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2025 American Society of Papyrologists Book Prize Winner

Garden of Egypt: Irrigation, Society, and the State in the Premodern Fayyūm is the first environmental history of Egypt’s Fayyūm depression. The volume studies human relationships with flowing water, from the third century BCE to the thirteenth century CE. Until the arrival of modern perennial irrigation in the nineteenth century, the Fayyūm was the only region of premodern Egypt to be irrigated by a network of artificial canals. By linking large numbers of rural communities together in shared dependence on this public irrigation infrastructure, canalization introduced to Egypt a radically new way of interacting both with the water of the Nile and with fellow farmers. Drawing upon ancient Greek papyri, medieval Arabic literature, and modern comparative evidence, this book explores the ways in which the Nile’s water, local farmers, and state power together continually reshaped this irrigated landscape over more than thirteen centuries. Following human/water relationships through both space and time further helps to erode disciplinary boundaries and bring multiple periods of Egyptian history into contact with one another.

The immortal characters of Greek mythology enact their dramas, conflicts, and passions in the Library of Apollodorus. Probably composed in the first century A.D., it is the only Greek handbook of mythology to survive antiquity, and is a major source of our knowledge of Greek myths. 

Beginning with the birth of the gods and ending with the death of Odysseus, the Library traces the destinies of such great mythic figures as Prometheus, Oedipus, Heracles, Daedalus, and the heroes of the Trojan War. Sir James G. Frazer called the Library “an accurate record of what the Greeks in general believed about the origin an early history of the world and their race.” 

Michael Simpson’s new translation captures the fine simplicity and straightforwardness of the original. Leonard Baskin’s drawings throw a unique contemporary light on this ancient world. 

Ancient Greek inscriptions are crucially important in understanding the cultures of Greece and the Mediterranean in antiquity. They provide glimpses of the behavior of the people of the time, including clues about their mindsets and aspirations. These public records combine word and image in a multitude of ways and are rich in the insights they offer.

The inscriptions examined in this volume come from a range of objects on metal or stone that include laws, decrees, accounts and inventories, honorific texts, dedications to deities, and funerary epitaphs. They give a broad view of interstate relations, historical narratives, and the political administration of various city-states while also providing new perspectives on concepts such as democracy, citizenship, gender, ethnicity, religion, and the supernatural. Peter Liddel emphasizes the physical form of the texts alongside their importance in understanding ancient Greek culture. Accessible and insightful, Greek Inscriptions both highlights the significance and history of these artifacts and examines their reception in the modern world.

From the ancient Olympic games to the World Series and the World Cup, athletic achievement has always conferred social status. In this collection of essays, a noted authority on ancient sport discusses how Greek sport has been used to claim and enhance social status, both in antiquity and in modern times.

Mark Golden explores a variety of ways in which sport provided a route to social status. In the first essay, he explains how elite horsemen and athletes tried to ignore the important roles that jockeys, drivers, and trainers played in their victories, as well as how female owners tried to rank their equestrian achievements above those of men and other women. In the next essay, Golden looks at the varied contributions that slaves made to sport, despite its use as a marker of free, Greek status. In the third essay, he evaluates the claims made by gladiators in the Greek east that they be regarded as high-status athletes and asserts that gladiatorial spectacle is much more like Greek sport than scholars today usually admit. In the final essay, Golden critiques the accepted accounts of ancient and modern Olympic history, arguing that attempts to raise the status of the modern games by stressing their links to the ancient ones are misleading. He concludes that the contemporary movement to call a truce in world conflicts during the Olympics is likewise based on misunderstandings of ancient Greek traditions.

Grief and the Hero examines Achilles’ experience of the futility of grief in the context of the Iliad’s study of anger. No action can undo his friend Patroklos’ death, but the experience of death drives him to behave as though he can achieve something restorative. Rather than assuming that grief gives rise to anger, as most scholars have done, Grief and the Hero pays close attention to the poem’s representation of the origin of these emotions. In the Iliad, only Achilles’ grief for Patroklos is joined with the word pothê, “longing”; no other grief in the poem is described with this term. The Iliad depicts Achilles’ grief as the rupture of shared life—an insight that generates a new way of reading the epic. Achilles’ anguish drives him to extremes, oscillating between self-isolation and seeking communal expressions of grief; between weeping abundantly and relentlessly pursuing battle; between varied threats of mutilation, deeds of vengeance, and other vows. Yet his yearning for life shared with Patroklos is the common denominator. Here lies the profound insight of the Iliad. All of Achilles’ grief-driven deeds arise from his longing for life with Patroklos, and thus all of these deeds are, in a deep sense, futile. He yearns for something unattainable—undoing the reality of death. Grief and the Hero will appeal not only to scholars and students of Homer but to all humanists. Loss, longing, and even revenge touch many human lives, and the insights of the Iliad have broad resonance.