Results by title

George Washington Carver (1864-1943), best known for his work as a scientist and a botanist, was an anomaly in his own time—a black man praised by white America.

This selection of his letters and other writings reveals both the human side of Carver and the forces that shaped his creative genius. They show us a Carver who was both manipulated and manipulative who had inner tensions and anxieties. But perhaps more than anything else, these letters allow us to see Carver's deep love for his fellow man, whether manifested in his efforts to treat polio victims in the 1930s or in his incredibly intense and emotionally charged friendships that lasted a lifetime.

The editor has furnished commentary between letters to set them in context.

George Washington Carver (1864-1943) is best known for developing new uses for agricultural crops and teaching methods of soil improvement to southern farmers. This annotated selection of his letters and other writings from the collections at the Tuskegee Institute and the George Washington Carver National Monument in Diamond, Missouri, reveals the forces that shaped his creative genius—including the influence of persistent racism. His letters also show us Carver’s deep love for his fellow man, whether manifested in his efforts to treat polio victims in the 1930s or in his emotionally charged friendships that lasted a lifetime.
 
With a new chapter on the oral history interviews Dr. Kremer conducted (several years after publication of the first edition) with people who knew Carver personally, and the addition of newly uncovered documents and a bank of impressive photographs of Carver and some of his friends, this second edition of our classic title commemorates the 75th anniversary of Carver’s death on January 5, 2018.
 

This collection of letters bears witness to the Civil War of the common soldiers and junior officers of the Army of Tennessee. Brothers Alex and Tom Spence described to their family in detail not only the many battles in which they served, but the hardship of campaigning (they marched literally thousands of miles), the pride of serving in battle-proven units, and the pain of losing comrades to bullets and disease. The Spences were a wealthy family who owned land, slaves, and the main hotel in Arkadelphia, Arkansas. With their successful careers and extensive property, they were among Clark County's most prominent families when the shadow of secession fell across Arkansas. Four years later, Arkansas would be ravaged by war, and Tom and Alex Spence would lie in soldiers' graves, far from home. Mark Christ has assembled their powerful letters from a collection in the Old State House Museum, weaving in other letters from their extended family and friends, brief but thorough introductions to each chapter, and evocative photographs. The story moves chronologically from the outset of war to the final letter from Alex's grieving fiancée.

Denton Welch (1915–48) died at the age of thirty-three after a brief but brilliant career as a writer and painter. The revealing, poignant, impressionistic voice that buoys his novels was much praised by critics and literati in England and has since inspired creative artists from William S. Burroughs to John Waters. His achievements were all the more remarkable because he suffered from debilitating spinal and pelvic injuries incurred in a bicycle accident at age eighteen.

Though German bombs were ravaging Britain, Welch wrote in his published work about the idyllic landscapes and local people he observed in Kent. There, in 1943, he met and fell in love with Eric Oliver, a handsome, intelligent, but rather insecure "landboy"—an agricultural worker with the wartime Land Army. Oliver would become a companion, comrade, lover, and caretaker during the last six years of Welch's life. All fifty-one letters that Welch wrote to Oliver are collected and annotated here for the first time. They offer a historical record of life amidst the hardship, deprivation, and fear of World War II, and also are a timeless testament of one young man's tender and intimate emotions, his immense courage in adversity, and his continual struggle for love and creative existence.

For two and a half years (1937-1939), Captain John Seymour Letcher commanded a company of the U.S. Embassy Marine Guard in Peking. During that time, he wrote a series of letters to his parents in Virginia describing the life of a Westerner in the former imperial city. During that same time, China was invaded by Japan.

Captain Letcher describes the flavor of life in pre-Communist China — the food, servants, cold Peking winters and torrid summers, hunting, and excursions to the major tourist sites.

But his letters also tell of the Japanese slaughter of Chinese troops in the opening days of the Sino-Japanese War. He wrote about life in a city under Japanese occupation and the stirring story of the Chinese guerrillas rebounding from devastating defeat.

These letters and accompanying introduction, preface, and notes, draw attention to the Western experience in a place and time largely overlooked by military historians and modern China specialists.

Grenville Goodwin was one of the leading field anthropologists during a crucial period in American Indian research—the 1930s. His letters from the field provide original source material on Western Apache beliefs and customs. They also reveal the attitudes and methods which made him so effective in his work. A dedicated and thorough ethnographer, Goodwin became familiar with every aspect of Western Apache culture.

During this same period, Morris Opler was studying the Chiricahua and Mescalero Apache in New Mexico. In order to exchange information about their studies, Goodwin and Opler began corresponding. Both men were convinced that a long-overdue, systematic comparison of Apachean cultures would yield significant results.

Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting.

This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies.

The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf.

"Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement