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The Geology, Ecology, and Human History of the San Luis Valley explores the rich landscapes and diverse social histories of the San Luis Valley, an impressive mountain valley spanning over 9,000 square miles that crosses the border of south-central Colorado and north-central New Mexico and includes many cultural traditions. Twenty-six expert scholars and educators—including geologists, geographers, biologists, ecologists, linguists, historians, sociologists, and consultants—uncover the natural and cultural history of the region, which serves as home to the Sangre de Cristo Mountains, the San Juan Mountains, Great Sand Dunes National Park and Preserve, and the Rio Grande headwaters.
 
The first section, “The Geology and Ecology of the San Luis Valley,” surveys the geomorphology, hydrology, animal and plant life, conservation, management, and mining of the valley’s varied terrain. The second section, “Human History of the San Luis Valley,” recounts the valley’s human visitation and settlement, from early indigenous life to Spanish exploration to Hispanic and Japanese settlements. This section introduces readers to the region’s wide range of religious identities—Catholic, Latter-day Saint, Buddhist, Jehovah’s Witness, Amish, and Mennonite—and diverse linguistic traditions, including Spanish, English, Dutch, Danish, Japanese, and Mayan. The final section, “Travel Itineraries,” addresses recreation, specifically fly-fishing and rock climbing.
 
The book provides a comprehensive overview of the endemic flora and fauna, human history of indigenous lifeways, and diverse settlement patterns that have shaped the region. The Geology, Ecology, and Human History of the San Luis Valley will appeal to students and scholars of geology, ecology, environmental history, and cultural history, as well as residents and tourists seeking to know more about this fascinating and integral part of Colorado and New Mexico.
 
Contributors:
Benjamin Armstrong, Timothy Armstrong, Deacon Aspinwall, Robert Benson, Lorrie Crawford, Kristy Duran, Jeff Elison, Eric Harmon, Devin Jenkins, Bradley G. Johnson, Robert M. Kirkham, Bessie Konishi, Angie Krall, Richard D. Loosbrock, Richard Madole, A. W. Magee, Victoria Martinez, James McCalpin, Mark Mitchell, R. Nathan Pipitone, Andrew Valdez, Rio de la Vista, Damián Vergara Wilson
 
 

How museums display extinct species—and what these exhibits say about us.
 
While it’s no longer possible to encounter a dodo in the wild, we can still come face-to-face with them in museums. The remains of extinct species—whether taxidermied, skeletal, drawn, or sculpted—stare back at us from display cases.
 
In this moving meditation on what’s lost and what endures, environmental historian Dolly Jørgensen visits natural history collections worldwide—from Shanghai to Philadelphia, from Edinburgh to Hobart, Australia—to understand the many ways that museums tell stories about extinction. She encounters extinct animals that are framed as cultural artifacts and as rare valuables, that are memorialized with lists, and that are brought to life through augmented reality. She draws our attention to creatures with prominent afterlives—passenger pigeons, giant moas, thylacines—as well as those that are less likely to be discussed or displayed. Throughout, Jørgensen examines the relationship between museums and the natural world, so readers can look more closely at exhibits about extinction, studying the displays for what is there, as well as what is missing. During a period of rapid species loss driven by humanity’s environmental impact, Ghosts Behind Glass asks what we can learn about our world from the presence of the extinct.

The dramatic desert landscapes of the Big Bend country along the Texas-Mexico border reminded historian Walter Prescott Webb of "an earth-wreck in which a great section of country was shaken down, turned over, blown up, and set on fire." By contrast, naturalist Aldo Leopold considered the region a mountainous paradise in which even the wild Mexican parrots had no greater concern than "whether this new day which creeps slowly over the canyons is bluer or golder than its predecessors, or less so." Whether it impresses people as God's country or as the devil's playground, the Big Bend typically evokes strong responses from almost everyone who lives or visits there.

In this anthology of nature writing, Barney Nelson gathers nearly sixty literary perspectives on the landscape and life of the Big Bend region, broadly defined as Trans-Pecos Texas and northern Chihuahua, Mexico. In addition to Leopold and Webb, the collection includes such well-known writers as Edward Abbey, Mary Austin, Roy Bedichek, and Frederick Olmsted, as well as a wide range of voices that includes explorers, trappers, cowboys, ranch wives, curanderos, college presidents, scientists, locals, tourists, historians, avisadores, and waitresses. Following a personal introduction by Barney Nelson, the pieces are grouped thematically to highlight the distinctive ways in which writers have responded to the Big Bend.