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In Gay Print Culture, Juan Carlos Mezo González investigates the relationship between transnational gay liberation politics, periodicals, and images in Mexico, the United States, and Canada from the early 1970s through the mid-1990s. Mezo González examines the production, content, circulation, and reception of leading gay periodicals published in these countries, including community-based gay liberation publications and commercially oriented gay lifestyle and erotic magazines. He demonstrates how they aimed to visualize the political goals of gay liberation, particularly those concerning the liberation and celebration of homoerotic desires. Mezo González contends that visualizing these goals allowed activists, editors, publishers, and artists to foster the formation of gay communities and identities while advancing gay liberation movements at the local, national, and international levels. In so doing, he furthers understandings of the transnational nature of gay periodicals, the relationship between gay liberation politics and visual culture, and the existing tensions between the liberation of some and the oppression of others across the American continent.

In Gestures of Concern Chris Ingraham shows that while gestures such as sending a “Get Well” card may not be instrumentally effective, they do exert an intrinsically affective force on a field of social relations. From liking, sharing, posting, or swiping to watching a TED Talk or wearing an “I Voted” sticker, such gestures operate as much through affective registers as they do through overt symbolic action. Ingraham demonstrates that gestures of concern are central to establishing the necessary conditions for larger social or political change because they give the everyday aesthetic and rhetorical practices of public life the capacity to attain some socially legible momentum. Rather than supporting the notion that vociferous public communication is the best means for political and social change, Ingraham advances the idea that concerned gestures can help to build the affective communities that orient us to one another with an imaginable future in mind. Ultimately, he shows how acts that many may consider trivial or banal are integral to establishing those background conditions capable of fostering more inclusive social or political change.

J. Edgar Hoover, Joseph McCarthy, and Roy Cohn were titanic figures in midcentury America, wielding national power in government and the legal system through intimidation and insinuation. Hoover’s FBI thrived on secrecy, threats, and illegal surveillance, while McCarthy and Cohn will forever be associated with the infamous anticommunist smear campaign of the early 1950s, which culminated in McCarthy’s public disgrace during televised Senate hearings. In Gossip Men, Christopher M. Elias takes a probing look at these tarnished figures to reveal a host of startling new connections among gender, sexuality, and national security in twentieth-century American politics. Elias illustrates how these three men solidified their power through the skillful use of deliberately misleading techniques like implication, hyperbole, and photographic manipulation. Just as provocatively, he shows that the American people of the 1950s were particularly primed to accept these coded threats because they were already familiar with such tactics from widely popular gossip magazines.

By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.