and an argument for using a new form of materialism to understand the evolution of science.
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cover of Gems of Art on Paper: Illustrated American Fiction and Poetry, 1785–1885

Gems of Art on Paper

Illustrated American Fiction and Poetry, 1785–1885

Georgia Brady Barnhill

University of Massachusetts Press, 2021

Winner of the 2022 Ewell L. Newman Book Award from the American Historical Print Collectors Society

In the immediate aftermath of the Revolutionary War, only the wealthiest Americans could afford to enjoy illustrated books and prints. But, by the end of the next century, it was commonplace for publishers to load their books with reproductions of fine art and beautiful new commissions from amateur and professional artists.

Georgia Brady Barnhill, an expert on the visual culture of this period, explains the costs and risks that publishers faced as they brought about the transition from a sparse visual culture to a rich one. Establishing new practices and investing in new technologies to enhance works of fiction and poetry, bookmakers worked closely with skilled draftsmen, engravers, and printers to reach an increasingly literate and discriminating American middle class. Barnhill argues that while scholars have largely overlooked the efforts of early American illustrators, the works of art that they produced impacted readers' understandings of the texts they encountered, and greatly enriched the nation's cultural life.
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cover of Gender Play in Mark Twain: Cross-Dressing and Transgression

Gender Play in Mark Twain

Cross-Dressing and Transgression

Linda A. Morris

University of Missouri Press, 2007

  Huckleberry Finn dressing as a girl is a famously comic scene in Mark Twain’s novel but hardly out of character—for the author, that is. Twain “troubled gender” in much of his otherwise traditional fiction, depicting children whose sexual identities are switched at birth, tomboys, same-sex married couples, and even a male French painter who impersonates his own fictive sister and becomes engaged to another man.

            This book explores Mark Twain’s extensive use of cross-dressing across his career by exposing the substantial cast of characters who masqueraded as members of the opposite sex or who otherwise defied gender expectations. Linda Morris grounds her study in an understanding of the era’s theatrical cross-dressing and changing mores and even events in the Clemens household. She examines and interprets Twain’s exploration of characters who transgress gendered conventions while tracing the degree to which themes of gender disruption interact with other themes, such as his critique of race, his concern with death in his classic “boys’ books,” and his career-long preoccupation with twins and twinning.

Approaching familiar texts in surprising new ways, Morris reexamines the relationship between Huck and Jim; discusses racial and gender crossing in Pudd’nhead Wilson; and sheds new light on Twain’s difficulty in depicting the most famous cross-dresser in history, Joan of Arc. She also considers a number of his later “transvestite tales” that feature transgressive figures such as Hellfire Hotchkiss, who is hampered by her “misplaced sex.”

            Morris challenges views of Twain that see his work as reinforcing traditional notions of gender along sharply divided lines. She shows that Twain depicts cross-dressing sometimes as comic or absurd, other times as darkly tragic—but that even at his most playful, he contests traditional Victorian notions about the fixity of gender roles.

            Analyzing such characteristics of Twain’s fiction as his fascination with details of clothing and the ever-present element of play, Morris shows us his understanding that gender, like race, is a social construction—and above all a performance. Gender Play in Mark Twain: Cross-Dressing and Transgression broadens our understanding of the writer as it lends rich insight into his works.

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cover of Gender and Generation on the Far Western Frontier

Gender and Generation on the Far Western Frontier

Cynthia Culver Prescott

University of Arizona Press, 2007

As her family traveled the Oregon Trail in 1852, Mary Ellen Todd taught herself to crack the ox whip. Though gender roles often blurred on the trail, families quickly tried to re-establish separate roles for men and women once they had staked their claims. For Mary Ellen Todd, who found a “secret joy in having the power to set things moving,” this meant trading in the ox whip for the more feminine butter churn.

In Gender and Generation on the Far Western Frontier, Cynthia Culver Prescott expertly explores the shifting gender roles and ideologies that countless Anglo-American settlers struggled with in Oregon’s Willamette Valley between 1845 and 1900. Drawing on traditional social history sources as well as divorce records, married women’s property records, period photographs, and material culture, Prescott reveals that Oregon settlers pursued a moving target of middle-class identity in the second half of the nineteenth century.

Prescott traces long-term ideological changes, arguing that favorable farming conditions enabled Oregon families to progress from accepting flexible frontier roles to participating in a national consumer culture in only one generation. As settlers’ children came of age, participation in this new culture of consumption and refined leisure became the marker of the middle class. Middle-class culture shifted from the first generation’s emphasis on genteel behavior to a newer genteel consumption.

This absorbing volume reveals the shifting boundaries of traditional women’s spheres, the complicated relationships between fathers and sons, and the second generation’s struggle to balance their parents’ ideology with a changing national sense of class consciousness.
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cover of Gender and the Social Gospel

Gender and the Social Gospel

Edited by Wendy J. Deichmann Edwards and Carolyn De Swarte Gifford

University of Illinois Press, 2003

This collection of essays examines the central, yet often overlooked, role played by women in the formation of the social gospel movement in the late nineteenth and early twentieth centuries.
A practical theological response to the stark realities of poverty and injustice prevalent in turn-of-the-century America, the social gospel movement sought to apply the teachings of Jesus and the message of Christian salvation to society by striving to improve the lives of the impoverished and the disenfranchised. The contributors to this volume set out to broaden our understanding of this radical movement by examining the lives of some of its passionate and vibrant female participants and the ways in which their involvement expanded and enriched the scope of its activity.
In addition to examining the lives of individual women, the essays in Gender and the Social Gospel contain broader analyses of the gender and racial issues that have caused the histories of movements such as the social gospel to be viewed almost exclusively in terms of their male, European-American, intellectual participants at the expense of the women, African Americans, and Canadians whose contributions were just as worthy of attention.
 
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cover of Gendered Justice in the American West: Women Prisoners in Men's Penitentiaries

Gendered Justice in the American West

Women Prisoners in Men's Penitentiaries

Anne M. Butler

University of Illinois Press, 1997

 In this shocking study, Anne M. Butler shows that the distinct gender disadvantages already faced by women within western society erupted into intense physical and mental violence when they became prisoners in male penitentiaries. 
 
Drawing on prison records and the words of the women themselves, Gendered Justice in the American West places the injustices women prisoners endured in the context of the structures of male authority and female powerlessness that pervaded all of American society. Butler's poignant cross-cultural account explores how nineteenth-century criminologists constructed the "criminal woman"; how the women's age, race, class, and gender influenced their court proceedings; and what kinds of violence women inmates encountered. She also examines the prisoners' diet, illnesses, and experiences with pregnancy and child-bearing, as well as their survival strategies.
 
