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100 books match the query 'London' and 3 start with g

cover of GENDER AND PETTY VIOLENCE IN LONDON, 1680-1720

GENDER AND PETTY VIOLENCE IN LONDON, 1680-1720

JENNINE HURL-EAMON

The Ohio State University Press, 2005

Looking at a heretofore overlooked set of archival records of London in the late 17th and early 18th centuries, Hurl-Eamon reassesses the impact of gender on petty crime and its prosecution during the period. This book offers a new approach to the growing body of work on the history of violence in past societies. By focusing upon low-cost prosecutions in minor courts, Hurl-Eamon uncovers thousands of assaults on the streets of early modern London. Previous histories stressing the masculine nature of past violence are questioned here: women perpetrated one-third of all assaults. In looking at more mundane altercations rather than the homicidal attacks studied in previous histories, the book investigates violence as a physical language, with some forms that were subject to gender constraints, but many of which were available to both men and women. Quantitative analyses of various circumstances surrounding the assaults—including initial causes, weapons used, and injuries sustained—outline the patterns of violence as a language.

Hurl-Eamon also stresses the importance of focusing on the prosecutorial voice. In bringing the court’s attention to petty attacks, thousands of early modern men and women should be seen as agents rather than victims. This view is especially interesting in the context of domestic violence, where hundreds of wives and servants prosecuted patriarchs for assault, and in the Mohock Scare of 1712, where London’s populace rose up in opposition to aristocratic violence. The discussion is informed by a detailed knowledge of assault laws and the rules governing justices of the peace.

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cover of Gaming the Stage: Playable Media and the Rise of English Commercial Theater

Gaming the Stage

Playable Media and the Rise of English Commercial Theater

Gina Bloom

University of Michigan Press, 2018

Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology.

Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.

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cover of Glanz und Abglanz: Two Centuries of German Studies in the University of London

Glanz und Abglanz

Two Centuries of German Studies in the University of London

Edited by John L. Flood and Anne Simon

University of London Press, 2017

In 1943, in the midst of a London still reeling from the Blitz, initial plans were laid for an Institute devoted to rebuilding relations between English and German scholars and academics once hostilities had ceased. Established in 1950, the Institute served for more than half a century as a research centre and focal point for researchers the world over. However, German Studies in London have a much older tradition which goes back almost two centuries. Glanz und Abglanz tells the fascinating tale of German Studies in London from its beginnings at the ‘godless institution of Gower Street’, and the remarkable personalities whose energy and commitment ensured that the discipline flourished. The story is told through two essays: ‘Taught by Giants’ outlining the history of the subject in London from 1826, and ‘“Sehr schön, Piglet?” “Ja, Pooh.”’ following the development of the Institute of Germanic Languages and Literatures and showcasing its remarkable library. The volume is rounded off with an account of the magnificent collection of rare books assembled by two of the personalities, Robert Priebsch (1866–1935) and August Closs (1898–1990). John L. Flood has been associated with the University of London for more than fifty years, having taught German at King’s College from 1965 until 1979, when he was appointed Deputy Director of the Institute of Germanic Studies. Since his retirement in 2002, Professor Flood has been an Honorary Fellow of the Institute. Anne Simon took her PhD at the University of London, then became Lecturer in Medieval German at the University of Bristol from 1992 to 2011. She held a temporary Lectureship at the Institute of Germanic & Romance Studies, London, in 2012–13, and is now an Associate Fellow of the Institute of Modern Languages Research.
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