279 books match the query 'Film & Video' and 13 start with g

cover of Gay Men at the Movies: Cinema, Memory and the History of a Gay Male Community

Gay Men at the Movies

Cinema, Memory and the History of a Gay Male Community

Scott McKinnon

Intellect Books, 2016

Cinema has long played a major role in the formation of community among marginalized groups, and this book details that process for gay men in Sydney, Australia from the 1950s to the present. Scott McKinnon builds the book from a variety of sources, including film reviews, media reports, personal memoirs, oral histories, and a striking range of films, all deployed to answer the question of understanding cinema-going as a moment of connection to community and identity—how the experience of seeing these films and being part of an audience helped to build a community among the gay men of Sydney in the period.
 
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cover of George Cukor: A Double Life

George Cukor

A Double Life

Patrick McGilligan

University of Minnesota Press, 2013


One of the highest-paid studio contract directors of his time, George Cukor was nominated five times for an Academy Award as Best Director. In publicity and mystique he was dubbed the “women’s director” for guiding the most sensitive leading ladies to immortal performances, including Greta Garbo, Ingrid Bergman, Judy Garland, and—in ten films, among them The Philadelphia Story and Adam’s Rib—his lifelong friend and collaborator Katharine Hepburn. But behind the “women’s director” label lurked the open secret that set Cukor apart from a generally macho fraternity of directors: he was a homosexual, a rarity among the top echelon. Patrick McGilligan’s biography reveals how Cukor persevered within a system fraught with bigotry while becoming one of Hollywood’s consummate filmmakers.

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cover of Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

Girls Will Be Boys

Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

Horak, Laura

Rutgers University Press, 2016

2016 Choice Outstanding Academic Title
Finalist for 2016 Richard Wall Memorial Award from the Theatre Library Association
Long-listed for the 2017 Best Photography Book Award from the Kraszna-Krausz Foundation​


Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men.
 
Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity.
 
Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes.   
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cover of Global Cinema Networks

Global Cinema Networks

Gorfinkel, Elena

Rutgers University Press, 2018

Global Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contributors excavate sites of global filmmaking in an era of digital reproduction and amidst new modes of circulation and aesthetic convergence, focusing primarily on recent films made across Europe, Africa, Latin America, Asia, and the Middle East. Moving beyond the digital as a harbinger of transformation, the volume offers new ways of thinking about cinema networks in a historical continuum, from “international” to “world” to “transnational” to “global” frames.  
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cover of Global Storytelling, vol. 2, no. 2: Journal of Digital and Moving Images

Global Storytelling, vol. 2, no. 2

Journal of Digital and Moving Images

Special Issue Editors: Kenneth Paul Tan & Dorothy Lau

Michigan Publishing Services, 2022

In This Issue

Special Issue Editors: Kenneth Paul Tan & Dorothy Lau

Letter from the Editor - YING ZHU

Cold War and New Cold War Narratives: Special Issue Editor’s Introduction - KENNETH PAUL TAN

Research Articles

Notes on Cold War Historiography - LOUIS MENAND

Tales from the Hot Cold War - MARTHA BAYLES

Bomb Archive: The Marshall Islands as Cold War Film Set - ILONA JURKONYTĖ

Das unsichtbare Visier—A 1970s Cold War Intelligence TV Series as a Fantasy of International and Intranational Empowerment; or, How East Germany Saved the World and West Germans Too - TARIK CYRIL AMAR

To Whom Have We Been Talking? Naeem Mohaiemen’s Fabulation of a People-to-Come - NOIT BANAI

The Man without a Country: British Imperial Nostalgia in Ferry to Hong Kong (1959) - KENNY K. K. NG

Imagining Cooperation: Cold War Aesthetics for a Hot Planet - MARINA KANETI

Book Reviews

Through Space and Time - Review of The Odyssey of Communism: Visual Narratives, Memory and Culture edited by Michaela Praisler and Oana-Celia Gheorghiu, Cambridge Scholars Publishing, 2021 - ISABEL GALWEY

Review of Hollywood in China: Behind the Scenes of the World’s Largest Movie Market by Ying Zhu, New Press, 2022 - YONGLI LI

The Cautionary Tale of Painting War Remembrance in China as a New Nationalism - Review of China’s Good War: How World War II Is Shaping a New Nationalism by Rana Mitter, Belknap Press, 2020 - FUWEI ZUO

Tracking American Political Currents - Review of White Identity Politics by Ashley Jardina, Cambridge University Press, 2019, and Fox Populism: Branding Conservatism as Working Class by Reece Peck, Cambridge University Press, 2019 - DAVID GURNEY
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cover of Global Storytelling, vol. 3, no. 1: East Asian Serial Dramas in the Era of Global Streaming Services: Journal of Digital and Moving Images

Global Storytelling, vol. 3, no. 1

East Asian Serial Dramas in the Era of Global Streaming Services: Journal of Digital and Moving Images

Special Issue Editors: Tze-lan Sang, Lina Qu, and Ying Zhu

Michigan Publishing Services, 2023

Special Issue 3.1 – East Asian Serial Dramas in the Era of Global Streaming Services (Summer 2023)
Special Issue Editors Tze-lan Sang, Lina Qu, and Ying Zhu

IN THIS ISSUE

Tze-lan Sang, Lina Qu, and Ying Zhu - East Asian Serial Dramas in the Era of Global Streaming Services: Special Issue Editors’ Introduction