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cover of Gendered Strife and Confusion: The Political Culture of Reconstruction

Gendered Strife and Confusion

The Political Culture of Reconstruction

Laura F. Edwards

University of Illinois Press, 1997

Exploring the gendered dimension of political conflicts, Laura Edwards links transformations in private and public life in the era following the Civil War. Ideas about men's and women's roles within households shaped the ways groups of southerners—elite and poor, whites and blacks, Democrats and Republicans—envisioned the public arena and their own places in it. By using those on the margins to define the center, Edwards demonstrates that Reconstruction was a complicated process of conflict and negotiation that lasted long beyond 1877 and involved all southerners and every aspect of life.
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cover of Gendering Bodies/Performing Art: Dance and Literature in Early Twentieth-Century British Culture

Gendering Bodies/Performing Art

Dance and Literature in Early Twentieth-Century British Culture

Amy Koritz

University of Michigan Press, 1995

Gendering Bodies / Performing Art is the first book that attempts a conceptual integration of dance and literary history in British culture. It attempts to make visible the role of dance in creating, reinforcing, and challenging developments in aesthetic practice and ideology in which both dance and literature participated. Koritz integrates chapters on dance and dancers- from music hall ballet girls of the 1890s to the prestigious season of Diaghilev's Russian Ballet- with discussions on how major literary figures such as Oscar Wilde, W.B. Yeats, George Bernard Shaw, and T.S. Eliot used dance to further their own aesthetic agendas. In doing so, she provides an illuminating analysis of the connections between literature and dance, and explores the ways in which these two arts actively engaged in cultural processes encompassing both. ". . . provocative and stimulating . . . an invaluable addition to the work that is already available on turn-of-century theater/culture. . . ."--Vivien Gardner, Manchester University "Reaching between the poles of popular music hall and the Ballet Russe, Koritz addresses a series of interrelated, mutually informing discourses in which we overhear the language of the literary community in its accolades and in its outcries. Koritz's book will prove useful to a wide variety of readers; many scholars of English literature will undoubtedly use this book to the fullest, turning to it again and again as a contextual primer for performance issues in their field."--Cheryl Herr, University of Iowa Amy Koritz is Co-Director of the Cultural Studies Program and Assistant Professor of English, Tulane University.
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cover of Gendering the Fair: Histories of Women and Gender at World's Fairs

Gendering the Fair

Histories of Women and Gender at World's Fairs

Edited by TJ Boisseau and Abigail M. Markwyn

University of Illinois Press, 2010

This field-defining work opens the study of world's fairs to women's and gender history, exploring the intersections of masculinity, femininity, exoticism, display, and performance at these influential events. As the first global gatherings of mass numbers of attendees, world's fairs and expositions introduced cross-class, multi-racial, and mixed-sex audiences to each other, as well as to cultural concepts and breakthroughs in science and technology. Gendering the Fair focuses on the manipulation of gender ideology as a crucial factor in the world's fairs' incredible power to shape public opinions of nations, government, and culture.
 
Established and rising scholars working in a variety of disciplines and locales discuss how gender played a role in various countries' exhibits and how these nations capitalized on opportunities to revise national and international understandings of womanhood. Spanning several centuries and extending across the globe from Portugal to London and from Chicago to Paris, the essays cover topics including women's work at the fairs; the suffrage movement; the intersection of faith, gender, and patriotism; and the ability of fair organizers to manipulate fairgoers' experience of the fairgrounds as gendered space. The volume includes a foreword by preeminent world's fair historian Robert W. Rydell.
 
Contributors are TJ Boisseau, Anne Clendinning, Lisa K. Langlois, Abigail M. Markwyn, Sarah J. Moore, Isabel Morais, Mary Pepchinski, Elisabeth Israels Perry, Andrea G. Radke-Moss, Alison Rowley, and Anne Wohlcke.
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cover of Genius Belabored: Childbed Fever and the Tragic Life of Ignaz Semmelweis

Genius Belabored

Childbed Fever and the Tragic Life of Ignaz Semmelweis

Theodore G. Obenchain

University of Alabama Press, 2016

The fascinating story of Ignaz Semmelweis, a nineteenth-century obstetrician ostracized for his strident advocacy of disinfection as a way to prevent childbed fever.

In Genius Belabored: Childbed Fever and the Tragic Life of Ignaz Semmelweis, Theodore G. Obenchain traces the life story of a nineteenth-century Hungarian obstetrician who was shunned and marginalized by the medical establishment for advancing a far-sighted but unorthodox solution to the appalling mortality rates that plagued new mothers of the day.

In engrossing detail, Obenchain recreates for readers the sights, smells, and activities within a hospital of that day. In an era before the acceptance of modern germ science, physicians saw little need for cleanliness or hygiene. As a consequence, antiseptic measures were lax and rudimentary. Especially vulnerable to contamination were new mothers, who frequently contracted and died from childbed fever (puerperal fever). Genius Belabored follows Semmelweis’s awakening to the insight that many of these deaths could be avoided with basic antiseptic measures like hand washing.

The medical establishment, intellectually unprepared for Semmelweis’s prescient hypothesis, rejected it for a number of reasons. It was unorthodox and went against the lingering Christian tradition that the dangers of childbirth were inherent to the lives of women. Complicating matters, colleagues did not consider Semmelweis an easy physician to work with. His peers described him as strange and eccentric. Obenchain offers an empathetic and insightful argument that Semmelweis suffered from bipolar disorder and illuminates how his colleagues, however dedicated to empirical science they might have been, misjudged Semmelweis’s methods based upon ignorance and their emotional discomfort with him.

In Genius Belabored, Obenchain identifies Semmelweis’s rightful place in the pantheon of scientists and physicians whose discoveries have saved the lives of millions. Obenchain’s biography of Semmelweis offers unique insights into the practice of medicine and the mindsets of physicians working in the premodern era. This fascinating study offers much of interest to general readers as well as those interested in germ theory, the history of medicine and obstetrics, or anyone wishing to better understand the trajectory of modern medicine.

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cover of Genre of Autobiography in Victorian Literature

Genre of Autobiography in Victorian Literature

Clinton Machann

University of Michigan Press, 1995

Clinton Machann challenges recent popular approaches to the Victorian autobiography that treat the genre ahistorically or as a subgenre of fiction. Machann argues instead for considering these autobiographies interntextually and as a historically defined genre that can profitably be studied as nonfiction and as a referential art. The plots of Victorian autobiographies are highliy variable in terms of developing motifs and tropes. Autobiographers undergo spiritual and mental crises, live out Romantic and biblical myths, follow historical and scientific paradigms and the dynamic patterns of their own ideas. Nevertheless, underlying this diversity are profound structural similarities in plots of self-development and the implied relationships between self and public works and ideas. In the course of discussing eleven Victorian autobiographies in chronological order, Machann suggests many formal and conventional continuities among them. The eleven autobiographies include those of John Stuart Mill, Anthony Trollope, John Ruskin, and Charles Darwin, among other luminaries of the Victorian era. Juxtaposing well-known works with less familiar ones, Machann helps the reader to explore the boundaries of the genre, appreciate stylistic variations, and identify profound structural similarities, all of which result from the larger Victorian culture. This book will be of interest to students of the Victorian era as well as scholars of life-writing and historical constructions of self.
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cover of Genre, Race, and the Production of Subjectivity in German Romanticism

Genre, Race, and the Production of Subjectivity in German Romanticism

Stephanie Galasso

Northwestern University Press, 2024

Exposes German Romanticism’s entanglements of aesthetic philosophy with racialized models of humanity

Late Enlightenment philosophers and writers like Herder, Goethe, and Schiller broke with conventions of form and genre to prioritize an idealized, and racially coded, universality. Newly translated literatures from colonial contexts served as the basis for their evaluations of how to contribute to a distinctly “German” national literary tradition, one that valorized modernity and freedom and thus fortified crucial determinants of modern concepts of whiteness. Through close readings of both canonical and less-studied Romantic texts, Stephanie Galasso examines the intimately entwined histories of racialized subjectivity and aesthetic theory and shows how literary genre is both symptomatic and generative of the cultural violence that underpinned the colonial project.

Poetic expression and its generic conventions continue to exert pressure on the framing and reception of the stories that can be told about interpersonal and structural experiences of oppression. Genre, Race, and the Production of Subjectivity in German Romanticism explores how white subjectivity is guarded by symbolic and material forms of violence. 
 
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cover of Gentile New York: The Images of Non-Jews among Jewish Immigrants

Gentile New York

The Images of Non-Jews among Jewish Immigrants

Ribak, Gil

Rutgers University Press, 2012

The very question of “what do Jews think about the goyim” has fascinated Jews and Gentiles, anti-Semites and philo-Semites alike. Much has been written about immigrant Jews in nineteenth- and twentieth-century New York City, but Gil Ribak’s critical look at the origins of Jewish liberalism in America provides a more complicated and nuanced picture of the Americanization process.

Gentile New York examines these newcomers’ evolving feelings toward non-Jews through four critical decades in the American Jewish experience. Ribak considers how they perceived Gentiles in general as well as such different groups as “Yankees” (a common term for WASPs in many Yiddish sources), Germans, Irish, Italians, Poles, and African Americans. As they discovered the complexity of America’s racial relations, the immigrants found themselves at odds with “white” American values or behavior and were drawn instead into cooperative relationships with other minorities. Sparked with many previously unknown anecdotes, quotations, and events, Ribak’s research relies on an impressive number of memoirs, autobiographies, novels, newspapers, and journals culled from both sides of the Atlantic.
 

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cover of Gentlemen of the Woods: Manhood, Myth, and the American Lumberjack

Gentlemen of the Woods

Manhood, Myth, and the American Lumberjack

Willa Hammitt Brown

University of Minnesota Press, 2025

Lumberjacks: the men, the myth, and the making of an American legend

The folk hero Paul Bunyan, burly, bearded, wielding his big ax, stands astride the story of the upper Midwest—a manly symbol of the labor that cleared the vast north woods for the march of industrialization while somehow also maintaining an aura of pristine nature. This idea, celebrated in popular culture with songs and folktales, receives a long overdue and thoroughly revealing correction in Gentlemen of the Woods, a cultural history of the life and lore of the real lumberjack and his true place in American history.

Now recalled as heroes of wilderness and masculinity, lumberjacks in their own time were despised as amoral transients. Willa Hammitt Brown shows that nineteenth-century jacks defined their communities of itinerant workers by metrics of manhood that were abhorrent to the residents of the nearby Northwoods boomtowns, valuing risk-taking and skill rather than restraint and control. Reviewing songs, stories, and firsthand accounts from loggers, Brown brings to life the activities and experiences of the lumberjacks as they moved from camp to camp. She contrasts this view with the popular image cultivated by retreating lumber companies that had to sell off utterly barren land. This mythologized image glorified the lumberjack and evoked a kindly, flannel-wearing, naturalist hero.

Along with its portrait of lumberjack life and its analysis of the creation of lumberjack myth, Gentlemen of the Woods offers new insight into the intersections of race and social class in the logging enterprise, considering the actual and perceived roles of outsider lumberjacks and Native inhabitants of the northern forests. Anchored in the dual forces of capitalism and colonization, this lively and compulsively readable account offers a new way to understand a myth and history that has long captured our collective imagination.

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cover of Gentlemen on the Prairie: Victorians in Pioneer Iowa

Gentlemen on the Prairie

Victorians in Pioneer Iowa

Harnack, Curtis

University of Iowa Press, 1985

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In the 1880s, the well-connected young Englishman William B. Close and his three brothers, having bought thousands of acres of northwest Iowa prairie, conceived the idea of enticing sons of Britain’s upper classes to pursue the life of the landed gentry on these fertile acres. “Yesterday a wilderness, today an empire”: their bizarre experiment, which created a colony for people “of the better class” who were not in line to inherit land but whose fathers would set them up in farming, flourished in Le Mars, Iowa (and later in Pipestone, Minnesota), with over five hundred youths having a go at farming. In Gentlemen on the Prairie, Curtis Harnack tells the remarkable story of this quite unusual chapter in the settling of the Midwest.    

Many of these immigrants had no interest in American citizenship but enjoyed or endured the challenging adventure of remaining part of the empire while stranded on the plains. They didn’t mix socially with other Le Mars area residents but enjoyed such sports as horse racing, fox hunts, polo, and an annual derby followed by a glittering grand ball. Their pubs were named the House of Lords, the House of Commons, and Windsor Castle; the Prairie Club was a replica of a London gentlemen’s club, an opera house attracted traveling shows, and their principal hotel was Albion House. In St. George’s Episcopal Church, prayers were offered for the well-being of Queen Victoria.

Problems soon surfaced, however, even for these well-heeled aristocrats. The chief problem was farm labor; there was no native population to exploit, and immigrant workers soon bought their own land. Although sisters might visit the colonists and sometimes marry one of them, appropriate female companionship was scarce. The climate was brutal in its extremes, and many colonists soon sold their acres at a profit and moved to countries affiliated with Britain. When the financial depression in the early 1890s lowered land values and made agriculture less profitable, the colony collapsed. Harnack skillfully draws upon the founder’s “Prairie Journal,” company ledgers, and other records to create an engaging, engrossing story of this quixotic pioneering experiment.

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cover of Geographies of Mars: Seeing and Knowing the Red Planet

Geographies of Mars

Seeing and Knowing the Red Planet

K. Maria D. Lane

University of Chicago Press, 2011

A highly original exploration of geography’s spatial dimensions at the beginning of the twentieth century, offering a new view of the mapping of far-off worlds.

One of the first maps of Mars, published by an Italian astronomer in 1877, with its pattern of canals, fueled belief in intelligent life forms on the distant red planet—a hope that continued into the 1960s. Although the Martian canals have long since been dismissed as a famous error in the history of science, K. Maria D. Lane argues that there was nothing accidental about these early interpretations. Indeed, she argues, the construction of Mars as an incomprehensibly complex and engineered world both reflected and challenged dominant geopolitical themes during a time of major cultural, intellectual, political, and economic transition in the Western world.

Geographies of Mars telescopes in on a critical period in the development of the geographical imagination, when European imperialism was at its zenith and American expansionism had begun in earnest. Astronomers working in the new observatories of the American Southwest or in the remote heights of the South American Andes were inspired, Lane finds, by their own physical surroundings and used representations of the Earth’s arid landscapes to establish credibility for their observations of Mars. With this simple shift to the geographer’s point of view, Lane deftly explains some of the most perplexing stances on Mars taken by familiar protagonists such as Percival Lowell, Alfred Russel Wallace, and Lester Frank Ward.

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Geographies of Nineteenth-Century Science

Edited by David N. Livingstone and Charles W. J. Withers

University of Chicago Press, 2011

In Geographies of Nineteenth-Century Science, David N. Livingstone and Charles W. J. Withers gather essays that deftly navigate the spaces of science in this significant period and reveal how each is embedded in wider systems of meaning, authority, and identity. Chapters from a distinguished range of contributors explore the places of creation, the paths of knowledge transmission and reception, and the import of exchange networks at various scales. Studies range from the inspection of the places of London science, which show how different scientific sites operated different moral and epistemic economies, to the scrutiny of the ways in which the museum space of the Smithsonian Institution and the expansive space of the American West produced science and framed geographical understanding. This volume makes clear that the science of this era varied in its constitution and reputation in relation to place and personnel, in its nature by virtue of its different epistemic practices, in its audiences, and in the ways in which it was put to work.

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cover of Geographies of Philological Knowledge: Postcoloniality and the Transatlantic National Epic

Geographies of Philological Knowledge

Postcoloniality and the Transatlantic National Epic

Nadia R. Altschul

University of Chicago Press, 2012

Geographies of Philological Knowledge examines the relationship between medievalism and colonialism in the nineteenth-century Hispanic American context through the striking case of the Creole Andrés Bello (1781–1865), a Venezuelan grammarian, editor, legal scholar, and politician, and his lifelong philological work on the medieval heroic narrative that would later become Spain’s national epic, the Poem of the Cid. Nadia R. Altschul combs Bello’s study of the poem and finds throughout it evidence of a “coloniality of knowledge.”
 
Altschul  reveals how, during the nineteenth century, the framework for philological scholarship established in and for core European nations—France, England, and especially Germany—was exported to Spain and Hispanic America as the proper way of doing medieval studies. She argues that the global designs of European philological scholarship are conspicuous in the domain of disciplinary historiography, especially when examining the local history of a Creole Hispanic American like Bello, who is neither fully European nor fully alien to European culture. Altschul likewise highlights Hispanic America’s intellectual internalization of coloniality and its understanding of itself as an extension of Europe.  
 
A timely example of interdisciplinary history, interconnected history, and transnational study, Geographies of Philological Knowledge breaks with previous nationalist and colonialist histories and thus forges a new path for the future of medieval studies.
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cover of Geography Unbound: French Geographic Science from Cassini to Humboldt

Geography Unbound

French Geographic Science from Cassini to Humboldt

Anne Marie Claire Godlewska

University of Chicago Press, 1999

At the end of the eighteenth century, French geographers faced a crisis. Though they had previously been ranked among the most highly regarded scientists in Europe, they suddenly found themselves directionless and disrespected because they were unable to adapt their descriptive focus easily to the new emphasis on theory and explanation sweeping through other disciplines.

Anne Godlewska examines this crisis, the often conservative reactions of geographers to it, and the work of researchers at the margins of the field who helped chart its future course. She tells her story partly through the lives and careers of individuals, from the deposed cabinet geographer Cassini IV to Volney, von Humboldt, and Letronne (innovators in human, physical, and historical geography), and partly through the institutions with which they were associated such as the Encyclopédie and the Jesuit and military colleges.

Geography Unbound presents an insightful portrait of a crucial period in the development of modern geography, whose unstable disciplinary status is still very much an issue today.
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cover of George Dixon: The Short Life of Boxing's First Black World Champion, 1870–1908

George Dixon

The Short Life of Boxing's First Black World Champion, 1870–1908

Jason Winders

University of Arkansas Press, 2021

Winner, 2022 NASSH Book Award (Monograph)

On September 6, 1892, a diminutive Black prizefighter brutally dispatched an overmatched white hope in the New Orleans Carnival of Champions boxing tournament. That victory sparked celebrations across Black communities nationwide but fostered unease among sporting fans and officials, delaying public acceptance of mixed-race fighting for half a century. This turn echoed the nation’s disintegrating relations between whites and Blacks and foreshadowed America’s embrace of racial segregation.

In this work of sporting and social history we have a biography of Canadian-born, Boston-raised boxer George Dixon (1870–1908), the first Black world champion of any sport and the first Black world boxing champion in any division. George Dixon: The Short Life of Boxing’s First Black World Champion, 1870–1908 chronicles the life of the most consequential Black athlete of the nineteenth century and details for the first time his Carnival appearance, perhaps the most significant bout involving a Black fighter until Jack Johnson began his reign in 1908. Yet despite his triumphs, Dixon has been lost to history, overshadowed by Black athletes whose activism against white supremacy far exceeded his own.

George Dixon reveals the story of a man trapped between the white world he served and the Black world that worshipped him. By ceding control to a manipulative white promoter, Dixon was steered through the white power structure of Gilded Age prizefighting, becoming world famous and one of North America’s richest Black men. Unable to hold on to his wealth, however, and battered by his vices, a depleted Dixon was abandoned by his white supporters just as the rising tide of Jim Crow limited both his prospects and the freedom of Blacks nationwide.

