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Jean Hyppolite produced the first French translation of Hegel's Phenomenology of Spirit. His major works—the translation, his commentary, and Logique et existence (1953)—coincided with an upsurge of interest in Hegel following World War II. Yet Hyppolite's influence was as much due to his role as a teacher as it was to his translation or commentary: Foucault and Deleuze were introduced to Hegel in Hyppolite's classes, and Derrida studied under him. More than fifty years after its original publication, Hyppolite's analysis of Hegel continues to offer fresh insights to the reader.

When Gary Snyder’s long poem Mountains and Rivers Without End was published in 1996, it was hailed as a masterpiece of American poetry. Anthony Hunt offers a detailed historical and explicative analysis of this complex work using, among his many sources, Snyder’s personal papers, letters, and interviews. Hunt traces the work’s origins, as well as some of the sources of its themes and structure, including Nō drama; East Asian landscape painting; the rhythms of storytelling, chant, and song; Jungian archetypal psychology; world mythology; Buddhist philosophy and ritual; Native American traditions; and planetary geology, hydrology, and ecology. His analysis addresses the poem not merely by its content, but through the structure of individual lines and the arrangement of the parts, examining the personal and cultural influences on Snyder’s work. Hunt’s benchmark study will be rewarding reading for anyone who enjoys the contemplation of Snyder’s artistry and ideas and, more generally, for those who are intrigued by the cultural and intellectual workings of artistic composition.