Research Articles
Ying Zhu - The Therapeutic and the Transgressive: Chinese Fansub Straddling between Hollywood IP Laws and Chinese State Censorship
David Humphrey - Japanese Dramas and the Streaming Success Story that Wasn’t: How Industry Practices and IP Shape Japan’s Access to Global Streaming    
Yucong Hao - Transmedia Adaptation, Sonic Affect, and Multisensory Participation in Contemporary Chinese Danmei Radio Drama
Eunice Ying Ci Lim - The Nostalgic Negotiation of Post-TV Legibility in Mom, Don’t Do That!    
Winnie Yanjing Wu - How Pachinko Mirrors Migrant Life: Rethinking the Temporal, Spatial, and Linguistic Dimensions of Migration

Drama Reviews
Mei Mingxue Nan - Squid Game: The Hall of Screens in the Age of Platform Cosmopolitanism
Shuwen Yang - Review of Light the Night

Short Essay
Sheng-mei Ma - Three Bad Kids, One Loving Killer: Red China Noir in Blakean Symmetry
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cover of Global Storytelling, vol. 3, no. 2: Satirical Activism and Youth Culture in and Beyond COVID-19 China: Journal of Digital and Moving Images

Global Storytelling, vol. 3, no. 2

Satirical Activism and Youth Culture in and Beyond COVID-19 China: Journal of Digital and Moving Images

Special Issue Editor: Haiqing Yu

Michigan Publishing Services, 2024

Special Issue Editor: Haiqing Yu

Haiqing Yu. COVID-19, Satirical Activism, and Chinese Youth Culture: An Introduction

Research Articles
Ying Zhu and Junqi Peng.  From Diaosi to Sang to Tangping: The Chinese DST Youth Subculture Online
Shaohua Guo. Moments of "Madness": Cynicism in Times of COVID
Howard Choy. Laughter in the Time of Coronavirus: Epidemic Humor and Satire in Chinese Women's Digital Diaries
Shaoyu Tang. Political In Between: Streaming Stand-Up Comedy and Feminist Reckoning in Contemporary Mainland China
Jingxue Zhang and Charlie Yi Zhang. The Power of Citation: Feminist Counter-Appropriation of State Discourses in Post-Reform China

Book Reviews
Ethan Tussey. Revised Research Methodology for the Age of Media Industries Speculation - Review of Specworld: Folds, Faults, and Fractures in Embedded Creator Industries by John Thornton Caldwell, University of California Press, 2023
Michael Keane. Precarious Creativity and the State in New Era China - Review of Chinese Creator Economies: Labor and Bilateral Creative Workers by Jian Lin, New York University Press, 2023
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cover of Global Storytelling, vol. 4, no. 1: The Global Social Mediascape of Feminism and Misogyny (Summer 2024)

Global Storytelling, vol. 4, no. 1

The Global Social Mediascape of Feminism and Misogyny (Summer 2024)

Special Issue Editor: Hong Zeng

Michigan Publishing Services, 2024

Global Storytelling: Journal of Digital and Moving Images serves as an international and interdisciplinary forum for intellectual debates concerning the politics, economics, culture, media, and technology of the moving image. This special issue (Vol 4.1) tackles the topic of The Global Social Mediascape of Feminism and Misogyny.
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cover of Global Storytelling, vol. 4, no. 2: Netflix and East Asian Audiovisual Culture (Winter 2024)

Global Storytelling, vol. 4, no. 2

Netflix and East Asian Audiovisual Culture (Winter 2024)

Special Issue Editor: Dal Yong Jin

Michigan Publishing Services, 2024

Global Storytelling: Journal of Digital and Moving Images serves as an international and interdisciplinary forum for intellectual debates concerning the politics, economics, culture, media, and technology of the moving image. This special issue (Vol 4.2) tackles the topic of Netflix and East Asian Audiovisual Culture.
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cover of Governing Visions of the Real: The National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand

Governing Visions of the Real

The National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand

Lars Weckbecker

Intellect Books, 2015

Governing Visions of the Real traces the emergence, development, and techniques of Griersonian documentary—named for pioneering Scottish filmmaker John Grierson—in New Zealand throughout the first half of the twentieth century. Paying close attention to the productions of the National Film Unit in the 1940s and ’50s, Lars Weckbecker follows the shifting practices and governmentality of documentary’s “visions of the real” as New Zealand and its population—particularly workers and its indigenous population—came to be envisioned through NFU film for an ensemble of political, pedagogic, and propagandistic purposes.
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cover of Gregg Bordowitz: I Wanna Be Well

Gregg Bordowitz

I Wanna Be Well

Edited by Robyn Farrell and Solveig Nelson

University of Chicago Press, 0

The first monograph to trace artist and activist Gregg Bordowitz’s visual practice.

For over four decades, Gregg Bordowitz has been a force in contemporary art, recognized for his work as an AIDS activist and an artist working in video, conceptual art, and institutional critique. During the 1980s, Bordowitz made vital contributions in the early years of ACT UP (AIDS Coalition to Unleash Power) in New York, where he cofounded video collectives including Testing the Limits and DIVA (Damn Interfering Video Activists). His collaborative activist work formed the foundation of his art practice—a sprawling, diverse, and deeply human endeavor that has explored his gay and Jewish identities within the context of the ongoing AIDS crisis. 

Despite his expansive artistic production, activism, and influence, there has yet to be a full monographic exploration of Bordowitz’s work. This landmark volume serves as the first publication dedicated exclusively to his visual work, offering a comprehensive portrait of an artist in constant motion. I Wanna Be Well—named after the 1977 Ramones song—traces the emergence of his visual art practice. Developed in close collaboration with Bordowitz and a team of art historians, curators, scholars, poets, and artists who have worked with him over the years, this book reveals Bordowitz’s practice as an evolving investigation of how to live, teach, and make art through sustained acts of care, critique, and remembrance. Lavishly illustrated with color throughout, the essays, interviews, poetry, and other writings gathered here present a rich look at Bordowitz’s life and career.

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