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George Eliot in Society

Travels Abroad and Sundays at the Priory

Kathleen McCormack

The Ohio State University Press, 2013

Sundays at the Priory, the salons that George Eliot and George Henry Lewes conducted throughout the winter seasons during their later years in the 1870s, have generally earned descriptions as at once scandalous and dull, with few women in attendance, and guests approaching the Sibyl one by one to express their almost pious devotion. But both the guest lists of the salons—which include significant numbers of women, a substantial gay and lesbian contingent, and a group of singers who performed repeatedly—together with the couple’s frequent travels to European spas, where they encountered many of the guests likely to visit the Priory, revise the conclusion that George Eliot lived her entire life as an ostracized recluse. Instead, newly mined sources reveal George Eliot as a member of a large and elite, if slightly Bohemian, international social circle in which she moved as a literary celebrity and through which she stimulated her creative imagination as she composed her later poetry and fiction.
 
George Eliot in Society: Travels Abroad and Sundays at the Priory by Kathleen McCormack draws attention to the survival of the literary/musical/artistic salon in the Victorian era, at a time in which social interactions coexisted with rising tensions that would soon obliterate the European spa/salon culture in which the Leweses participated, both as they traveled abroad and at Sundays at the Priory.
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George Eliot’s Serial Fiction

Carol A. Martin

The Ohio State University Press, 1994

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George Inness and the Science of Landscape

Rachael Ziady DeLue

University of Chicago Press, 2005

George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen."

Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right.

This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.
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Germaine De Staël, George Sand, and the Victorian Woman Artist

Linda M. Lewis

University of Missouri Press, 2003

By examining literary portraits of the woman as artist, Linda M. Lewis traces the matrilineal inheritance of four Victorian novelists and poets: George Eliot, Elizabeth Barrett Browning, Geraldine Jewsbury, and Mrs. Humphry Ward. She argues that while the male Romantic artist saw himself as god and hero, the woman of genius lacked a guiding myth until Germaine de Staël and George Sand created one. The protagonists of Staël’s Corinne and Sand’s Consuelo combine attributes of the goddess Athena, the Virgin Mary, Virgil’s Sibyl, and Dante’s Beatrice. Lewis illustrates how the resulting Corinne/Consuelo effect is exhibited in scores of English artist-as-heroine narratives, particularly in the works of these four prominent writers who most consciously and elaborately allude to the French literary matriarchs.
            In her initial chapter, Lewis explains Corinne’s gift as “l’enthousiasme” and Consuelo’s as “la flamme sacrée.” Corinne uses her influence as a political Sibyl to enter the debates of the Napoleonic era; Consuelo employs her sacred fire as a divine Sophia to indict injustice throughout Europe. Subsequent chapters examine the public and private voices of the Sibyls and Sophias of Victorian fiction, as well as the degree to which their gift demands service to art, to God, and to humankind. The closing chapter studies the waning influence of Staël and Sand in the fin-de-siècle “New Woman” novel.
The core of Lewis’s book is its treatment of the Victorian author and her feminine aesthetics. In each chapter Lewis uncovers the references to Corinne and Consuelo—subtle or overt, serious or facetious—and reveals the resulting tension when an artist invokes a foremother but avoids merging with the mother whom she emulates. The methodology of this bookincludes myth criticism, feminist commentary, and psychoanalytic theory, but its strength lies in Lewis’s close reading of the intertextuality of ten literary works.
Exploring a connection between French and English literature and providing fresh insight, Germaine de Staël, George Sand, and the Victorian Woman Artist makes a major contribution to our understanding of nineteenth-century feminism.
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cover of German Americans on the Middle Border: From Antislavery to Reconciliation, 1830–1877

German Americans on the Middle Border

From Antislavery to Reconciliation, 1830–1877

Zachary Stuart Garrison

Southern Illinois University Press, 2020

Before the Civil War, Northern, Southern, and Western political cultures crashed together on the middle border, where the Ohio, Mississippi, and Missouri Rivers meet. German Americans who settled in the region took an antislavery stance, asserting a liberal nationalist philosophy rooted in their revolutionary experience in Europe that emphasized individual rights and freedoms. By contextualizing German Americans in their European past and exploring their ideological formation in failed nationalist revolutions, Zachary Stuart Garrison adds nuance and complexity to their story.

Liberal German immigrants, having escaped the European aristocracy who undermined their revolution and the formation of a free nation, viewed slaveholders as a specter of European feudalism. During the antebellum years, many liberal German Americans feared slavery would inhibit westward progress, and so they embraced the Free Soil and Free Labor movements and the new Republican Party. Most joined the Union ranks during the Civil War.
After the war, in a region largely opposed to black citizenship and Radical Republican rule, German Americans were seen as dangerous outsiders. Facing a conservative resurgence, liberal German Republicans employed the same line of reasoning they had once used to justify emancipation: A united nation required the end of both federal occupation in the South and special protections for African Americans. Having played a role in securing the Union, Germans largely abandoned the freedmen and freedwomen. They adopted reconciliation in order to secure their place in the reunified nation. Garrison’s unique transnational perspective to the sectional crisis, the Civil War, and the postwar era complicates our understanding of German Americans on the middle border.
 
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German Liberalism in the Nineteenth Century

James J. Sheehan

University of Chicago Press, 1978

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cover of German Settlement in Missouri: New Land, Old Ways

German Settlement in Missouri

New Land, Old Ways

Robyn Burnett & Ken Luebbering

University of Missouri Press, 1996

German immigrants came to America for two main reasons: to seek opportunities in the New World, and to avoid political and economic problems in Europe. In German Settlement in Missouri, Robyn Burnett and Ken Luebbering demonstrate the crucial role that the German immigrants and their descendants played in the settlement and development of Missouri's architectural, political, religious, economic, and social landscape. Relying heavily on unpublished memoirs, letters, diaries, and official records, the authors provide important new narratives and firsthand commentary from the immigrants themselves.

Between 1800 and 1919, more than 7 million people came to the United States from German-speaking lands. The German immigrants established towns as they moved up the Missouri River into the frontier, resuming their traditional ways as they settled. As a result, the culture of the frontier changed dramatically. The Germans farmed differently from their American neighbors. They started vineyards and wineries, published German-language newspapers, and entered Missouri politics.

The decades following the Civil War brought the golden age of German culture in the state. The populations of many small towns were entirely German, and traditions from the homeland thrived. German-language schools, publications, and church services were common. As the German businesses in St. Louis and other towns flourished, the immigrants and their descendants prospered. The loyalty of the Missouri Germans was tested in World War I, and the anti-immigrant sentiment during the war and the period of prohibition after it dealt serious blows to their culture. However, German traditions had already found their way into mainstream American life.

Informative and clearly written, German Settlement in Missouri will be of interest to all readers, especially those interested in ethnic history.

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German Women for Empire, 1884-1945

Lora Wildenthal

Duke University Press, 2001

When Germany annexed colonies in Africa and the Pacific beginning in the 1880s, many German women were enthusiastic. At the same time, however, they found themselves excluded from what they saw as a great nationalistic endeavor. In German Women for Empire, 1884–1945 Lora Wildenthal untangles the varied strands of racism, feminism, and nationalism that thread through German women’s efforts to participate in this episode of overseas colonization.

In confrontation and sometimes cooperation with men over their place in the colonial project, German women launched nationalist and colonialist campaigns for increased settlement and new state policies. Wildenthal analyzes recently accessible Colonial Office archives as well as mission society records, periodicals, women’s memoirs, and fiction to show how these women created niches for themselves in the colonies. They emphasized their unique importance for white racial “purity” and the inculcation of German culture in the family. While pressing for career opportunities for themselves, these women also campaigned against interracial marriage and circulated an image of African and Pacific women as sexually promiscuous and inferior. As Wildenthal discusses, the German colonial imaginary persisted even after the German colonial empire was no longer a reality. The women’s colonial movement continued into the Nazi era, combining with other movements to help turn the racialist thought of the late-nineteenth and early-twentieth centuries into the hierarchical evaluation of German citizens as well as colonial subjects.

Students and scholars of women’s history, modern German history, colonial politics and culture, postcolonial theory, race/ethnicity, and gender will welcome this groundbreaking study.
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cover of Germans and Texans: Commerce, Migration, and Culture in the Days of the Lone Star Republic

Germans and Texans

Commerce, Migration, and Culture in the Days of the Lone Star Republic

By Walter Struve

University of Texas Press, 1996

During the brief history of the Republic of Texas (1836-1845), over 10,000 Germans emigrated to Texas. Perhaps best remembered today are the farmers who settled the Texas Hill Country, yet many of the German immigrants were merchants and businesspeople who helped make Galveston a thriving international port and Houston an early Texas business center. This book tells their story.

Drawing on extensive research on both sides of the Atlantic, Walter Struve explores the conditions that led nineteenth-century Europeans to establish themselves on the North American frontier. In particular, he traces the similarity in social, economic, and cultural conditions in Germany and the Republic of Texas and shows how these similarities encouraged German emigration and allowed some immigrants to prosper in their new home. Particularly interesting is the translation of a collection of letters from Charles Giesecke to his brother in Germany which provide insight into the business and familial concerns of a German merchant and farmer.

This wealth of information illuminates previously neglected aspects of intercontinental migration in the nineteenth century. The book will be important reading for a wide public and scholarly audience.

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Germans in Illinois

Miranda E. Wilkerson and Heather Richmond

Southern Illinois University Press, 2019

This engaging history of one of the largest ethnic groups in Illinois explores the influence and experiences of German immigrants and their descendants from their arrival in the middle of the nineteenth century to their heritage identity today. Coauthors Miranda E. Wilkerson and Heather Richmond examine the primary reasons that Germans came to Illinois and describe how they adapted to life and distinguished themselves through a variety of occupations and community roles.
 
The promise of cheap land and fertile soil in rural areas and emerging industries in cities attracted three major waves of German-speaking immigrants to Illinois in search of freedom and economic opportunities. Before long the state was dotted with German churches, schools, cultural institutions, and place names. German churches served not only as meeting places but also as a means of keeping language and culture alive. Names of Illinois cities and towns of German origin include New Baden, Darmstadt, Bismarck, and Hamburg. In Chicago, many streets, parks, and buildings bear German names, including Altgeld Street, Germania Place, Humboldt Park, and Goethe Elementary School. Some of the most lively and ubiquitous organizations, such as Sängerbunde, or singer societies, and the Turnverein, or Turner Society, also preserved a bit of the Fatherland.
 
Exploring the complex and ever-evolving German American identity in the growing diversity of Illinois’s linguistic and ethnic landscape, this book contextualizes their experiences and corrects widely held assumptions about assimilation and cultural identity. Federal census data, photographs, lively biographical sketches, and newly created maps bring the complex story of German immigration to life. The generously illustrated volume also features detailed notes, suggestions for further reading, and an annotated list of books, journal articles, and other sources of information.
 
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cover of Germany's Wild East: Constructing Poland as Colonial Space

Germany's Wild East

Constructing Poland as Colonial Space

Kristin Kopp

University of Michigan Press, 2012

In the 19th and early 20th centuries, representations of Poland and the Slavic East cast the region as a primitive, undeveloped, or empty space inhabited by a population destined to remain uncivilized without the aid of external intervention. These depictions often made direct reference to the American Wild West, portraying the eastern steppes as a boundless plain that needed to be wrested from the hands of unruly natives and spatially ordered into German-administrated units.

While conventional definitions locate colonial space overseas, Kristin Kopp argues that it was possible to understand both distant continents and adjacent Eastern Europe as parts of the same global periphery dependent upon Western European civilizing efforts. However, proximity to the source of aid translated to greater benefits for Eastern Europe than for more distant regions.

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cover of Ghostly Communion: Cross-Cultural Spiritualism in Nineteenth-Century American Literature

Ghostly Communion

Cross-Cultural Spiritualism in Nineteenth-Century American Literature

John J. Kucich

Dartmouth College Press, 2015

In this exceptional book, Kucich reveals through his readings of literary and historical accounts that spiritualism helped shape the terms by which Native American, European, and African cultures interacted in America from the earliest days of contact through the present. Beginning his study with a provocative juxtaposition of the Pueblo Indian Revolt and the Salem Witchcraft trials of the seventeenth century, Kucich examin[e]s how both events forged “contact zones”— spaces of intense cultural conflict and negotiation—mediated by spiritualism. Kucich goes on to chronicle how a diverse group of writers used spiritualism to reshape a range of such contact zones. These include Rochester, New York, where Harriet Jacobs adapted the spirit rappings of the Fox Sisters and the abolitionist writings of Frederick Douglass as she crafted her own story of escape from slavery; mid-century periodicals from the Atlantic Monthly to the Cherokee Advocate to the Anglo-African Magazine; post-bellum representations of the afterlife by Elizabeth Stuart Phelps, Mark Twain and the Native Americans who developed the Ghost Dance; turn-of-the-century local color fiction by writers like Sarah Orne Jewett, Charles Chesnutt and Maria Cristina Mena; and the New England reformist circles traced in Henry James’s The Bostonians and Pauline Hopkins’s Of One Blood. Kucich’s conclusion looks briefly at New Age spiritualism, then considers the implications of a cross-cultural scholarship that draws on a variety of critical methodologies, from border and ethnic studies to feminism to post-colonialism and the public sphere. The implications of this study, which brings well-known, canonical writers and lesser-known writers into conversation with one another, are broadly relevant to the resurgent interest in religious studies and American cultural studies in general.
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cover of Ghostly Past, Capitalist Presence: A Social History of Fear in Colonial Bengal

Ghostly Past, Capitalist Presence

A Social History of Fear in Colonial Bengal

Tithi Bhattacharya

Duke University Press, 2024

In Ghostly Past, Capitalist Presence, Tithi Bhattacharya maps the role that Bengali ghosts and ghost stories played in constituting the modern Indian nation, and the religious ideas seeded therein, as it emerged in dialogue with European science. Bhattacharya introduces readers to the multifarious habits and personalities of Bengal’s traditional ghosts and investigates and mourns their eventual extermination. For Bhattacharya, British colonization marked a transition from the older, multifaith folk world of traditional ghosts to newer and more frightening specters. These "modern" Bengali ghosts, borne out of a new rationality, were homogeneous specters amenable to "scientific" speculation and invoked at séance sessions in elite drawing rooms. Reading literature alongside the colonial archive, Bhattacharya uncovers a new reordering of science and faith from the middle of the nineteenth century. She argues that these shifts cemented the authority of a rising upper-caste colonial elite who expelled the older ghosts in order to recast Hinduism as the conscience of the Indian nation. In so doing, Bhattacharya reveals how capitalism necessarily reshaped Bengal as part of the global colonial project.
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cover of Giant in the Shadows: The Life of Robert T. Lincoln

Giant in the Shadows

The Life of Robert T. Lincoln

Jason Emerson

Southern Illinois University Press, 2012

University Press Books for Public and Secondary Schools, 2013 edition

Book of the Year by the Illinois State historical Society, 2013

Although he was Abraham and Mary Lincoln’s oldest and last surviving son, the details of Robert T. Lincoln’s life are misunderstood by some and unknown to many others. Nearly half a century after the last biography about Abraham Lincoln’s son was published, historian and author Jason Emerson illuminates the life of this remarkable man and his achievements in Giant in the Shadows: The Life of Robert T. Lincoln. Emerson, after nearly ten years of research, draws upon previously unavailable materials to offer the first truly definitive biography of the famous lawyer, businessman, and statesman who, much more than merely the son of America’s most famous president, made his own indelible mark on one of the most progressive and dynamic eras in United States history.

Born in a boardinghouse but passing his last days at ease on a lavish country estate, Robert Lincoln played many roles during his lifetime. As a president’s son, a Union soldier, an ambassador to Great Britain, and a U.S. secretary of war, Lincoln was indisputably a titan of his age. Much like his father, he became one of the nation’s most respected and influential men, building a successful law practice in the city of Chicago, serving shrewdly as president of the Pullman Car Company, and at one time even being considered as a candidate for the U.S. presidency.

Along the way he bore witness to some of the most dramatic moments in America’s history, including Robert E. Lee’s surrender at Appomattox Courthouse; the advent of the railroad, telephone, electrical, and automobile industries; the circumstances surrounding the assassinations of three presidents of the United States; and the momentous presidential election of 1912. Giant in the Shadows also reveals Robert T. Lincoln’s complex relationships with his famous parents and includes previously unpublished insights into their personalities. Emerson reveals new details about Robert’s role as his father’s confidant during the brutal years of the Civil War and his reaction to his father’s murder; his prosecution of the thieves who attempted to steal his father’s body in 1876 and the extraordinary measures he took to ensure it would never happen again; as well as details about the painful decision to have his mother committed to a mental facility. In addition Emerson explores the relationship between Robert and his children, and exposes the actual story of his stewardship of the Lincoln legacy—including what he and his wife really destroyed and what was preserved. Emerson also delves into the true reason Robert is not buried in the Lincoln tomb in Springfield but instead was interred at Arlington National Cemetery.

Meticulously researched, full of never-before-seen photographs and new insight into historical events, Giant in the Shadows is the missing chapter of the Lincoln family story. Emerson’s riveting work is more than simply a biography; it is a tale of American achievement in the Gilded Age and the endurance of the Lincoln legacy.
 

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cover of Gibbons v. Ogden, Law, and Society in the Early Republic

Gibbons v. Ogden, Law, and Society in the Early Republic

Thomas H. Cox

Ohio University Press, 2009

Gibbons v. Ogden, Law, and Society in the Early Republic examines a landmark decision in American jurisprudence, the first Supreme Court case to deal with the thorny legal issue of interstate commerce.

Decided in 1824, Gibbons v. Ogden arose out of litigation between owners of rival steamboat lines over passenger and freight routes between the neighboring states of New York and New Jersey. But what began as a local dispute over the right to ferry the paying public from the New Jersey shore to New York City soon found its way into John Marshall’s court and constitutional history. The case is consistently ranked as one of the twenty most significant Supreme Court decisions and is still taught in constitutional law courses, cited in state and federal cases, and quoted in articles on constitutional, business, and technological history.

Gibbons v. Ogden initially attracted enormous public attention because it involved the development of a new and sensational form of technology. To early Americans, steamboats were floating symbols of progress—cheaper and quicker transportation that could bring goods to market and refinement to the backcountry. A product of the rough-and-tumble world of nascent capitalism and legal innovation, the case became a landmark decision that established the supremacy of federal regulation of interstate trade, curtailed states’ rights, and promoted a national market economy. The case has been invoked by prohibitionists, New Dealers, civil rights activists, and social conservatives alike in debates over federal regulation of issues ranging from labor standards to gun control. This lively study fills in the social and political context in which the case was decided—the colorful and fascinating personalities, the entrepreneurial spirit of the early republic, and the technological breakthroughs that brought modernity to the masses.

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cover of Gifts of Power: The Writings of Rebecca Jackson, Black Visionary, Shaker Eldress

Gifts of Power

The Writings of Rebecca Jackson, Black Visionary, Shaker Eldress

Jean M. Humez

University of Massachusetts Press, 1981

A free black woman in antebellum America, Rebecca Cox Jackson (1795–1871) was an independent itinerant preacher and religious visionary who founded a Shaker community in Philadelphia that survived her death by twenty-five years. Gifts of Power contains her complete extant writings, covering the period 1830 to 1864.

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cover of Gilbert and Gubar's The Madwoman in the Attic after Thirty Years

Gilbert and Gubar's The Madwoman in the Attic after Thirty Years

Edited by Annette R. Federico, Foreward by Sandra M. Gilbert

University of Missouri Press, 2011

When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia.

These contributions represent both the diversity of today’s feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work.

The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman’s impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book’s suppressed foremothers.
In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women’s writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.
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cover of Girls Who Went Wrong: Prostitutes in American Fiction, 1885–1917

Girls Who Went Wrong

Prostitutes in American Fiction, 1885–1917

Laura Hapke

University of Wisconsin Press, 1989

The period 1885 to 1917 saw thousands of American crusaders working hard to “save the fallen women,” but little on the part of American social protest writers. In this first work on the subject, Laura Hapke examines how writers attempted to turn an outcast into a heroine in a literature otherwise known for its puritanical attitude toward the fallen woman. She focuses on how these authors (all male) expressed late-Victorian conflicts about female sexuality. If, as they all maintained, women have an innate preference for chastity, how could they account for the prostitute? Was she a sinner, suggesting the potential waywardness of all women? Or, if she was a victim, what of her “depravity”?
 

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cover of Glancing Visions: Surface and Depth in Nineteenth-Century American Literature

Glancing Visions

Surface and Depth in Nineteenth-Century American Literature

Zachary Tavlin

University of Alabama Press, 2023

How the “glance” rather than the “gaze” in nineteenth-century literature and art anticipates the turn to modernism

The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson River School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild, alleviating fears of a savage frontier through views that subdue the landscape to the eye. But many literary figures of the era display a purposeful disdain for the “possessive gaze,” signaling a preference for subtle glances, often informed by early photography, Impressionism, new techniques in portraiture, and, soon after, the dawn of cinema. The visual subjectivities and contingencies introduced by these media made room for a visual counternarrative, one informed by a mode of seeing that moves fast and lightly across the surface of things.

Tavlin probes Nathaniel Hawthorne’s theory of the imagination at a turning point in the history of photography, when momentary glances take on new narrative potentials. The poetry of Frances Ellen Watkins Harper toggles between gazes and glances, unsettling two competing forms of racialized seeing as they pertain to nineteenth-century Black life and racial hierarchies—the sentimental gaze and the slave trader’s glance—highlighting the life-and-death stakes of looking and looking away. Emily Dickinson’s syntactical oddities and her lifelong process of stitching and unstitching the poems that constitute her corpus all derive from a commitment to immanence associated with animal perception. Tavlin investigates, as well, Henry James’s vexed relationship to painterly Impressionism and William Carlos Williams’s imagist poetics as a response to early cinema’s use of the cut as the basis for a new visual grammar.

Each of these literary artists—via their own distinctive sensibilities and the artistic or technological counterparts that informed them—refuse the authoritative, all-possessive gaze in favor of the glance, a mode of seeing, thinking, and being that made way for the twentieth century’s twist on modernity. Glancing Visions will be of interest to scholars and teachers of American literature and literary history, visual culture, visual theory, aesthetic philosophy, and phenomenology.
 

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cover of Gleanings of Freedom: Free and Slave Labor along the Mason-Dixon Line, 1790-1860

Gleanings of Freedom

Free and Slave Labor along the Mason-Dixon Line, 1790-1860

Max Grivno

University of Illinois Press, 2014

Late eighteenth- and early nineteenth-century landowners in the hinterlands of Baltimore, Maryland, cobbled together workforces from a diverse labor population of black and white apprentices, indentured servants, slaves, and hired workers. This book examines the intertwined lives of the poor whites, slaves, and free blacks who lived and worked in this wheat-producing region along the Mason–Dixon Line. Drawing from court records, the diaries, letters, and ledgers of farmers and small planters, and other archival sources, Max Grivno reconstructs how these poorest of southerners eked out their livings and struggled to maintain their families and their freedom in the often unforgiving rural economy.
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cover of Global Trade and Visual Arts in Federal New England

Global Trade and Visual Arts in Federal New England

Patricia Johnston

University of New Hampshire Press, 2014

A highly original and much-needed collection that explores the impact of Asian and Indian Ocean trade on the art and aesthetic sensibilities of New England port towns in the late eighteenth and early nineteenth centuries. This diverse, interdisciplinary volume adds to our understanding of visual representations of economic and cultural changes in New England as the region emerged as a global trading center, entering the highly prized East Indies trades. Examining a wide variety of commodities and forms including ceramics, textiles, engravings, paintings, architecture, and gardens, the contributors highlight New Englanders’ imperial ambitions in a wider world.

This book will appeal to a broad audience of historians and students of American visual art, as well as scholars and students of fine and decorative arts.

Hardcover is un-jacketed.
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cover of Globalizing Race: Antisemitism and Empire in French and European Culture

Globalizing Race

Antisemitism and Empire in French and European Culture

Dorian Bell

Northwestern University Press, 2018

Globalizing Race explores how intersections between French antisemitism and imperialism shaped the development of European racial thought. Ranging from the African misadventures of the antisemitic Marquis de Morès to the Parisian novels and newspapers of late nineteenth-century professional antisemites, Dorian Bell argues that France’s colonial expansion helped antisemitism take its modern, racializing form—and that, conversely, antisemitism influenced the elaboration of the imperial project itself.

Globalizing Race radiates from France to place authors like Guy de Maupassant and Émile Zola into sustained relation with thinkers from across the ideological spectrum, including Hannah Arendt, Friedrich Nietzsche, Frantz Fanon, Karl Marx, Max Horkheimer, and Theodor Adorno. Engaging with what has been called the “spatial turn” in social theory, the book offers new tools for thinking about how racisms interact across space and time. Among these is what Bell calls racial scalarity. Race, Bell argues, did not just become globalized when European racism and antisemitism accompanied imperial penetration into the farthest reaches of the world. Rather, race became most thoroughly global as a method for constructing and negotiating the different scales (national, global, etc.) necessary for the development of imperial capitalism.

As France, Europe, and the world confront a rising tide of Islamophobia, Globalizing Race also brings into fascinating focus how present-day French responses to Muslim antisemitism hark back to older, problematic modes of representing the European colonial periphery.

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cover of Globalizing the Lower Rio Grande: European Entrepreneurs in the Borderlands, 1749-1881

Globalizing the Lower Rio Grande

European Entrepreneurs in the Borderlands, 1749-1881

Kyle Carpenter

University of North Texas Press, 2024

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